"I was always too big."
He was astonished. "But you're not big," he assured her. "You're just the right size. Perfect. And really built, I noticed when we moved the piano in. You got muscle, for a girl. A specially in the legs, and that's where it counts."
She blushed. "Stop it, Jim."
"No. Honest."
"More wine?"
"Thanks. You have some, too."
"All right."
A crack of thunder split the sky with its sonic boom and was followed by the roar of collapsing masonry.
"There goes another skyscraper," Linda said. "What were we talking about?"
"Games," Mayo said promptly. "Excuse me for talking with my mouth full."
"Oh, yes. Jim, did you play Drop the Handkerchief up in New Haven?" Linda sang. "A tisket, a tasket, a green and yellow basket. I sent a letter to my love, and on the way I dropped it …"
"Gee," he said, much impressed. "You sing real good."
"Oh, go on!"
"Yes, you do. You got a swell voice. Now don't argue with me. Keep quiet a minute. I got to figure something out." He thought intently for a long time, finishing his wine and absently accepting another glass. Finally he delivered himself of a decision. "You got to learn music."
"You know I'm dying to, Jim."
"So I'm going to stay awhile and teach you; as much as I know. Now hold it! Hold it!" he added hastily, cutting off her excitement. "I'm not going to stay in your house. I want a place of my own."
"Of course, Jim. Anything you say."
"And I'm still headed south."
"I'll teach you to drive, Jim. I'll keep my word."
"And no strings, Linda."
"Of course not. What kind of strings?"
"You know. Like the last minute you all of a sudden got a Looey Cans couch you want me to move in."
"Louis Quinze!" Linda's jaw dropped. "Wherever did you learn that?"
"Not in the army, that's for sure."
They laughed, clinked glasses, and finished their wine. Suddenly Mayo leaped up, pulled Linda's hair, and ran to the Wonderland Monument. In an instant he had climbed to the top of Alice's head.
"I'm King of the Mountain," he shouted, looking around in imperial survey. "I'm King of the—" He cut himself off and stared down behind the statue.
"Jim, what's the matter?"
Without a word, Mayo climbed down and strode to a pile of debris half-hidden inside overgrown forsythia bushes. He knelt and began turning over the wreckage with gentle hands. Linda ran to him.
"Jim, what's wrong?"
"These used to be model boats," he muttered.
"That's right. My God, is that all? I thought you were sick or something."
"How come they're here?"
"Why, I dumped them, of course."
"You?"
"Yes. I told you. I had to clear out the boathouse when I moved in. That was ages ago."
"You did this?"
"Yes. I—"
"You're a murderer," he growled. He stood up and glared at her. "You're a killer. You're like all women, you got no heart and soul. To do a thing like this!"
He turned and stalked toward the boat pond. Linda followed him, completely bewildered.
"Jim, I don't understand. Why are you so mad?"
"You ought to be ashamed of yourself."
"But I had to have house room. You wouldn't expect me to live with a lot of model boats."
"Just forget everything I said. I'm going to pack and go south. I wouldn't stay with you if you was the last person on earth."
Linda gathered herself and suddenly darted ahead of Mayo. When he tramped into the boathouse, she was standing before the door of the guest room. She held up a heavy iron key.
"I found it," she panted. "Your door's locked."
"Gimme that key, Linda."
"No."
He stepped toward her, but she faced him defiantly and stood her ground.
"Go ahead," she challenged. "Hit me."
He stopped. "Aw, I wouldn't pick on anybody that wasn't my own size."
They continued to face each other, at a complete impasse.
"I don't need my gear," Mayo muttered at last. "I can get more stuff somewheres."
"Oh, go ahead and pack," Linda answered. She tossed him the key and stood aside. Then Mayo discovered there was no lock in the bedroom door. He opened the door, looked inside, closed it, and looked at Linda. She kept her face straight but began to sputter. He grinned. Then they both burst out laughing.
"Gee," Mayo said, "you sure made a monkey out of me. I'd hate to play poker against you."
"You're a pretty good bluffer yourself, Jim. I was scared to death you were going to knock me down."
"You ought to know I wouldn't hurt nobody."
"I guess I do. Now, let's sit down and talk this over sensibly."
"Aw, forget it, Linda. I kind of lost my head over them boats, and I—"
"I don't mean the boats; I mean going south. Every time you get mad you start south again. Why?"
"I told you, to find guys who know about TV."
"Why?"
"You wouldn't understand."
"I can try. Why don't you explain what you're after—specifically? Maybe I can help you."
"You can't do nothing for me; you're a girl."
"We have our uses. At least I can listen. You can trust me, Jim. Aren't we chums? Tell me about it."
Well, when the blast come (Mayo said) I was up in the Berkshires with Gil Watkins. Gil was my buddy, a real nice guy and a real bright guy. He took two years from M.I.T. before he quit college. He was like chief engineer or something at WNHA, the TV station in New Haven. Gil had a million hobbies. One of them was spee—speel—I can't remember. It meant exploring caves.
So anyway, we were up in this flume in the Berkshires, spending the weekend inside, exploring and trying to map everything and figure out where the underground river comes from. We brought food and stuff along, and bedrolls. The compass we were using went crazy for like twenty minutes, and that should have give us a clue, but Gil talked about magnetic ores and stuff. Only when we come out Sunday night, I tell you it was pretty scary. Gil knew right off what happened.
"By Christ, Jim," he said, "they up and done it like everybody always knew they would. They've blew and gassed and poisoned and radiated themselves straight to hell, and we're going back to that goddamn cave until it all blows over."
So me and Gil went back and rationed the food and stayed as long as we could. Finally we come out again and drove back to New Haven. It was dead like all the rest. Gil put together some radio stuff and tried to pick up broadcasts. Nothing. Then we packed some canned goods and drove all around: Bridgeport, Waterbury, Hartford, Springfield, Providence, New London … a big circle. Nobody. Nothing. So we come back to New Haven and settled down, and it was a pretty good life.
Daytime, we'd get in supplies and stuff and tinker with the house to keep it working right. Nights, after supper, Gil would go off to WNHA around seven o'clock and start the station. He was running it on the emergency generators. I'd go down to the Body Slam, open it up, sweep it out, and then start the bar TV set. Gil fixed me a generator for it to run on.
It was a lot of fun watching the shows Gil was broadcasting. He'd start with the news and weather, which he always got wrong. All he had was some Farmer's Almanacs and a sort of antique barometer that looked like that clock you got there on the wall. I don't think it worked so good, or maybe Gil never took weather at M.I.T. Then he'd broadcast the evening show.
I had my shotgun in the bar in case of holdups. Anytime I saw something that bugged me, I just up with the gun and let loose at the set. Then I'd take it and throw it out the front door and put another one in its place. I must have had hundreds waiting in the back. I spent two days a week just collecting reserves.
Midnight, Gil would turn off WNHA, I'd lock up the restaurant, and we'd meet home for coffee. Gil would ask how many sets I shot and laugh when I told him. He said I was the most accurate TV poll ever invented. I'd ask him about what shows were coming up next week and argue with him about … oh … about like what movies or football games WNHA was scheduling. I didn't like Westerns much, and I hated them high-minded panel discussions.