The ship that carried Aucassin was wrecked in a great storm, and it drifted over the sea to Beaucaire. The people that ran to break up the wreck found their young lord, and made great joy over his return. For his father was dead, and he was now Count Aucassin. The people led him to the castle, and did homage to him, and he held all his lands in peace. But little delight had Aucassin in his wealth and power and kingdom.
Though he lived in joy and ease,
And his kingdom was at peace,
Aucassin did so regret
His sweet lady, Nicolette,
That he would have liefer died
In the battle by her side.
"Ah, my Nicolette," he said,
"Are you living, are you dead?
All my kingdom I would give
For the news that still you live.
For the joy of finding you
Would I search the whole world through,
Did I think you living yet,
Nicolette--my Nicolette!"
V.--Nicolette's Love Song
In the meantime, the Saracens took Nicolette to their great city of Carthage; and because she was lovely and seemed of noble birth, they led her to their king. And when Nicolette saw the King of Carthage, she knew him again; and he, also, knew her. For she was his daughter who had been carried off in her young days by the Christians. Her father held a great feast in honour of Nicolette, and would have married her to a mighty king of Paynim. But Nicolette had no mind to marry anyone but Aucassin, and she devised how she might get news of her lover. One night she smeared her face with a brown ointment, and dressed herself in minstrel's clothes, and took a viol, and stole out of her father's palace to the seashore. There she found a ship that was bound for Provence, and she sailed in it to Beaucaire. She took her viol, and went playing through the town, and came to the castle. Aucassin was sitting on the castle steps with his proud barons and brave knights around him, gazing sorrowfully at the sweet flowers, and listening to the singing of the birds.
"Shall I sing you a new song, sire?" said Nicolette.
"Yes, fair friend," said Aucassin; "if it be a merry one, for I am very sad."
"If you like it," said Nicolette, "you will find it merry enough."
She drew the bow across her viol, and made sweet music, and then she sung:
Once a lover met a maid
Wandering in a forest glade,
Where she had a pretty house
Framed with flowers and leafy boughs.
Maid and lover merrily
Sailed away across the sea,
To a castle by the strand
Of a strange and pleasant land.
There they lived in great delight
Till the Saracens by night
Stormed the keep, and took the maid,
With the captives of their raid.
Back to Carthage they returned,
And the maiden sadly mourned.
But they did not make of her
Paramour or prisoner.
For the King of Carthage said,
When he saw the fair young maid:
"Daughter!" and the maid replied:
"Father!" And they laughed and cried.
For she had been stolen when
She was young by Christian men.
And the captain of Beaucaire
Bought her as a slave-girl there.
Once her lover loved her well
Now, alas! he cannot tell
Who she is. Does he forget--
Aucassin--his Nicolette?
Aucassin leaped down the castle steps, and took his lady in his arms. Then she went to the house of her godfather, the captain of the town, and washed all the brownness from her face, and clad herself in robes of rich silk. And, early on the morrow, Count Aucassin wedded her, and made her Lady of Beaucaire; and they had great joy of one another. And here my song-story ends. I know no more.
BERTHOLD AUERBACH
On the Height
Berthold Auerbach, a German poet and author of Jewish descent, was born at Nordstetten, in Würtemberg, on February 28, 1812. On the completion of his studies at the universities of Tübingen, Munich and Heidelberg he immediately devoted himself to literature. His first publication dealt with "Judaism and Recent Literature," and was to be followed by a series of novels taken from Jewish history. Of this intended series he actually published, with considerable success, "Spinoza" and "Poet and Merchant." But real fame and popularity came to him when he began to occupy himself with the life of the general people which forms the subject of his best-known works. In these later books, of which "On the Height" is perhaps the most characteristic and certainly the most famous, he revealed an unrivalled insight into the soul of the Southern German country folk, and especially of the peasants of the Black Forest and the Bavarian Alps. His descriptions are remarkable for their fresh realism, graceful style and humour. In addition to these qualities, his last books are marked by great subtlety of psychological analysis. "On the Height" was first published at Stuttgart in 1861, and has been translated into several languages. Auerbach died at Cannes on February 8, 1882, when all Germany was preparing to celebrate his 70th birthday.
I.--A Peasant Nurse in a Royal Palace
Walpurga was as in a dream. It had all happened so quickly! Only a fortnight ago, on the walk home from Sunday Mass at the village church, her Hanseï had to make a hay bed for her on a stone-heap by the roadside. She had thought she could not get back to the cottage in time, but she recovered after a while and bravely walked home. Her mother was with her in the hour of suffering, as she had been with her through all the joys and sorrows of her simple life. Then came the supreme joy of the awakening, with a new life by her side, a baby-girl groping helplessly for the mother's breast. Then--was it only yesterday?--when she was waiting for the return of the christening party, a carriage drove up with the village doctor and an elegant stranger. There was much beating about the bush, and then it came out like a thunderbolt. The stranger was a great doctor from the capital, entrusted with the mission to find in the mountains an honest, comely peasant woman, and married she must be, to act as wet-nurse for the expected crown prince or princess.
Then Hanseï came home with the merry party--there was much storming and angry refusal; but finally the practical sense of the peasant folk prevailed. It was, after all, only for a year, and it would mean comfort and wealth, instead of hunger and grinding poverty. And scarcely had their consent been wrung from them, when shouting and cheering announced the great event of the crown prince's birth. Then came that strange, long drive over hill and dale, through the dark night; and now, in the Royal Palace, she tried to collect herself, to grasp the meaning of all that splendour, the unintelligible ceremonious talk and bearing of those about her. She was to be taken at once to see the queen and her precious charge.
Walpurga was full of happiness when she left the queen's bedroom. Touched by the comely young peasant-woman's naive and familiar kindliness, the queen, who seemed to her beautiful as an angel, had kissed her, and, on noticing a tear, had said: "Don't cry, Walpuga! You are a mother, too, like myself!" The little prince took to his nurse without much trouble, and she soon became accustomed to her new life, although her thoughts often dwelt longingly on her native mountains, her own child and mother and husband. How they would miss her! She knew her Hanseï was a good man at heart, but not particularly shrewd, and easily gulled or led astray.