V.--The Duel at Wizard's Slough
The only thing which pleased me was that Lorna was taken to London before I led the assault on Glen Doone. Jeremy Stickler, a man with much knowledge of the law, discovered that she was a great heiress, and that her true title was Lady Lorna Dugal. She was related to the Doones, and they had carried her off when a little child, and on her all the ambition of Sir Ensor Doone had turned. The marriage he designed between her and Carver would have brought the outlaws the wealth necessary to retrieve their fortunes and recover their position in the world. This strange news explained many things in their conduct towards Lorna, but it made me feel rather sad. For it seemed to me that there was too great a difference between John Ridd, the yeoman farmer, and Lady Lorna, the heiress of the Earl of Lome. Besides, she was now a ward of chancery, under the care of the great Lord Jeffreys, and I much doubted if he would consent to our marriage, even if she still remembered me amid the courtly splendour in which she moved. Judge then of my joy when Lorna returned in the spring to our farm, as glad as a bird to get back to its nest.
"Oh, I love it all," she said. "The scent of the gorse on the moors drove me wild, and the primroses under the hedges. I am sure I was meant to be a farmer's wife."
This, with a tender, playful look at me. Then she told the good news. Lord Jeffreys had, for a certain round sum, given his ward permission to marry me. There was a great to-do throughout the country about our wedding on Whit-Monday. People came from more than thirty miles around, upon excuse of seeing Lorna's beauty and my stature; but in good truth out of curiosity and a love of meddling.
It is impossible for any, who have not loved as I have, to conceive my joy and pride when, after the ring and all was done, and the parson had blessed us, she turned and gazed on me. Her eyes were so full of faith and devotion that I was amazed, thoroughly as I knew them. But when I stooped to kiss her, as the bridegroom is allowed to do, a shot rang through the church. My darling fell across my knees, and her blood flowed out on the altarsteps. She sighed a long sigh to my breast, and grew cold. I laid her in my mother's arms, and went forth for my revenge.
The men fell back before me. Who showed me the course, I cannot tell. I only know that I leaped upon a horse and took it. Weapon of no sort had I. Unarmed, and wondering at my strange attire, I rode out to discover this: whether in this world there be or be not a God of justice. Putting my horse at a furious speed, I came upon Black Burrow Down, and there, a furlong before me, rode a man on a great black horse. I knew that man was Carver Doone, bearing his child, little Ensie, before him. I knew he was strong. I knew he was armed with gun, pistol, and sword. Nevertheless, I had no more doubt of killing him than a cook has of spitting a headless fowl.
I came up with him at Wizard's Slough. A bullet struck me somewhere, but I took no heed of that. With an oak stick I felled his horse. Carver Doone lay on the ground, stunned. Leaping from my steed, I waited, and bared my arms as if in the ring for wrestling. Then the boy ran towards me, clasped my leg, and looked up at me.
"Ensie, dear," I said, "run and try to find a bunch of bluebells for the pretty lady."
Presently Carver Doone gathered together his mighty limbs, and I closed with him. He caught me round the waist with such a grip as had never been laid upon me. I heard a rib go where the bullet had broken it. But God was with me that day. I grasped Carver Doone's arm, and tore the muscle out of it; then I had him by the throat, and I left him sinking, joint by joint, into the black bog.
I returned to the farm in a dream, and only the thought of Lorna's death, like a heavy knell, was tolling in the belfry of my brain. Into the old farmhouse I tottered, like a weakling child, with mother helping me along, yet fearing, except by stealth, to look at me.
"I have killed him," was all I said, "even as he killed Lorna."
"Lorna is still living, John," said my mother, very softly.
"Is there any chance for her?" I cried, awaking out of my dream. "For me, I mean; for me?"
Well, my darling is sitting by me now as I write, and I am now Sir John Ridd, if you please. Year by year, Lorna's beauty grows, with the growth of goodness, kindness, and true happiness--above all, with loving. For change, she makes a joke of this, and plays with it, and laughs at it. Then, when my slow nature marvels, back she comes to the earnest thing. If I wish to pay her out--as may happen once or twice, when we become too galdsome--I bring her to sadness, and to me for the cure of it, by the two words, "Lorna Doone."
GIOVANNI BOCCACCIO
The Decameron
Or Ten Days' Entertainment
Giovanni Boccaccio, the father of Italian prose literature, was born in 1313, probably at Certaldo, a small town about twenty miles from Florence, where he was brought up. In 1341 he fell in love with the daughter of King Robert of Naples, and the lady, whom he made famous under the name of Fiammetta, seems to have loved him in return. It was for her amusement, and for the amusement of the Queen of Naples, that he composed many of the stories in "The Decameron." He returned to Florence in 1350, after the great plague, which he has described in so vivid a manner in the opening chapter of his great work, had abated; and three years afterwards he published "The Decameron," the title being derived from the Greek words signifying "ten days." This collection of a hundred stories is certainly one of the world's great books. Many English writers of the first order have gone to it for inspiration. Boccaccio's friend, Petrarch, was so delighted with the tale of Griselda, with which the work concludes, that he learnt it off by heart. Chaucer developed it into the finest of all his stories. Dryden, Keats, and Tennyson have also been inspired by Boccaccio; while Lessing has made the Italian story-teller's allegory of "The Three Rings" the jeweled point on which turns his masterly play. "Nathan the Wise" (see Vol. XVII). Boccaccio, after filling many high posts at Florence, retired to Certaldo, where he died on December 21, 1375.
The Seven Beautiful Maidens
In the year of our Lord 1348 a terrible plague broke out in Florence, which, from being the finest city in Italy, became the most desolate. It was a strange malady that no drugs could cure; and it was communicated, not merely by conversing with those strickened by the pestilence, but even by touching their clothes, or anything they had worn. As soon as the purple spots, which were the sign of the disease, appeared on the body, death was certain to ensue within three days.
So great were the terror and disorder and distress, that all laws, human and divine, were disregarded. Everybody in Florence did just as he pleased. The wilder sort broke into the houses of rich persons, and gave themselves over to riotous living, exclaiming that, since it was impossible to avoid dying from the plague, they would at least die merrily. Others shut themselves up from the rest of the world, and lived on spare diet, and many thousands fled from their houses into the open country, leaving behind them all their goods and wealth, and all their relatives and friends. Brother fled from brother, wife from husband, and, what was more cruel, even parents forsook their own children. It was perilous to walk the streets, for they were strewn with the bodies of plague-strickened wretches, and I have seen with my own eyes the very dogs perish that touched their rags.