The semiprozines that remained in print format mostly struggled to bring out their scheduled issues. Of the SF/fantasy print semiprozines, one of the few that managed all of its scheduled issues was the longest-running and most reliably published of all the fiction semiprozines, the Canadian On Spec, which is edited by a collective under general editor Diane L. Walton. Another collective-run SF magazine with a rotating editorial staff, Australia’s Andromeda Spaceways In-flight Magazine, managed four issues this year, as it had in 2011. Lady Churchill’s Rosebud Wristlet, the long-running slipstream magazine edited by Kelly Link and Gavin Grant, managed only one issue in 2012, as did fantasy magazines Shimmer, Bull Spec, and Ireland’s long-running Albedo One. Neo-opsis managed two issues, as did Space and Time Magazine, before being sold. The small British SF magazine Jupiter, edited by Ian Redman, produced all four of its scheduled issues in 2012, as did the fantasy magazine Tales of the Talisman. Weird Tales also managed two issues, one compiled by the old editor, Ann VanderMeer, and one compiled by the new editor, Marvin Kaye.
The fact is that little really memorable fiction appeared in any of the surviving print semiprozines this year, which were far outstripped by the online magazines (see below).
With the departure of The New York Review of Science Fiction to the electronic world in mid-2012, the venerable newszine Locus: The Magazine of the Science Fiction and Fantasy Field is about all that’s left of the popular print critical magazine market. A multiple Hugo winner, it has long been your best bet for value in this category anyway, and for more than thirty years has been an indispensible source of news, information, and reviews. Happily, the magazine has survived the death of founder, publisher, and longtime editor Charles N. Brown and has continued strongly and successfully under the guidance of a staff of editors headed by Liza Groen Trombi, and including Kirsten Gong-Wong, Carolyn Cushman, Tim Pratt, Jonathan Strahan, Francesca Myman, Heather Shaw, and many others.
Most of the other surviving print critical magazines are professional journals more aimed at academics than at the average reader. The most accessible of these is probably the long-running British critical zine Foundation.
Subscription addresses are: Locus, The Magazine of the Science Fiction & Fantasy Field, Locus Publications, Inc., P.O. Box 13305, Oakland, CA, 94661, $76.00 for a one-year first-class subscription, 12 issues; Foundation, Science Fiction Foundation, Roger Robinson (SFF), 75 Rosslyn Avenue, Harold Wood, Essex RM3 ORG, UK, $37.00 for a three-issue subscription in the U.S.; On Spec, The Canadian Magazine of the Fantastic, P.O. Box 4727, Edmonton, AB, Canada T6E 5G6, for subscription information, go to Web site www.onspec.ca; Neo-opsis Science Fiction Magazine, 4129 Carey Rd., Victoria, BC, CanadaV8Z 4G5, $25.00 for a three-issue subscription; Albedo One, Albedo One Productions, 2, Post Road, Lusk, County Dublin, Ireland; $32.00 for a four-issue airmail subscription, make checks payable to “Albedo One” or pay by PayPal at www.albedo1.com; Lady Churchill’s Rosebud Wristlet, Small Beer Press, 150 Pleasant Street, #306, Easthampton, MA 01027, $20.00 for four issues; Andromeda Spaceways Inflight Magazine, Web site www.andromedaspaceways.com for subscription information; Tales of the Talisman, Hadrosaur Productions, P.O. Box 2194, Mesilla Park, NM 88047-2194, $24.00 for a four-issue subscription; Jupiter, 19 Bedford Road, Yeovil, Somerset, BA21 5UG, UK, 10 Pounds Sterling for four issues; Shimmer, P.O. Box 58591, Salt Lake City, UT 84158-0591, $22.00 for a four-issue subscription; Weird Tales, Web site www.weirdtalesmagazine.com for subscription and ordering information.
The world of online-only electronic magazines has become increasingly important in the last few years, and in 2012 electronic magazines continued to pop up all over like popping-up things that suddenly pop up. How long some of them will last is yet to be seen.
Late in the year, in one of the more interesting developments of 2012, Jonathan Strahan announced that his critically acclaimed anthology series Eclipse was transforming itself from a print anthology to an online magazine, Eclipse Online (www.nightshadebooks.com/category/eclipse), which would release two stories every month throughout the year; three issues appeared in 2012, and the literary quality was very high, with excellent stories by Lavie Tidhar, Eleanor Arnason, Christopher Barzak, K.J. Parker, and others published.
Fireside (www.firesidemag.com), edited by Brian White, debuted in 2012, as did Michael Moorcock’s New Worlds (www.newworlds.co.uk), edited by Roger Gray, and International Speculative Fiction (http://internationalsf.wordpress.com), edited by Correio do Fantastico.
Promised for next year are Galaxy’s Edge, a bimonthly e-zine edited by Mike Resnick, Waylines, edited by David Rees-Thomas and Darryl Knickrehm, and a relaunch of Amazing Stories, edited by Steve Davidson.
Lightspeed (www.lightspeedmagazine.com), edited by John Joseph Adams, had a good year, featuring strong work by Vandana Singh, Linda Nagata, Keith Brooke, Marissa Lingen, Ken Liu, Sarah Monette, Sandra McDonald, and others. Late in the year a new electronic companion horror magazine, Nightmare, was added to the Lightspeed stable.
Clarkesworld Magazine (www.clarkesworldmagazine.com), edited by Sean Wallace and Neil Clarke, also had a strong year, featuring good stuff by Carrie Vaughn, Aliette de Bodard, Indrapramit Das, Theodora Goss, Yoon Ha Lee, Xia Jia, and others.
Subterranean (http://subterraneanpress.com), edited by William K. Schafer, was a bit weak overall this year, but did publish some first-class work, mostly at novella length, by Jay Lake, K. J. Parker, Maria Dahvana Headley, Nnedi Okorafor, Ian R. MacLeod, and others.
Tor.com (www.tor.com) had good work by Elizabeth Bear, Andy Duncan, Michael Swanwick, Brit Mandelo, Paul Cornell, Pat Murphy, and others. Ellen Datlow and Ann VanderMeer joined Patrick Nielsen Hayden and Liz Gorinsky on the editorial staff.
At this point, Strange Horizons (www.strangehorizons.com) is probably the oldest continually running online magazine on the Internet, started in 2000; they publish SF, fantasy, slipstream, horror, the occasional near-mainstream story, and the literary quality is usually high, although I’d like to see them publish more science fiction. This year, they had strong work by Molly Gloss, Louise Hughes, Ellen Klages, Benjamin Rosenbaum, Kate Bachus, Samantha Henderson, and others. Longtime editors Jed Hartman and Susan Marie Groppi have stepped down, to be replaced by Brit Mandelo, An Owomoyela, and Julia Rios.