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CYRANO DE BERGERAC

A Voyage to the Moon

Savinien Cyrano de Bergerac has recently acquired a new lease of fame as the hero of Edmond Rostand's romantic comedy. Probably he is better known in France as a fighter than as a wit and a poet. Born about 1620, he entered the Regiment of the Guards in his nineteenth year, and quickly became renowned for his bravery. He was an indefatigable duellist; when he was about twenty years old, he found a hundred men assembled to insult one of his friends, and he attacked them, killed two, mortally wounded seven, and dispersed all the rest. He died at Paris in 1655, struck by a huge beam falling into the street. As an author he was strangely underrated by his fellow-countrymen. Molière was the only man who really appreciated him. For some centuries his works have been more esteemed in England than in France. Many English writers, from Dean Swift to Samuel Butler, the author of "Erewhon," have been inspired by his "Voyage to the Moon," the English equivalent of the original title being, "Comic History of the States and Empires of the Moon and the Sun." This entertaining satire is as fresh as it was on the day it was written: flying machines and gramophones, for instance, are curiously modern. His inimitable inventiveness makes him the most delightful of French writers between Montaigne and Molière.

I.--Arrival on the Moon

After many experiments I constructed a flying machine, and, sitting on top of it, I boldly launched myself in the air from the crest of a mountain. I had scarcely risen more than half a mile when something went wrong with my machine, and it shot back to the earth. But, to my astonishment and joy, instead of descending with it, I continued to rise through the calm, moonlight air. For three-quarters of an hour I mounted higher and higher. Then suddenly all the weight of my body seemed to fall upon my head. I was no longer rising quietly from the Earth, but tumbling headlong on to the Moon. At last I crashed through a tree, and, breaking my fall among its leafy, yielding boughs, I landed gently on the grass below.

I found myself in the midst of a wild and beautiful forest, so full of the sweet music of singing-birds that it seemed as if every leaf on every tree had the tongue and figure of a nightingale. The ground was covered with unknown, lovely flowers, with a magical scent. As soon as I smelt it I became twenty years younger. My thin grey hairs changed into thick, brown, wavy tresses; my wrinkled face grew fresh and rosy; and my blood flowed through my veins with the speed and vigour of youth.

I was surprised to find no trace of human habitation in the forest. But in wandering about I came upon two strong, great animals, about twelve cubits long. One of them came towards me, and the other fled into the forest. But it quickly returned with seven hundred other beasts. As they approached me, I perceived that they were creatures with a human shape, who, however, went on all-fours like some gigantic kind of monkey. They shouted with admiration when they saw me; and one of them took me up by the neck and flung me on his back, and galloped with me into a great town.

When I saw the splendid buildings of the city I recognised my mistake. The four-footed creatures were really enormous men. Seeing that I went on two legs, they would not believe that I was a man like themselves. They thought I was an animal without any reasoning power, and they resolved to send me to their queen, who was fond of collecting strange and curious monsters.

All this, of course, I did not understand at the time. It took me some months to learn their language. These men of the Moon have two dialects; one for the nobility, the other for the common people. The language of the nobility is a kind of music; it is certainly a very pleasant means of expression. They are able to communicate their thoughts by lutes and other musical instruments quite as well as by the voice.

When twenty or thirty of them meet together to discuss some matter, they carry on the debate by the most harmonious concert it is possible to imagine.

The common people, however, talk by agitating different parts of their bodies. Certain movements constitute an entire speech. By shaking a finger, a hand, or an arm, for instance, they can say more than we can in a thousand words. Other motions, such as a wrinkle on the forehead, a shiver along a muscle, serve to design words. As they use all their body in speaking in this fashion, they have to go naked in order to make themselves clearly understood. When they are engaged in an exciting conversation they seem to be creatures shaken by some wild fever.

Instead of sending me at once to the Queen of the Moon, the man who had captured me earned a considerable amount of money by taking me every afternoon to the houses of the rich people. There I was compelled to jump and make grimaces, and stand in ridiculous attitudes in order to amuse the crowds of guests who had been invited to see the antics of the new animal.

But one day, as my master was pulling the rope around my neck to make me rise up and divert the company, a man came and asked me in Greek who I was. Full of joy at meeting someone with whom I could talk, I related to him the story of my voyage from the Earth.

"I cannot understand," I said, "how it was I rose up to the Moon when my machine broke down and fell to the Earth."

"That is easily explained," he said. "You had got within the circle of lunar influence, in which the Moon exerts a sort of sucking action on the fat of the body. The same thing often happens to me. Like you, I am a stranger on the Moon. I was born on the Sun, but, being of a roving disposition, I like to explore one planet after another. I have travelled a good deal in Europe, and conversed with several persons whose names you no doubt know. I remember that I was once famous in ancient Greece as the Demon of Socrates."

"Then you are a spirit?" I exclaimed.

"A kind of spirit," he replied. "I was one of the large company of the Men of the Sun who used to inhabit the Earth under the names of oracles, nymphs, woodland elves, and fairies. But we abandoned our world in the reign of the Emperor Augustus; your people then became so gross and stupid that we could no longer delight in their society. Since then I have stayed on the Moon. I find its inhabitants more enlightened than the inhabitants of the Earth."

"I don't!" I exclaimed. "Look how they treat me, as if I were a wild beast! I am sure that if one of their men of science voyaged to the Earth, he would be better received than I am here."

"I doubt it," said the Man of the Sun. "Your men of science would have him killed, stuffed, and put in a glass case in a museum."

II.--The Garb of Shame

At this point our conversation was broken off by my keeper. He saw that the company was tired of my talk, which seemed to them mere grunting. So he pulled my rope, and made me dance and caper until the spectators ached with laughter.

Happily, the next morning the Man of the Sun opened my cage and put me on his back and carried me away.

"I have spoken to the King of the Moon," he said; "and he has commanded that you should be taken to his court and examined by his learned doctors."

As my companion went on four feet, he was able to travel as fast as a racehorse, and we soon arrived at another town, where we put up at an inn for dinner. I followed him into a magnificently furnished hall, and a servant asked me what I would begin with.

"Some soup," I replied.

I had scarcely pronounced the words when I smelt a very succulent broth. I rose up to look for the source of this agreeable smell; but my companion stopped me.

"What do you want to walk away for?" said he. "Stay and finish your soup."

"But where is the soup?" I said.