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and some journalism, but in a little while he found himself on

the underside of a world in which he had always reckoned to live

in the sunshine. For innumerable men such an experience has

meant mental and spiritual destruction, but Barnet, in spite of

his bodily gravitation towards comfort, showed himself when put

to the test, of the more valiant modern quality. He was saturated

with the creative stoicism of the heroic times that were already

dawning, and he took his difficulties and discomforts stoutly as

his appointed material, and turned them to expression.

Indeed, in his book, he thanks fortune for them. 'I might have

lived and died,' he says, 'in that neat fool's paradise of secure

lavishness above there. I might never have realised the

gathering wrath and sorrow of the ousted and exasperated masses.

In the days of my own prosperity things had seemed to me to be

very well arranged.' Now from his new point of view he was to

find they were not arranged at all; that government was a

compromise of aggressions and powers and lassitudes, and law a

convention between interests, and that the poor and the weak,

though they had many negligent masters, had few friends.

'I had thought things were looked after,' he wrote. 'It was with

a kind of amazement that I tramped the roads and starved-and

found that no one in particular cared.'

He was turned out of his lodging in a backward part of London.

'It was with difficulty I persuaded my landlady-she was a needy

widow, poor soul, and I was already in her debt-to keep an old

box for me in which I had locked a few letters, keepsakes, and

the like. She lived in great fear of the Public Health and

Morality Inspectors, because she was sometimes too poor to pay

the customary tip to them, but at last she consented to put it in

a dark tiled place under the stairs, and then I went forth into

the world-to seek first the luck of a meal and then shelter.'

He wandered down into the thronging gayer parts of London, in

which a year or so ago he had been numbered among the spenders.

London, under the Visible Smoke Law, by which any production of

visible smoke with or without excuse was punishable by a fine,

had already ceased to be the sombre smoke-darkened city of the

Victorian time; it had been, and indeed was, constantly being

rebuilt, and its main streets were already beginning to take on

those characteristics that distinguished them throughout the

latter half of the twentieth century. The insanitary horse and

the plebeian bicycle had been banished from the roadway, which

was now of a resilient, glass-like surface, spotlessly clean; and

the foot passenger was restricted to a narrow vestige of the

ancient footpath on either side of the track and forbidden at the

risk of a fine, if he survived, to cross the roadway. People

descended from their automobiles upon this pavement and went

through the lower shops to the lifts and stairs to the new ways

for pedestrians, the Rows, that ran along the front of the houses

at the level of the first story, and, being joined by frequent

bridges, gave the newer parts of London a curiously Venetian

appearance. In some streets there were upper and even third-story

Rows. For most of the day and all night the shop windows were

lit by electric light, and many establishments had made, as it

were, canals of public footpaths through their premises in order

to increase their window space.

Barnet made his way along this night-scene rather apprehensively

since the police had power to challenge and demand the Labour

Card of any indigent-looking person, and if the record failed to

show he was in employment, dismiss him to the traffic pavement

below.

But there was still enough of his former gentility about Barnet's

appearance and bearing to protect him from this; the police, too,

had other things to think of that night, and he was permitted to

reach the galleries about Leicester Square-that great focus of

London life and pleasure.

He gives a vivid description of the scene that evening. In the

centre was a garden raised on arches lit by festoons of lights

and connected with the Rows by eight graceful bridges, beneath

which hummed the interlacing streams of motor traffic, pulsating

as the current alternated between east and west and north and

south. Above rose great frontages of intricate rather than

beautiful reinforced porcelain, studded with lights, barred by

bold illuminated advertisements, and glowing with reflections.

There were the two historical music halls of this place, the

Shakespeare Memorial Theatre, in which the municipal players

revolved perpetually through the cycle of Shakespeare's plays,

and four other great houses of refreshment and entertainment

whose pinnacles streamed up into the blue obscurity of the night.

The south side of the square was in dark contrast to the others;

it was still being rebuilt, and a lattice of steel bars

surmounted by the frozen gestures of monstrous cranes rose over

the excavated sites of vanished Victorian buildings.

This framework attracted Barnet's attention for a time to the

exclusion of other interests. It was absolutely still, it had a

dead rigidity, a stricken inaction, no one was at work upon it

and all its machinery was quiet; but the constructor's globes of

vacuum light filled its every interstice with a quivering green

moonshine and showed alert but motionless-soldier sentinels!

He asked a passing stroller, and was told that the men had struck

that day against the use of an atomic riveter that would have

doubled the individual efficiency and halved the number of steel

workers.

'Shouldn't wonder if they didn't get chucking bombs,' said

Barnet's informant, hovered for a moment, and then went on his

way to the Alhambra music hall.

Barnet became aware of an excitement in the newspaper kiosks at