"Tell me, I beseech you, what I have done, and how to deserve your pardon."
"Oh, my lord!" I cried, "I have never dreamt of offence; if there is any pardon to be asked it is rather for me than for you to ask it."
"You are all sweetness and condescension!" cried he; "but will you pardon a question essentially important to me? Had, or had not, Sir Clement Willoughby any share in causing your inquietude?"
"No, my lord!" answered I, with firmness, "none in the world. He is the last man who would have any influence over my conduct."
Just then Mrs. Beaumont opened the door, and in a few minutes we went in to breakfast. When she spoke of my journey a cloud overspread the countenance of Lord Orville, and on Mrs. Selwyn asking me to seek some books for her in the parlour, I was followed by Lord Orville. He shut the door, and approached me with a look of great anxiety.
"You are going, then," he cried, taking my hand, "and you give me not the smallest hope of your return?"
"Oh, my lord!" I said, "surely your lordship is not so cruel as to mock me!"
"Mock you!" repeated he earnestly. "No, I revere you! You are dearer to me than language has the power of telling!"
I cannot write the scene that followed, though every word is engraved on my heart; but his protestations, his expressions, were too flattering for repetition; nor would he suffer me to escape until he had drawn from me the most sacred secret of my heart!
To be loved by Lord Orville, to be the honoured choice of his noble heart--my happiness seems too infinite to be borne.
I could not write yesterday, so violent was the agitation of my mind, but I will not now lose a moment till I have hastened to my best friend an account of the transactions of the day.
Mrs. Selwyn and I went early in Mrs. Beaumont's chariot to see my father, Sir John Belmont What a moment for your Evelina when, taking my hand, she led me forward into his presence. An involuntary scream escaped me; covering my face with my hands, I sank on the floor.
He had, however, seen me first, for in a voice scarce articulate he exclaimed, "My God! does Caroline Evelyn still live? Lift up thy head, if my sight has not blasted thee, thou image of my long-lost Caroline!"
Affected beyond measure, I half arose and embraced his knees.
"Yes, yes," cried he, looking earnestly in my face, "I see thou art her child! She lives, she is present to my view!"
"Yes, sir," cried I, "it is your child if you will own her!"
He knelt by my side, and folded me in his arms. "Own thee!" he repeated, "yes, my poor girl, and heaven knows with what bitter contrition!"
All is over, my dearest sir, and the fate of your Evelina is decided! This morning, with tearful joy, and trembling gratitude, she united herself for ever with the object of her dearest, eternal affection.
I have time for no more; the chaise now waits which is to conduct me to dear Berry Hill and the arms of the best of men.
WILLIAM CARLETON
The Black Prophet
William Carleton, the Irish novelist, was born in Co. Tyrone on February 20, 1794. His father was a small farmer, the father of fourteen children, of whom William was the youngest. After getting some education, first from a hedge schoolmaster, and then from Dr. Keenan of Glasslough, Carleton set out for Dublin and obtained a tutorship. In 1830 he collected a number of sketches, and these were published under the title of "Traits and Stories of the Irish Peasantry," and at once enjoyed considerable popularity. In 1834 came "Tales of Ireland," and from that time forward till his death Carleton produced with great industry numerous short stories and novels, though none of his work after 1848 is worthy of his reputation. "The Black Prophet" was published in 1847, and Carleton believed rightly that it was his best work. It was written in a season of unparalleled scarcity and destitution, and the pictures and scenes represented were those which he himself witnessed in 1817 and 1822. Many of Carleton's novels have been translated into French, German, and Italian, and they will always stand for faithful and powerful pictures of Irish life and character. Carleton died in Dublin on January 30, 1869.
I.--The Murders in the Glen
The cabin of Donnel M'Gowan, the Black Prophet, stood at the foot of a hill, near the mouth of a gloomy and desolate glen.
In this glen, not far from the cabin, two murders had been committed twenty years before. The one was that of a carman, and the other a man named Sullivan; and it was supposed they had been robbed. Neither of the bodies had ever been found. Sullivan's hat and part of his coat had been found on the following day in a field near the cabin, and there was a pool of blood where his foot-marks were deeply imprinted. A man named Dalton had been taken up under circumstances of great suspicion for this latter murder, for Dalton was the last person seen in Sullivan's company, and both men had been drinking together in the market. A quarrel had ensued, blows had been exchanged, and Dalton had threatened him in very strong language.
No conviction was possible because of the disappearance of the body, but Dalton had remained under suspicion, and the glen, with its dark and gloomy aspect, was said to be haunted by Sullivan's spirit, and to be accursed as the scene of crime and supernatural appearances.
Within M'Gowan's cabin, which bore every mark of poverty and destitution, a young girl about twenty-one, of tall and slender figure, with hair black as the raven's wing, and eyes dark and brilliant, wrangled fiercely with an older woman, her stepmother. From words they passed to a fearful struggle of murderous passion.
Presently, Sarah, the younger of the two, started to her feet, and fled out of the house to wash her hands and face at the river that flowed past. Then she returned, and spoke with frankness and good nature.
"I'm sorry for what I did. Forgive me, mother! You know I'm a hasty divil--for a divil's limb I am, no doubt of it. Forgive me, I say! Do now; here, I'll get something to stop the blood!"
She sprang at the moment, with the agility of a wild cat upon an old chest that stood in the corner of the hut. By stretching herself up to her full length, she succeeded in pulling down several old cobwebs that had been undisturbed for years, and while doing so, knocked down some metallic substance which fell on the floor.
"Murdher alive, mother!" she exclaimed. "What is this? Hallo, a tobaccy-box! An' what's this on it? Let me see. Two letters--a 'P' and an 'M.' 'P.M.'--arrah, what can that be for? Well, divil may care. Let it lie on the shelf there. Here now, none of your cross looks. I say, put these cobwebs to your face, and they'll stop the bleedin'. And now good-night to you, an' let that be a warnin' to you not to raise your hand to me again."
The girl went off to spend the night at a dance and a wake, and the stepmother having dressed her wound as well as she could, sat down by the fire and began to ruminate.
Presently she took up the tobacco-box, and looking at it carefully, clasped her hands.
"It's the same!" she exclaimed. "Oh, merciful God, it's thrue--it's thrue! I know it by the broken hinge an' the two letters! Saviour of life, how will this end, and what will I do? But, anyway, I must hide this, and put it out of his reach."
She accordingly went out and thrust the box up under the thatch of the roof so that it was impossible to suspect that the roof had been disturbed.
II.--The Prophet Schemes
That same evening Donnel was overtaken on the road from Ballynafail, the market-town, by Jerry Sullivan, a struggling farmer, and they proceeded together to the latter's house.
"This woful saison, along wid the low prices and the high rents, houlds out a black and terrible look for the counthry, God help us!" said Sullivan.
"Ay," returned the Black Prophet, "if you only knew it. Isn't the Almighty, in His wrath, this moment proclaimin' it through the heavens and the airth? Look about you, and say what is it you see that doesn't foretell famine. Doesn't the dark, wet day, an' the rain, rain, rain foretell it? Doesn't the rottin' crops, the unhealthy air, an' the green damp foretell it? Doesn't the sky without a sun, the heavy clouds, an' the angry fire of the west foretell it? Isn't the airth a page of prophecy, an' the sky a page of prophecy, where every man may read of famine, pestilence, an' death?"