"How far is this from the frontier?"
"Three miles and three-quarters, sir."
"On the other side, at no great distance, there's a little German town, is there not?"
[Pg 46]"Yes, sir, Ebrecourt."
"Is there a short-cut to the frontier?"
"Yes, sir, for about half-way: a path at the other end of the park."
"Through the woods?"
"Through Monsieur le Comte's woods."
"And in those woods…"
To acquire total, absolute certainty, that certainty which comes not from an interpretation of the facts but from the facts themselves, which would stand out visible and palpable, all that he had to do was to put the last question: in those woods was not there a little chapel in the middle of a glade? Paul Delroze did not put the question. Perhaps he thought it too precise, perhaps he feared lest it should induce the gamekeeper to entertain thoughts and comparisons which the nature of the conversation was already sufficient to warrant. He merely asked:
"Was the Comtesse d'Andeville away at all during the six weeks which she spent at Ornequin? For two or three days, I mean?"
"No, sir, Madame le Comtesse never left the grounds."
"She kept to the park?"
"Yes, sir. Monsieur le Comte used to drive almost every afternoon to Corvigny or in the valley, but Madame la Comtesse never went beyond the park and the woods."
Paul knew what he wanted to know. Not caring[Pg 47] what Jerome and his wife might think, he did not trouble to find an excuse for his strange series of apparently disconnected questions. He left the lodge and walked away.
Eager though he was to complete his inquiry, he postponed the investigations which he intended to pursue outside the park. It was as though he dreaded to face the final proof, which had really become superfluous after those with which chance had supplied him. He therefore went back to the chateau and, at lunch-time, resolved to accept this inevitable meeting with Elisabeth. But his wife's maid came to him in the drawing-room and said that her mistress sent her excuses. Madame was not feeling very well and asked did monsieur mind if she took her lunch in her own room. He understood that she wished to leave him entirely free, refusing, on her side, to appeal to him on behalf of a mother whom she respected and, if necessary, submitting beforehand to whatever eventual decision her husband might make.
Lunching by himself under the eyes of the butler and footman waiting at table, he felt in the utmost depths of his heart that his happiness was gone and that Elisabeth and he, thanks to circumstances for which neither of them was responsible, had on the very day of their marriage become enemies whom no power on earth could bring together. Certainly, he bore her no hatred and did not reproach her with her mother's crime; but unconsciously he was angry[Pg 48] with her, as for a fault, inasmuch as she was her mother's daughter.
For two hours after lunch he remained closeted with the portrait in the boudoir: a tragic interview which he wished to have with the murderess, so as to fill his eyes with her accursed image and give fresh strength to his memories. He examined every slightest detail. He studied the cameo, the swan with unfurled wings which it represented, the chasing of the gold snake that formed the setting, the position of the rubies and also the draping of the lace around the shoulders, not to speak of the shape of the mouth and the color of the hair and the outline of the face.
It was undoubtedly the woman whom he had seen that September evening. A corner of the picture bore the painter's signature; and underneath, on the frame, was a scroll with the inscription:
Portrait of the Comtesse H.
No doubt the portrait had been exhibited with that discreet reference to the Comtesse Hermine.
"Now, then," said Paul. "A few minutes more, and the whole past will come to life again. I have found the criminal; I have now only to find the place of the crime. If the chapel is there, in the woods, the truth will be complete."
He went for the truth resolutely. He feared it less now, because it could no longer escape his grasp. And yet how his heart beat, with great, painful[Pg 49] throbs, and how he loathed the idea of taking the road leading to that other road along which his father had passed sixteen years before!
A vague movement of Jerome's hand had told him which way to go. He crossed the park in the direction of the frontier, bearing to his left and passing a lodge. At the entrance to the woods was a long avenue of fir-trees down which he went. Four hundred yards farther it branched into three narrow avenues. Two of these proved to end in impenetrable thickets. The third led to the top of a mound, from which he descended, still keeping to his left, by another avenue of fir-trees.
In selecting this road, Paul realized that it was just this avenue of firs the appearance of which aroused in him, through some untold resemblance of shape and arrangement, memories clear enough to guide his steps. It ran straight ahead for some time and then took a sudden turn into a cluster of tall beeches whose leafy tops met overhead. Then the road sloped upwards; and, at the end of the dark tunnel through which he was walking, Paul perceived the glare of light that points to an open space.
The anguish of it all made his knees give way beneath him; and he had to make an effort to proceed. Was it the glade in which his father had received his death-blow? The more that luminous space became revealed to his eyes, the more did he feel penetrated with a profound conviction. As in the room[Pg 50] with the portrait, the past was recovering the very aspect of the truth in and before him.
It was the same glade, surrounded by a ring of trees that presented the same picture and covered with a carpet of grass and moss which the same paths divided as of old. The same glimpse of sky was above him, outlined by the capricious masses of foliage. And there, on his left, guarded by two yew-trees which Paul recognized, was the chapel.
The chapel! The little old massive chapel, whose lines had etched themselves like furrows into his brain! Trees grow, become taller, alter their form. The appearance of a glade is liable to change. Its paths will sometimes interlock in a different fashion. A man's memory can play him a trick. But a building of granite and cement is immutable. It takes centuries to give it the green-gray color that is the mark which time sets upon the stone; and this bloom of age never alters. The chapel that stood there, displaying a grimy-paned rose-window in its east front, was undoubtedly that from which the German Emperor had stepped, followed by the woman who, ten minutes later, committed the murder.
Paul walked to the door. He wanted to revisit the place in which his father had spoken to him for the last time. It was a moment of tense emotion. The same little roof which had sheltered their bicycles projected at the back; and the door was the same, with its great rusty clamps and bars.
He stood on the single step that led to it, raised[Pg 51] the latch and pushed the door. But as he was about to enter, two men, hidden in the shadow on either side, sprang at him.
One of them aimed a revolver full in his face. By some miracle, Paul noticed the gleaming barrel of the weapon just in time to stoop before the bullet could strike him. A second shot rang out, but he had hustled the man and now snatched the revolver from his hand, while his other aggressor threatened him with a dagger. He stepped backwards out of the chapel, with outstretched arm, and twice pulled the trigger. Each time there was a click but no shot. The mere fact, however, of his firing at the two scoundrels terrified them, and they turned tail and made off as fast as they could.
Bewildered by the suddenness of the attack, Paul stood for a second irresolute. Then he fired at the fugitives again, but to no purpose. The revolver, which was obviously loaded in only two chambers, clicked but did not go off.