Most of the buzz about upcoming films seems to center around the new Star Trek film, Star Trek Into Darkness, and the second Hobbit movie, The Hobbit: The Desolation of Smaug, but I suspect that the giant robots-fight-Godzilla-like-monsters film, Pacific Rim, is also going to make a bazillion bucks, and there’s also a fair amount of anticipation about the movie version of Orson Scott Card’s novel Ender’s Game and the new Hunger Games movie, The Hunger Games: Catching Fire. There’ll also be a big-budget reimagining of The Wizard of Oz, called Oz the Great and Powerful.
There are so many fantasy/SF shows on television now that, like cowboy shows in the ’50s, it’s sometimes hard to keep track of them all. As was true of 2011, the big success story of 2012 was probably HBO’s A Game of Thrones, based on the bestselling Song of Ice and Fire series of fantasy novels by George R. R. Martin, which managed to become even more popular than it had been the year before, and is now a full-fledged Cultural Phenomenon—Game of Thrones references are now understood by just about everybody, even those who don’t usually self-identify as fantasy fans, and pop up everywhere, from The Big Bang Theory to Saturday Night Live, which ran a satire of the show, complete with a satirical take on Martin himself. Needless to say, it’s coming back in 2013. HBO’s other genre show, the campy vampire show True Blood, is also coming back in 2013, for what may or may not be its last season, depending, I would imagine, on whether or not it pulls itself out of the ratings slump that has eaten (sucked?) away its audience during the previous two seasons. The show could still be turned around, but the quality of the writing needs to improve from an awful fifth season and an only so-so sixth season to the level of the first couple of seasons.
That other Cultural Phenomenon, Dr. Who (which has won so many Hugo Awards by now that fans joke that the Best Dramatic Presentation, Short Form category should be renamed the Dr. Who category), is, of course, also returning in 2013.
The two big debut SF shows of the last couple of seasons were Terra Nova and Falling Skies, both boasting unusually high budgets for television, and both produced by movie director Steve Spielberg. Falling Skies, in which embattled guerilla militiamen battle alien invaders, has survived and become moderately successful, but Terra Nova, in which refuges flee through time to the dinosaur era, never really did catch on, and has died. Another Spielberg-produced show, the horror series The River, also died. One big-budget TV show upon which a lot of hopes were pinned, Alcatraz, by Lost creator J. J. Abrahms, died as well, after a disappointingly short run, as did Last Resort, supernatural show 666 Park Avenue, A Gifted Man, The Secret Circle, The Event, and Ringer, which had excited some fans by bringing Buffy the Vampire Slayer’s Sarah Michelle Gellar back to the small screen. Long-running supernatural shows Medium and Ghost Whisperer died, as did Legend of the Seeker, Merlin, and Camelot, as well as the SF comedy Eureka. Cult favorite SF show Fringe will run its last few episodes in 2013, and then die, too, after five seasons.
Supernatural, The Vampire Diaries, The Walking Dead, Teen Wolf, Being Human, the animated Star Wars: The Clone Wars, and American Horror Story are all coming back, as are the dueling fairy-tale series, Grimm and Once Upon a Time. SF comedies Warehouse 13 and Futurama are returning, as is semi-SF (a straight thriller, really, other than the heroes having a super-advanced computer that helps them spot crimes before they happen) show, Person of Interest. Touch is returning, but is said to be “on the bubble,” and may not last much longer. Coming up sometime in 2013 is a TV movie prequel to Battlestar Galactica, called Battlestar Galactica: Blood and Chrome.
Of the new shows already on the air, the most buzz so far seems to be generated by Arrow, a gritty reboot of D.C. Comics long-running superhero character, Green Arrow. Revolution, set in a world in which electricity no longer works and people are reduced to using horses, swords, and bows (think Hunger Games, set in a post-apocalyptic, no-technology future), has also generated some buzz, but seems a bit shaky in the ratings, as is the new version of Beauty and the Beast.
New shows coming up include Defiance, an SF/western described as “Deadwood with aliens,” Orphan Black, a clone drama, Zero Hour, an X-Files-like show that tackles conspiracy theories, Under the Dome, which follows people imprisoned under a dome by mysterious forces, Continuum, about a time-traveling cop, Lost Girl, which explores the problems of fairies exiled in the modern world, supernatural show Da Vinci’s Demons, and a new version of Dr. Jekyll and Mr. Hyde, Do No Harm. The most fan anticipation seems to be building for a rumored Avengers spinoff series to be directed by Joss Whedon, S.H.I.E.L.D.
Miniseries versions of Kim Stanley Robinson’s Red Mars, Joe Haldeman’s The Forever War, and Philip Jose Farmer’s Riverworld have been promised for so long now that I begin to wonder if we’ll ever see them at all.
Chicon 7: The 70th World Science Fiction Convention, was held in Chicago, Illinois, from August 30 to September 3, 2012. The 2012 Hugo Awards, presented at Chicon 7, were: Best Novel, Among Others, by Jo Walton; Best Novella, “The Man Who Bridged the Mist,” by Kij Johnson; Best Novelette, “Six Months, Three Days,” by Charlie Jane Anders; Best Short Story, “The Paper Menagerie,” by Ken Liu; Best Related Work, The Encyclopedia of Science Fiction, Third Edition, by John Clute, David Langford, Peter Nicholls, and Graham Sleight; Best Editor, Long Form, Betsy Wollheim; Best Editor, Short Form, Sheila Williams; Best Professional Artist, John Picacio; Best Dramatic Presentation (short form), Doctor Who: “The Doctor’s Wife”; Best Dramatic Presentation (long form), Game of Thrones—Season 1; Best Graphic Story, Digger, by Ursula Vernon; Best Semiprozine, Locus; Best Fanzine, SF Signal; Best Fan Writer, Jim C. Hines; Best Fan Artist, Maurine Starkey; plus the John W. Campbell Award for Best New Writer to E. Lily Yu.