After breakfast she went back out to the bungalow and used the telephone to make an appointment for that afternoon with Wilson Siddons Barker III, an attorney who specialized in divorce cases and came highly recommended by any number of people Leora knew. She spent a long while on her face and clothes — the better part of the morning — finally selecting a spring suit of her own design, an all-wool Poiret twill in navy with a silk peau de cygne lining, and her blue velvet cape and turban to match. She completed the outfit with her pearls and lorgnette along with two strings of jet beads and a diamond brooch her mother had bequeathed her. “Oh, my, my,” Leora said when she had a look at her, “you are a marvel.”
“You think the brooch is too much?” she said, surveying herself in the full-length mirror in the front hall.
Leora had taken some care with her dress too and she did have style, no doubt about it. She wasn’t nearly as dramatic as Miriam herself was, but then Miriam could carry it off in a way Leora never could — and yet still she had to admit her friend looked terrific in mauve crepe de chine and a bob hat with a spray of pheasant feathers that trailed prettily over one shoulder. “No, no,” Leora murmured, her lips pursed and her eyes fixed on her. “You want to make an impression.”
“You like it? You do? Really?” Miriam felt a flood of satisfaction and for a moment forgot the underlying purpose of all this. They were going to lunch at the Beverly Hills Hotel, yes, but that was just a diversion from the real meat of the day — the interview with the attorney and just what that meant. “You know, this brooch — and the cameo, see the cameo? It’s meant to be the Three Graces, Aglaia, Euphrosyne and Thalia — isn’t that darling? Brilliance, Joy and Bloom. This was all my mother’s and her mother’s before her. My jewelry”—she caught a glimpse of herself in the mirror and saw a tall regal woman staring back at her, the sort of woman who could fend for herself, fetch attorneys, fight Frank Wright till he was sorry he’d ever been born—“is my one real hedge against the worst. If I have to go begging, at least I’ve got something to fall back on.”
“And the ring? Is that the Cleopatra ring?”
“So legend has it. I don’t know the whole story, nobody does, I suppose, but it had been in my husband’s family — his grandfather had it from a jeweler who’d dealt in all sorts of antiquities, especially Egyptian. It’s supposed to be a scarab, you see? They say Cleopatra wore it as a talisman to keep her lovers faithful.” She laughed. “As if anything could control a man when the urge comes over him. But did you know I almost sold it in Paris when the war broke out? There was a man from the museum there, very charming, very persuasive, but I just couldn’t part with it. And I’m so glad. It’s my most important piece.” A smile now, rueful, a delicate delicious infusion of the lips with blood — and she could see Leora was skeptical, or maybe jealous, maybe that was it. Jealous, but doing her best to hide it. “It’s my ring of vengeance, darling. And don’t you think Frank doesn’t know it.”
As it turned out, William Siddons Barker III was very happy to see her, though he sympathized with what she was going through, of course, and it was a shame, a real shame (she broke down in his office, she couldn’t help herself, even with Leora at her side), and he assured her that he would do everything he could for her. He was true to his word. Through his Chicago associate, Frederick S. Fake,17 he was able to get Frank to drop the suit by threatening to counter-sue on the grounds of physical cruelty — yes, and how would that look in the papers, WORLD FAMOUS ARCHITECT BEATS WIFE — and they moved on from there, very slowly, step by faltering step, toward the inevitable.
It hurt her. Every day it hurt. Who was he to throw her over? She was the prize here, not he. And she wrote him to that effect, letter after letter, alternately damning him and reminding him of the passion they once shared, a passion that towered above the petty loves and conventions of the masses — nine years his mistress18 and never a complaint out of her, or barely, barely a whisper — and she called long distance whenever the rage boiled up in her, just to hear the iron in his voice and listen to his pathetic rationalizations, to berate him and scream and sob and curse over the wire till all the operators’ ears from Los Angeles to Spring Green must have sizzled like fat in a pan.
He was adamant — there could be no reconciliation. There was no question of it. On that he wouldn’t give an inch. Still — and this puzzled her — he went out of his way to be reasonable when it ultimately came down to reaching a compromise. More than reasonable: generous. Him, of all people. Frank, who considered an invoice a kind of memorial only and who wouldn’t pay up even if he had the money right in his pocket and the sheriff was at the door. And when they did finally agree some four months later on a divorce settlement—$10,000 in cash, $250 a month maintenance and a half-interest in Taliesin — he even threw in a bone. She’d always claimed she wanted to go back to Paris, his lawyer told hers — that was his understanding — and he wanted her to know he was amenable to that. So much so that if she would leave for Paris within six weeks of signing the settlement, he would give her an additional one thousand dollars on top and exclusive of everything else, just to help ease her transition.
She thought about that — Paris — the rooms she’d taken over an antiquities dealer on the rue des Saints-Pères, the artists she’d counted among her closest intimates, the bistros, the cafés, the gay life she’d led after Emil had passed on, and she very nearly relented. Paris in winter. Paris for Christmas. The smell of roasting marrons hanging over the streets, the blue-gray light of the afternoon, real life, real food, bouillabaisse, foie gras, les fromages. But there was something going on here she didn’t like, something he was hiding from her. She knew him. She knew the way his mind worked.
What she didn’t know about — not yet — was Olgivanna.
CHAPTER 3: THE WAY THINGS BURN
Frank took to Svetlana as if she were his own, and during the first month of the new year it seemed to Olgivanna as if he were going out of his way to spoil the child — endless trips to the zoo, concerts, ice-skating parties on Lake Michigan, frankfurters, popcorn balls, candied apples on a stick — but that was just part of his charm. He never did anything by half measures. He was an enthusiast for life, in love with her and her daughter too, genuine and unself-conscious, though when they were seen on the street together people naturally mistook Svetlana for his granddaughter and that seemed to throw him off his stride. He was no grandfather, he would protest (though he was — his son John had a daughter of three or four, that much Olgivanna knew), but if he was living an illusion, strutting at her side like a young lover and reveling in it, why deny him? Svetlana could have been his daughter — she should have been, an exquisite long-limbed beauty of seven with much more of her mother than Vlademar in her, and she loved the attention, loved the treats and the piggy-back rides and climbing up beside him on the piano bench to pound the keys and sing “Shine On, Harvest Moon” and “Sweeter Than Sugar” along with him, her voice piping and probing even as his own mellow tenor held fast to the melody.
Olgivanna was aware that he was auditioning for the role—Daddy Frank, that was what her daughter called him, just let him step into the room and she’d jump up and spring for his arms, shouting out “Daddy Frank, Daddy Frank!”—and she gave him credit for it, for the headlong rush of his desire and commitment. He was a force of nature, that was what he was, an avalanche of need and emotion that swept all before it. And she was in love too, mad for him, for the pleasure he took in her and the pleasure he gave her in return (Vlademar was nothing compared to him, nothing, as appealing as a dishrag, a milksop, and for the rest of her life she would say that she didn’t know what love was — the physical act, the uniting of two bodies above and beyond the intertwining of their spirits — until she met Frank). And more than that, she was in search of something to hold on to — a cause, a modus vivendi, yes, but security and protection too — and he was there to provide a pair of broad shoulders19 when she most needed them — her savings were dwindling, her husband wasn’t doing much to help and it was awkward living at someone else’s pleasure, a guest in that overcrowded apartment in Chicago with people she’d never really liked to begin with. So when he asked her to come to Taliesin again, with her daughter, and not just for a weekend, but to move in and be part of the life of the place, of his life — she never hesitated.