And I never saw one of them again. In a few days, when I was strong enough, I made my way back to the river and there I was found and helped-I have never known by whom. Half dazed, my fever recurring, I remember only endless journeying, until I found myself near a port.
Yes, there was explosion enough for any man.
That whippersnapper Wells! Suppose, I put it to you, that some such “radium bomb” should be made. Conceive the captains of Kaiser Will’s dirigible fleet possessed of a few nuggets apiece such as those Herr Faesch owned half a century ago. Imagine them cruising above the city of London, sowing their dragon’s-teeth pellets in certain predetermined places, until in time a sufficient accumulation was reached to set the whole thing off. Can you think what horror it might set free upon the world?
And so I have never told this story, nor ever would if it were not for those same Zeppelin dirigible balloons. Even now I think it best to withhold it until this war is over, a year or two perhaps. (And that will probably make it posthumous-if only to accommodate Shaw-but no matter.)
I have seen a great deal. I know what I know, and I feel what I feel; and I tell you, this marvelous decade that stretches ahead of us after this present war will open new windows on freedom for the human race. Can it be doubted? Poor Bagley’s letters from the trenches tell me that the very poilus and Tommies are determined to build a new world on the ruins of the old.
Well, perhaps Herr Faesch’s nuggets will help them, these wiser, nobler children of the dawn who are to follow us. They will know what to make of them. One thing is sure: Count Zeppelin has made it impossible for Herr Faesch’s metal ever to be used for war. Fighting on the ground itself was terrible enough; this new dimension of warfare will end it. Imagine sending dirigibles across the skies to sow such horrors! Imagine what monstrous brains might plan such an assault! Merciful heaven. They wouldn’t dare.
BEST FRIEND
Moray smoothed his whiskers with one hand as he pressed down on the accelerator and swung easily into the top speed lane. Snapping the toggle into a constant eighty-per, he lit a meat-flavored cigarette and replaced the small, darkly warm bar of metal in its socket. He hummed absently to himself, Nothing to do after you were in your right lane – not like flying. He turned on the radio.
'—by Yahnn Bastion Bock,' said the voice. Moray listened; he didn't know the name.
Then there breathed into the speeding little car the sweetly chilly intervals of a flute-stop. Moray smiled. He liked a simple melody. The music ascended and descended like the fiery speck on an oscillograph field; slowed almost to stopping, and then the melody ended. Why, Moray wondered plain-lively, couldn't all music be like that? Simple and clear, without confusing by-play. The melody rose again, with a running mate in the oboe register, and like a ceremonial dance of old days they intertwined and separated, the silvery flute-song and the woody nasal of the oboe. The driver of the little car grew agitated. Suddenly, with a crash, diapasons and clarions burst into the tonal minuet and circled heavily about the principals.
Moray started and snapped off the radio. Try as he would, he never could get used to the Masters' music, and he had never known one of his people who could. He stared out of the window and stroked his whiskers again, forcing his thoughts into less upsetting channels.
A staccato buzz sounded from the dashboard. Moray looked at the road-signs and swung into a lower speed-lane, and then into another. He looped around a ramp intersection and drove into a side-street, pulling up before a huge apartment dwelling.
Moray climbed out into the strip of fuzzy pavement that extended to the lobby of the building. He had to wait a few moments for one of the elevators to discharge its burden; then he got in and pressed the button that would take him to Floor L, where lived Birch, whom he greatly wanted to marry.
The elevator door curled back and he stepped out into the foyer. He quickly glanced at himself in a long pier glass in the hall, flicked some dust from his jacket. He advanced to the door of Birch's apartment and grinned into the photo-eye until her voice invited him in.
Moray cast a glance about the room as he entered. Birch was nowhere to be seen, so he sat down patiently on a low couch and picked up a magazine. It was lying opened to a story called, 'The Feline Foe.'
`Fantastic,' he muttered. All about an invading planetoid from interstellar space inhabited by cat-people. He felt his skin crawl at the thought, and actually growled deep in his throat. The illustrations were terrifying real – in natural color, printed in three-ply engravings. Each line was a tiny ridge, so that when you moved your head from side to side the figures moved and quivered, simulating life. One was of a female much like Birch, threatened by one of the felines. The caption said, ' "Now," snarled the creature, "we shall see who will be Master !" '
Moray closed the magazine and put it aside. 'Birch !' he called protestingly.
In answer she came through a sliding door and smiled 'at him. 'Sorry I kept you waiting,' she said.
`That's all right,' said Moray. 'I was looking at this thing.' He held up the magazine.
Birch smiled again. 'Well, happy birthday !' she cried. 'I didn't forget. How does it feel to be thirteen years old?'
`Awful. Joints cracking, hair coming out in patches, and all.' Moray was joking; he had never felt better, and thirteen was the prime of life to his race. 'Birch,' he said suddenly. 'Since I am of age, and you and I have been friends for a long time --'
`Not just now, Moray,' she said swiftly. 'We'll miss your show. Look at the time!'
`All right,' he said, leaning back and allowing her to flip on the telescreen. 'But remember, Birch – I have something to say to you later.' She smiled at him and sat back into the circle of his arm as the screen commenced to flash with color.
The view was of a stage, upon which was an elaborately robed juggler. He bowed and rapidly, to a muttering accompaniment of drums, began to toss discs into the air. Then, when he had a dozen spinning and flashing in the scarlet light, two artists stepped forward and juggled spheres of a contrasting color, and then two more with conventional Indian clubs, and yet two more with open-necked bottles of fluid.
The drums rolled. 'Hup!' shouted the master-juggler, and pandemonium broke loose upon the stage, the artists changing and interchanging, hurling a wild confusion of projectiles at each others' heads, always recovering and keeping the flashing baubles in the air. 'Hup!' shouted the chief again, and as if by magic the projectiles returned to the hands of the jugglers. Balancing them on elbows and heads they bowed precariously, responding to the radioed yelps of applause from the invisible audience.
`They're wonderful!' exclaimed Birch, her soft eyes sparkling.
`Passably good,' agreed Moray, secretly delighted that his suggested entertainment was a success from the start.
Next on the bill was a young male singer, who advanced and bowed with a flutter of soulful eyelids. His song was without words, as was usual among Moray's people. As the incredible headtones rose without breaking, he squirmed ecstatically in his seat, remembering the real pain he had felt earlier in the night, listening to the strange, confusing music of the Masters.
Moray was in ecstasy, but there was a flaw in his ecstasy. Though he was listening with all his soul to the music, yet under the music some little insistent call for attention was coming through. Something very important, not repeated. He tried to brush it aside ...
Birch nudged him sharply, a little light that you might have called horror in her eyes. 'Moray, your call! Didn't you hear it?'