“She’s a very perceptive woman. Do you think she’d mind if you were dead?”
“I hope she would.”
The Courier takes the keys from Bernie and pushes him into the storeroom, hooking the padlock through the latch. He puts his mouth near the door.
“What are you going to do if Holly Knight contacts you again?”
“I want nothing to do with her.”
“That’s the wrong answer, Bernie. You see, I know where you work and where you live.”
“I’m going to call you.”
“Now we’re communicating.”
17
Luca finds Edge at a bar in the International Zone holding a shot glass of bourbon up to the light as if looking at a rare jewel. His right hand is wrapped in a discolored bandage and a Filipino woman is sitting on the stool next to him. Dressed in a halter top and denim shorts, she’s wearing spiked heels that don’t reach the floor.
“You look like you slept in the restroom,” says Luca.
“Not true. I slept with this little lady,” says Edge, almost inhaling the shot, before sipping a beer more slowly. “Say hello to Marcella. She’s a hooker.”
Marcella doesn’t appreciate the description. She swings her handbag at Edge’s head and calls him an ape before tottering away on her heels, which make her legs look longer and her head smaller.
“Can I join you?”
“It’s a free country. Operation Iraqi Freedom-name says it all.”
The barman has left the bottle of bourbon so Edge can free pour. That’s one of the things the contractor hates about foreign countries-the measuring cups and penny-pinching.
Flexing his damaged hand, Edge picks up a cigarette. He has six of them lined up on the bar. Lighting up, he sucks on it like oxygen.
Luca narrows his eyes against the smoke. “What are you doing?”
“I’m getting drunk and then I’m gonna pick a fight.”
“In that order?”
“Yep. Which bit are you here for?”
Luca points at Edge’s bandaged hand. “Is that from your last fight?”
“I hit a wall.”
“Who won?”
“We both suffered superficial damage.”
Edge sips his beer.
“I heard about Shaun,” says Luca. “You want to talk about it?”
“Nope.”
“Might help.”
“That’s what the counselor said. I told him I wanted to turn this shithole country to rubble.”
“What did he say?”
“He suggested I take anti-depressants. I said I wasn’t fucking depressed. Depressed is when you can’t get out of bed and you can’t taste your food and you can’t laugh or cry. Depressed is when you feel nothing at all. Right now I’d love to feel nothing.”
“You shouldn’t blame yourself.”
“I should have been there.”
“Then you’d be dead too.”
“Yeah, well, I could have lived with that.”
Luca orders a beer. They sit in silence for a while. The bar is empty, except for a young man reading a newspaper near the window. Every so often he turns a page and glances at them. Taller than average, with a short haircut and an expensive leather jacket, he looks American. It’s the teeth. An orthodontist winters in Florida thanks to those teeth.
Luca motions to Edge’s hand. “Is it broken?”
“Maybe.”
Edge gingerly unwraps the bandage as though expecting to see something green and gangrenous. Instead it’s bruised and swollen.
“Can you still drive?”
“Yeah.”
“Can you hold a gun?”
His eyes brighten.
“Sure.”
“I need security.”
“Will I get to shoot anyone?”
“I’d prefer it if you didn’t.”
Edge seems to teeter on the edge of a direct response, his eyes charged with a strange energy.
“What’s the job?”
“I’m trying to find out why Shaun and the others died.”
“How you gonna do that?”
“You remember Watergate?”
“Nixon and stuff.”
“An informant was feeding information to Woodward and Bernstein-they were the journalists who linked the break-in to the White House.”
“Deep Throat. Right? The guy in the underground car park.”
“You saw the movie-that’s good. Deep Throat kept telling them one thing, over and over.”
“What was that?”
“Follow the money.”
“That’s my sort of message.”
“I thought it might be.”
“When do we leave?”
“First light.”
The trucking camp is a makeshift township of tents, shipping containers and clapboard buildings five miles south-west of Baghdad on the main highway to Jordan. It’s a strange atavistic and tribal world, set amid a wasteland of stony desert, sand dunes, rocky islands and dried up riverbeds.
More than fifty trucks are parked in bays, some with canvas awnings strung from the cabs and pegged to the ground. Other rigs are jacked up on cinder blocks undergoing repairs. Most of the vehicles are stained with rust or scarred by bullets and shrapnel.
The gatekeeper is small and brown with a frayed coat and woolen hat the same color as his beard. Pressing his palms together, Luca talks in Arabic, wishing him good morning.
Springsteen is playing on a beatbox from within a nearby tent.
“That’s what I’ll never understand about this place,” mutters Edge to Daniela. “These bastards hate us, but they watch our movies and listen to our music.”
“Maybe music doesn’t belong to anyone,” replies Daniela.
“Yeah, well Springsteen doesn’t belong to these fuckers.”
Luca comes back to the Land Cruiser.
“Two hundred yards straight ahead, building on the right.”
The drivers are waking, emerging from their tents, stiffness in their bodies, shirts unbuttoned and belts undone, scratching navels or testicles. Most of them are foreigners, uneducated and poor, hapless and a long way from home. One of them urinates loudly on the side of an empty drum.
Edge parks near the largest of the buildings and watches Luca and Daniela walk across the dusty street and push through a doorway slung with a hessian curtain. Inside the air smells of pea soup, eggs, rice and noodles. Large metal pots are propped on cinder blocks above glowing charcoal.
Four cooks turn in unison. Only one keeps his back to them, continuing to stir a pot. Luca bows and asks for Hamada al-Hayak.
Al-Hayak turns and wipes his left hand on a dirty cloth tucked in the rope that serves him as a belt. Instead of a right arm he has an empty sleeve, knotted above the elbow.
The cooks and dishwashers are focused on Daniela, whose headscarf has slipped back from her forehead. Self-consciously, she tugs it back in place. One of them is huge, in a checked shirt and overalls that are two sizes too small and ride up over his ankles.
“Can we talk?” asks Luca.
Al-Hayak motions to the rear door. Stepping past a makeshift pyramid of gas cylinders, he leads them into a small courtyard and storage area fenced in by shipping containers. A diesel generator chugs noisily, producing power for the fridges and the lights. Goats are tethered to wooden stakes, their eyes luminous and curious.
The cook turns on Luca.
“What sort of dumb shit are you? Coming here. Bringing a woman like that.” He motions to Daniela without making eye contact with her. “Some of these men will look at you and see nothing but a reward.” He pinches one nostril and blows out the other. “Who gave you my name?”
“Jimmy Dessai.”
“You’re lying.”
Luca takes a fifty-dollar bill from his pocket. “I need some information.”
Al-Hayak ignores the request and puts a cigarette between his lips, hunting in his shirt pocket for a match. Finding a light, he holds the smoke deep in his lungs like he’s trying to digest it. “So now you’re going to bribe me. How much is my life worth? What about my arm? What will you pay me for my good arm?”
“What happened to your arm?” asks Daniela.
“What do you care? You will go home one day soon and you’ll call this a victory and say you did your best.”