VI.--The Miracle of Isis and the Fate of Lucius
As I nestled down on the soft sand, the full-orbed moon rose above the eastern waves, and shone with a glorious radiance. My heart opened to the mysteries of the sacred night, and I sprang up, and bathed seven times in the cleansing water of the sea. Then, with tears upon my cheeks, I prayed to Isis, the mighty saviour goddess:
"O Queen of Heaven, who dost enlighten the world with thy lovely beams as thou goest on thy lonely way, hear me now and help me, in my peril and misery and misfortune! Restore me, O mighty goddess, to my rightful shape, and let Lucius return to the bosom of his family."
Sleep fell swiftly upon my eyes, and in my sleep the goddess visited me. She rose up, a vision of light, from the waters. On her head was a crown of radiant flowers, shaped like the moon, and serpents coiled about her temples, and her divine body was arrayed in a robe of shining darkness embroidered with innumerable stars.
"See, Lucius," she said, with a voice that breathed a great sweetness over me, "Isis appears in answer to your prayer. Cease now to weep and mourn, for I am come in pity of your lot to show favour to you. To-morrow my priest will descend to the seashore to celebrate my festival, and in his left hand he will carry a crown of roses. Go forth without fear, and take the crown of roses, and then put off the shape of a beast, and put on the form of a man. Serve me well all the days of your life, and when you go down to the grave you shall see me as a light amid the darkness--as a queen in the palace of hell. By my favour you shall be lifted up into the fields of Paradise, and there you shall worship and adore me for all eternity."
The saviour goddess then vanished, and I awoke, and the dawn was in the sky, and the waves of the sea were dancing in the golden light. A long procession was winding down from the city to the shore to the sound of flutes and pipes.
First came a great multitude of people carrying lamps and torches and tapers in honour of the constellations of heaven; then a choir of sweet-voiced boys and girls in snowy garments; and next a train of men and women luminous in robes of pure white linen; these were the initiates; and they were followed by the prelates of the sacred mysteries; and behind them all walked the high priest, bearing in his right hand the mystic rattle of Isis, and in his left hand the crown of roses. By divine intervention, the crowd parted and made a way for me; and when I came to the priest he held out the roses, and I ate them, and was changed into a man. The people raised their hands to heaven, wonder-stricken by the miracle, and the fame of it went out over all the world. The priest initiated me into the mysteries of Isis and Osiris, and I shaved my head, and entered the College of Pastors, and became a servant of the high gods.
The Arabian Nights
Or, The Thousand and One Nights
There is as much doubt about the history of "The Thousand and One Nights" as that which veils the origin of the Homeric poems. It is said that a certain Caliph Shahryar, having been deceived by his wife, slew her, and afterwards married a wife only for one day, slaying her on the morning after. When this slaughter of women had continued some time he became wedded to one Shahrazad, daughter of his Vizir, who, by telling the Commander of the Faithful exciting stories and leaving them unfinished every dawn, so provoked the Caliph's curiosity that he kept her alive, and at last grew so fond of her that he had no thought of putting her to death. As for the authorship of the stories, they are certainly not the work of one mind, and have probably grown with the ages into their present form. The editions published for Christian countries do not represent the true character of these legends, which are often exceedingly sensual. The European versions of this extraordinary entertainment began in 1704 with the work of one Antoine Galland, Professor of Arabic at the College of France, a Frenchman who, according to Sir Richard Burton, possessed "in a high degree that art of telling a tale which is far more captivating than culture or scholarship." Sir R. Burton (see Vol. XIX) summed up what may be definitely believed of the Nights in the following conclusion: The framework of the book is purely Persian perfunctorily Arabised, the archetype being the Hazar Afsanah. The oldest tales may date from the reign of Al-Mansur, in the eighth century; others belong to the tenth century; and the latest may be ascribed to the sixteenth. The work assumed its present form in the thirteenth century. The author is unknown, "for the best reason; there never was one."
I.--The Seven Voyages of Sindbad the Sailor
When the father of Sindbad was taken to Almighty Allah, much wealth came to the possession of his son; but soon did it dwindle in boon companionship, for the city of Baghdad is sweet to the youthful. Then did Sindbad bethink him how he might restore his fortune, saying to himself: "Three things are better than other three; the day of death is better than the day of birth, a live dog is better than a dead lion, and the grave is better than want"; and gathering merchandise together, he took ship and sailed away to foreign countries.
Now it came to pass that the captain of this ship sighted a strange island, whereon were grass and trees, very pleasant to the eyes. So they anchored, and many went ashore. When these had gathered fruits, they made a fire, and were about to warm themselves, when the captain cried out from the ship: "Ho there! passengers, run for your lives and hasten back to the ship and leave your gear and save yourselves from destruction. Allah preserve you! For this island whereon ye stand is no true island, but a great fish stationary a-middlemost of the sea, whereon the sand hath settled and trees have sprung up of old time, so that it is become like unto an island; but when ye lighted fires on it, it felt the heat and moved; and in a moment it will sink with you into the depths of the sea and ye will be drowned."
When the fish moved, the captain did not wait for his passengers, but sailed away, and Sindbad, seizing a tub, floated helpless in the great waters. But by the mercy of Allah he was thrown upon a true island, where a beautiful mare lay upon the ground, who cried at his approach. Then a man started up at the mare's cry, and seeing Sindbad, bore him to an underground chamber, where he regaled the waif with plenteous food. To him did this man explain how he was a groom of King Mirjan, and that he brought the king's mares to pasture on the island, hiding underground while the stallions of the sea came up out of the waves unto the mares. Presently Sindbad saw this strange sight, and witnessed how the groom drove the stallions back to the waves when they would have dragged the mares with them. After that he was carried before King Mirjan, who entreated him kindly, and when he had amassed wealth, returned by ship to Bussorah, and so to Baghdad.
But becoming possessed with the thought of travelling about the ways of men, he set out on a second voyage. And it came to pass that he landed with others on a lovely island, and lay down to sleep, after he had eaten many delicious fruits. Awaking, he found the ship gone. Then, praying to Almighty Allah, like a man distracted, he roamed about the island, presently climbing a tree to see what he could see. And he saw a great dome afar, and journeyed to it.
There was no entrance to this white dome, and as he went round about it, the sun became suddenly darkened, so that he looked towards it in fear, and lo! a bird in the heavens whose wings blackened all light. Then did Sindbad know that the dome was an egg, and that the bird was the bird roc, which feeds its young upon elephants. Sore afraid, he hid himself, and the bird settled upon the egg, and brooded upon it. Then Sindbad unwound his turban, and, tying one end to the leg of the great bird and the other about his own middle, waited for the dawn.