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This next story was written by another new writer, who is also a devout student of religion, medievalism, alchemy, the occult, and sheep-raising. Mr. Davidson has an android too; but he naturally concerns himself much more deeply with the practical uses of the marvellous invention under ordinary everyday circumstances.

* * * *

The gray-faced person came along the street where old Mr. and Mrs. Gumbeiner lived. It was afternoon, it was autumn, the sun was warm and soothing to their ancient bones. Anyone who attended the movies in the twenties or the early thirties has seen that street a thousand times. Past these bungalows with their half-double roofs Edmund Lowe walked arm-in-arm with Leatrice Joy and Harold Lloyd was chased by Chinamen waving hatchets. Under these squamous palm trees Laurel kicked Hardy and Woolsey beat Wheeler upon the head with codfish. Across these pocket-handkerchief-sized lawns the juveniles of the Our Gang Comedies pursued one another and were pursued by angry fat men in golf knickers. On this same street—or perhaps on some other one of five hundred streets exactly like it.

Mrs. Gumbeiner indicated the gray-faced person to her husband.

“You think maybe he’s got something the matter?” she asked. “He walks kind of funny, to me.”

“Walks like a golem,” Mr. Gumbeiner said indifferently.

The old woman was nettled.

“Oh, I don’t know,” she said. “I think he walks like your cousin, Mendel.”

The old man pursed his mouth angrily and chewed on his pipestem. The gray-faced person turned up the concrete path, walked up the steps to the porch, sat down in a chair. Old Mr. Gumbeiner ignored him. His wife stared at the stranger.

“Man comes in without a hello, goodby, or howareyou, sits himself down and right away he’s at home. . . . The chair is comfortable?” she asked. “Would you like maybe a glass tea?”

She turned to her husband.

“Say something, Gumbeiner!” she demanded. “What are you, made of wood?”

The old man smiled a slow, wicked, triumphant smile.

“Why should I say anything?” he asked the air. “Who am I? Nothing, that’s who.”

The stranger spoke. His voice was harsh and monotonous. “When you learn who—or, rather, what—I am, the flesh will melt from your bones in terror.” He bared porcelain teeth.

“Never mind about my bones!” the old woman cried. “You’ve got a lot of nerve talking about my bones!”

“You will quake with fear,” said the stranger. Old Mrs. Gumbeiner said that she hoped he would live so long. She turned to her husband once again.

“Gumbeiner, when are you going to mow the lawn?”

“All mankind—” the stranger began.

“Shah! I’m talking to my husband. . . He talks eppis kind of funny, Gumbeiner, no?”

“Probably a foreigner,” Mr. Gumbeiner said, complacently.

“You think so?” Mrs. Gumbeiner glanced fleetingly at the stranger. “He’s got a very bad color in his face, nebbich. I suppose he came to California for his health.”

“Disease, pain, sorrow, love, grief—all are nought to—”

Mr. Gumbeiner cut in on the stranger’s statement.

“Gall bladder,” the old man said. “Guinzburg down at the shule looked exactly the same before his operation. Two professors they had in for him, and a private nurse day and night.”

“I am not a human being!” the stranger said loudly.

“Three thousand seven hundred fifty dollars it cost his son, Guinzburg told me. ‘For you. Poppa, nothing is too expensive—only get well,’ the son told him.”

“I am not a human being!”

“Ai, is that a son for you!” the old woman said, rocking her head. “A heart of gold, pure gold.” She looked at the stranger. “All right, all right, I heard you the first time. Gumbeiner! I asked you a question. When are you going to cut the lawn?”

“On Wednesday, odder maybe Thursday, comes the Japaneser to the neighborhood. To cut lawns is his profession. My profession is to be a glazier—retired.”

“Between me and all mankind is an inevitable hatred,” the stranger said. “When I tell you what I am, the flesh will melt—”

“You said, you said already,” Mr. Gumbeiner interrupted.

In Chicago where the winters were as cold and bitter as the Czar of Russia’s heart,” the old woman intoned, “you had strength to carry the frames with the glass together day in and day out. But in California with the golden sun to mow the lawn when your wife asks, for this you have no strength. Do I call in the Japaneser to cook for you supper?”

“Thirty years Professor Allardyce spent perfecting his theories. Electronics, neuronics—”

“Listen, how educated he talks,” Mr. Gumbeiner said, admiringly. “Maybe he goes to the University here?”

“If he goes to the University, maybe he knows Bud?” his wife suggested.

“Probably they’re in the same class and he came to see him about the homework, no?”

“Certainly he must be in the same class. How many classes are there? Five in ganzen: Bud showed me on his program card.” She counted off on her fingers. “Television Appreciation and Criticism, Small Boat Building, Social Adjustment, The American Dance The American Dance—nu, Gumbeiner—”

“Contemporary Ceramics,” her husband said, relishing the syllables, “A fine boy, Bud. A pleasure to have him for a boardner.”

“After thirty years spent in these studies,” the stranger, who had continued to speak unnoticed, went on, “he turned from the theoretical to the pragmatic. In ten years’ time he had made the most titanic discovery in history: he made mankind, all mankind, superfluous: he made me.”

“What did Tillie write in her last letter?” asked the old man.

The old woman shrugged.

“What should she write? The same thing. Sidney was home from the Army, Naomi has a new boy friend—”

“He made me!”

“Listen, Mr. Whatever-your-name-is,” the old woman said; “maybe where you came from is different, but in this country you don’t interrupt people the while they’re talking. . . . Hey. Listen—what do you mean, he made you? What kind of talk is that?”

The stranger bared all his teeth again, exposing the too-pink gums.

“In his library, to which I had a more complete access after his sudden and as yet undiscovered death from entirely natural causes, I found a complete collection of stories about androids, from Shelley’s Frankenstein through Capek’s R.U.R. to Asimov’s—”

“Frankenstein?” said the old man, with interest. “There used to be Frankenstein who had the soda-wasser place on Halstead Street: a Litvack, nebbich.”

“What are you talking?” Mrs. Gumbeiner demanded. “His name was Frankenthal, and it wasn’t on Halstead, it was on Roosevelt.”

“—clearly shown that all mankind has an instinctive antipathy towards androids and there will be an inevitable struggle between them—”

“Of course, of course!” Old Mr. Gumbeiner clicked his teeth against his pipe. “I am always wrong, you are always right. How could you stand to be married to such a stupid person all this time?”

“I don’t know,” the old woman said. “Sometimes I wonder, myself. I think it must be his good looks.” She began to laugh. Old Mr. Gumbeiner blinked, then began to smile, then took his wife’s hand.

“Foolish old woman,” the stranger said; “why do you laugh? Do you not know I have come to destroy you?”