“A mile,” Rasali said. “Can you do it?”
“I think so. I bridged this, didn’t I?” His gesture took in the beams, the slim stone tower overhead, the woman beside him. She smelled sweet and salty. “There are islands by Ulei, I’m told. Low ones. That’s the only reason it would be possible. So maybe a series of flat stone arches, one to the next. You? You’ll keep building boats?”
“No.” She leaned her head back and he felt her face against his ear. “I don’t need to. I have a lot of money. The rest of the family can build boats, but for me that was just what I did while I waited to cross the mist again.”
“You’ll miss it,” Kit said. It was not a question.
Her strong hand laid over his. “Mmm,” she said, a sound without implication.
“But it was the crossing that mattered to you, wasn’t it?” Kit said, realizing it. “Just as with me, but in a different way.”
“Yes,” she said, and after a pause: “So now I’m wondering: how big do the Big Ones get in the Mist Ocean? And what else lives there?”
“Nothing’s on the other side,” Kit said. “There’s no crossing something without an end.”
“Everything can be crossed. Me, I think there is an end. There’s a river of water deep under the Mist River, yes? And that water runs somewhere. And all the other rivers, all the lakes—they all drain somewhere. There’s a water ocean under the Mist Ocean, and I wonder whether the mist ends somewhere out there, if it spreads out and vanishes and you find you are floating on water.”
“It’s a different element,” Kit said, turning the problem over. “So you would need a boat that works through mist, light enough with that broad belly and fish-skin sheathing; but it would have to be deep-keeled enough for water.”
She nodded. “I want to take a coast-skimmer and refit it, find out what’s out there. Islands, Kit. Big Ones. Huge Ones. Another whole world maybe. I think I would like to be Rasali Ocean.”
“You will come to Ulei with me?” he said, but he knew already. She would come, for a month or a season or a year. They would sleep tumbled together in an inn very like The Fish or The Bitch, and when her boat was finished, she would sail across the ocean, and he would move on to the next bridge or road, or he might return to the capital and a position at University. Or he might rest at last.
“I will come,” she said. “For a bit.”
Suddenly he felt a deep and powerful emotion in his chest, overwhelmed by everything that had happened or would happen in their lives: the changes to Nearside and Farside, the ferry’s ending, Valo’s death, the fact that she would leave him eventually, or that he would leave her. “I’m sorry,” he said.
“I’m not,” she said, and leaned across to kiss him, her mouth warm with sunlight and life. “It is worth it, all of it.”
All those losses, but this one at least he could prevent.
“When the time comes,” he said: “When you sail. I will come with you.”
A fo ben, bid bont.
To be a leader, be a bridge.
Biographies
Yoon Ha Lee’s fiction has appeared in Clarkesworld, The Magazine of Fantasy and Science Fiction, and Lightspeed. She lives in Louisiana with her family, and her attempts at origami have never been known to commit atrocities except against aesthetics.
Genevieve Valentine’s fiction has appeared or is forthcoming in Clarkesworld, Strange Horizons, Lightspeed, and Apex, and in the anthologies The Living Dead 2, Running with the Pack, Teeth, and more. Her nonfiction has appeared in Lightspeed, Tor.com, and Fantasy Magazine, and she is the co-author of Geek Wisdom. Her first novel, Mechanique: A Tale of the Circus Tresaulti, has won the 2012 Crawford Award. Her appetite for bad movies is insatiable, a tragedy she tracks on her blog, www.genevievevalentine.com.
Bradley Denton studied speculative fiction and writing under Professor James Gunn at the University of Kansas, and his first professional story was published in The Magazine of Fantasy & Science Fiction in 1984. Since then, his work has won the World Fantasy Award (for the two-volume story collection A Conflagration Artist and The Calvin Coolidge Home for Dead Comedians), the John W. Campbell Memorial Award (for the novel Buddy Holly Is Alive and Well on Ganymede), and the Theodore Sturgeon Memorial Award (for the novella “Sergeant Chip”). His other novels include Blackburn, Lunatics, and Laughin’ Boy, and more of his short fiction can be found in the collection One Day Closer to Death. He now lives in Austin, Texas with his wife Barbara, their four dogs, and probably too many guitars.
Vylar Kaftan has published about three dozen stories in places such as Clarkesworld, Strange Horizons, and Realms of Fantasy. Her 2010 Lightspeed story, “I’m Alive, I Love You, I’ll See You in Reno,” was nominated for a Nebula. She founded FOGcon, a new literary sf/f convention in the San Francisco Bay Area, and she blogs at www.vylarkaftan.net.
Catherynne M. Valente is the New York Times bestselling author of over a dozen works of fiction and poetry, including Palimpsest, the Orphan’s Tales series, Deathless, and the crowdfunded phenomenon The Girl Who Circumnavigated Fairyland in a Ship of Own Making. She is the winner of the Andre Norton Award, the Tiptree Award, the Mythopoeic Award, the Rhysling Award, and the Million Writers Award. She has been nominated for the Hugo, Locus, and Spectrum Awards, the Pushcart Prize, and was a finalist for the World Fantasy Award in 2007 and 2009. She lives on an island off the coast of Maine with her partner, two dogs, and an enormous cat.
Alan DeNiro is the author of a story collection, Skinny Dipping in the Lake of the Dead (Small Beer Press), and a novel, Total Oblivion, More or Less (Ballantine/Spectra). His website is www.alandeniro.com and he tweets with the username of @adeniro. He lives outside of St. Paul with his wife and twin son and daughter.
Suzy McKee Charnas is the author of over a dozen works of science fiction, fantasy, and horror. Her novels include The Vampire Tapestry, the Holdfast series, and the Sorcery Hall series of books for young adults. A selection of her short fiction was collected in Stagestruck Vampires and Other Phantasms. She has been awarded a Hugo, a Nebula, and has won the James Tiptree, Jr. Award twice. Charnas took a joint major at Barnard College—Economic History—because she “wanted tools to build convincing societies to set fantastic stories in.” She lives with her lawyer-husband in New Mexico. Her website is www.suzymckeecharnas.com.
Paul McAuley is the author of more than twenty books, including science-fiction, thriller, and crime novels, three collections of short stories, a Doctor Who novella, and an anthology of stories about popular music, which he co-edited with Kim Newman. His fiction has won the Philip K. Dick Memorial Award, the Arthur C. Clarke Award, the John W. Campbell award, the Sidewise Award, and the British Fantasy Award for best short story. Having worked for twenty years as a research biologist and university lecturer, he is now a full-time writer. He lives in North London.