The funeral director glanced down. ‘I see that you have already put a great deal of thought into the matter,’ he said. ‘And this is a very well-considered service, if I may say so. Partly religious, partly humanist.’
‘Well, there’s a psalm – and there’s the Beatles. A poem, a bit of classical music and a couple of addresses. I don’t want the thing going on too long.’
‘We can work out the timings exactly …’
Diana Cowper had planned her funeral and she was going to need it. She was murdered about six hours later that same day.
At the time of her death, I had never heard of her and I knew almost nothing about how she was killed. I may have noticed the headline in the newspapers – ACTOR’S MOTHER MURDERED – but the photographs and the bulk of the story were all focused on the more famous son, who had just been cast as the lead in a new American television series. The conversation that I have described is only a rough approximation because, of course, I wasn’t there. But I did visit Cornwallis and Sons and spoke at length to both Robert Cornwallis and his assistant (she was also his cousin), Irene Laws. If you were to walk down the Fulham Road you would have no trouble identifying the funeral parlour. The rooms are exactly as I describe them. Most of the other details are taken from witness statements and police reports.
We know when Mrs Cowper entered the funeral parlour because her movements were recorded on CCTV both in the street and on the bus that took her from her home that morning. It was one of her eccentricities that she always used public transport. She could easily have afforded a chauffeur.
She left the funeral parlour at a quarter to twelve, walked up to South Kensington tube station and took the Piccadilly line to Green Park. She had an early lunch with a friend at the Café Murano, an expensive restaurant on St James’s Street, near Fortnum & Mason. From there, she took a taxi to the Globe Theatre on the South Bank. She wasn’t seeing a play. She was on the board and there was a meeting on the first floor of the building that lasted from two o’clock until a little before five. She got home at five past six. It had just begun to rain but she had an umbrella with her and left it in a faux-Victorian stand beside the front door.
Thirty minutes later, somebody strangled her.
She lived in a smart, terraced house in Britannia Road just beyond the area of Chelsea that is known – appropriately, in her case – as World’s End. There were no CCTV cameras in the street, so there was no way of knowing who went in or left around the time of the murder. The neighbouring houses were empty. One was owned by a consortium based in Dubai and was usually rented out, though not at this particular time. The other belonged to a retired lawyer and his wife but they were away in the South of France. So nobody heard anything.
She was not found for two days. Andrea Kluvánek, the Slovakian cleaner who worked for her twice a week, made the discovery when she came in on Wednesday morning. Diana Cowper was lying face down on the living-room floor. A length of red cord, normally used to tie back the curtains, was around her throat. The forensic report, written in the matter-of-fact, almost disinterested manner of all such documents, described in detail the blunt-force injuries of the neck, the fractured hyoid bone and conjunctiva of the eyes. Andrea saw something a great deal worse. She had been working at the house for two years and had come to like her employer, who had always treated her kindly, often stopping to have a coffee with her. On the Wednesday, as she opened the door, she was confronted with a dead body and one that had been lying there for some time. The face, what she could see of it, had gone mauve. The eyes were empty and staring, the tongue hanging out grotesquely, twice its normal length. One arm was outstretched, a finger with a diamond ring pointing at her as if in accusation. The central heating had been on. The body was already beginning to smell.
According to her testimony, Andrea did not scream. She was not sick. She quietly backed out of the house and called the police on her mobile phone. She did not go in again until they arrived.
To begin with, the police assumed that Diana Cowper had been the victim of a burglary. Certain items, including jewellery and a laptop computer, had been taken from the house. Many of the rooms had been searched, the contents scattered. However, there had been no break-in. Mrs Cowper had clearly opened the door to her attacker, although it was unclear if she had known the person or not. She had been surprised and strangled from behind. She had barely put up a fight. There were no fingerprints, no DNA, no clues of any sort, suggesting that the perpetrator must have planned this with a great deal of care. He had distracted her and plucked the red cord off the hook beside the velvet curtain in the living room. He had crept up behind her, slipped it over her head and pulled. It would have taken only a minute or so for her to die.
But then the police found out about her visit to Cornwallis and Sons and realised that they had a real puzzle on their hands. Think about it. Nobody arranges their own funeral and then gets killed on the same day. This was no coincidence. The two events had to be connected. Had she somehow known she was going to die? Had someone seen her going in or coming out of the funeral parlour and been prompted, for some reason, to take action? Who actually knew she had been there?
It was definitely a mystery and one that required a specialist approach. At the same time, it had absolutely nothing to do with me.
That was about to change.
Two
Hawthorne
It’s easy for me to remember the evening that Diana Cowper was killed. I was celebrating with my wife: dinner at Moro in Exmouth Market and quite a lot to drink. That afternoon I had pressed the Send button on my computer, emailing my new novel to the publishers, putting eight months’ work behind me.
The House of Silk was a Sherlock Holmes sequel that I had never expected to write. I had been approached, quite out of the blue, by the Conan Doyle estate, who had decided, for the first time, to lend their name and their authority to a new adventure. I leapt at the opportunity. I had first read the Sherlock Holmes stories when I was seventeen and they had stayed with me all my life. It wasn’t just the character I loved, although Holmes is unquestionably the father of all modern detectives. Nor was it the mysteries, as memorable as they are. Mainly I was drawn to the world that Holmes and Watson inhabited: the Thames, the growlers rattling over the cobblestones, the gas lamps, the swirling London fog. It was as if I’d been invited to move into 221b Baker Street and become a quiet witness to the greatest friendship in literature. How could I refuse?
It struck me from the very start that my job was to be invisible. I tried to hide myself in Doyle’s shadow, to imitate his literary tropes and mannerisms, but never, as it were, to intrude. I wrote nothing that he might not have written himself. I mention this only because it worries me to be so very prominent in these pages. But this time round I have no choice. I’m writing exactly what happened.
For once, I wasn’t working on any television. Foyle’s War, my wartime detective series, was no longer in production and there was a question mark over its return. I’d written more than twenty two-hour episodes over a sixteen-year period, almost three times longer than the war itself. I was tired. Worse still, having finally reached 15 August 1945, VJ Day, I had run out of war. I wasn’t quite sure what to do next. One of the actors had suggested ‘Foyle’s Peace’. I didn’t think it would work.
I was also between novels. At this time I was known mainly as a children’s author although I secretly hoped that The House of Silk would change that. In 2000, I’d published the first in a series of adventures about a teenaged spy called Alex Rider which had sold all over the world. I loved writing children’s books but I was worried that with every year that passed I was getting further and further away from my audience. I had just turned fifty-five. It was time to move on. As it happened, I was about to travel to the Hay-on-Wye literary festival to talk about Scorpia Rising, the tenth and supposedly last book in the series.