She leaned her head back and tossed down the ouzo. Max reached over and poured her another glass while her eyes were still watering. “When I got this assignment,” she said, “I couldn’t figure out if I was being rewarded for being at the top of the class in languages, despite being a woman. Or if I was being punished for being a woman.”
“Sometimes it’s both ways at once,” Max said. He bit the anchovy and found he didn’t care for the taste.
“Can I ask you one question?” asked Reedy.
Why did people always think he had all the answers? “Information is like ouzo. A little bit can clear your head, make you feel better. Too much will make you sick, maybe even kill you.” He twirled his cup. “What’s your question?”
“Did you really win your wife in a card game?”
“Yes.” He drained his glass to cover his surprise. Though he’d won her with a bluff and not by cheating.
“Why did she leave you?”
Max thought about telling her that was two questions. Then he thought about telling her the truth, that his wife hadn’t left him, that she waited at home for him, not knowing where he was or what he did, going to church every day, caring for their two grandchildren. His daughter was about Reedy’s age. But he’d kept his life sealed in separate compartments and wouldn’t breech one of them now.
“Love, like loyalty,” he said, “is a gift. You can only try to be worthy of it.”
The silence lengthened out between them like all of the empty, uncharted universe. The food sat untouched while they drank. Max could feel himself getting drunk. It felt good.
Molly Gloss made her first sale in 1984, and has since sold to Asimov’s Science Fiction, The Magazine of Fantasy and Science Fiction, Universe, and elsewhere. She published a fantasy novel, Outside the Gates, in 1986, and another novel, The Jump-Off Creek, a “woman’s western,” was released in 1990. In 1997, she published an SF novel, The Dazzle of Day, which was a New York Times Notable Book for that year. Her most recent book, another SF novel, Wild Life, won the prestigious James Tiptree, Jr. Memorial Award in 2001. She lives in Portland, Oregon.
Since Biblical times, shepherds “watching their sheep by night” have always seen strange things in the sky. Probably not quite as strange, though, as the celestial visitation that the compassionate shepherd of this story finds that she has to deal with…
From May to September, Delia took the Churro sheep and two dogs and went up on Joe-Johns Mountain to live. She had that country pretty much to herself all summer. Ken Owen sent one of his Mexican hands up every other week with a load of groceries, but otherwise she was alone, alone with the sheep and the dogs. She liked the solitude. Liked the silence. Some sheepherders she knew talked a blue streak to the dogs, the rocks, the porcupines, they sang songs and played the radio, read their magazines out loud, but Delia let the silence settle into her, and, by early summer, she had begun to hear the ticking of the dry grasses as a language she could almost translate. The dogs were named Jesus and Alice. “Away to me, Jesus,” she said when they were moving the sheep. “Go bye, Alice.” From May to September these words spoken in command of the dogs were almost the only times she heard her own voice; that, and when the Mexican brought the groceries, a polite exchange in Spanish about the weather, the health of the dogs, the fecundity of the ewes.
The Churros were a very old breed. The O-Bar Ranch had a federal allotment up on the mountain, which was all rimrock and sparse grasses well suited to the Churros, who were fiercely protective of their lambs and had a long-stapled top coat that could take the weather. They did well on the thin grass of the mountain where other sheep would lose flesh and give up their lambs to the coyotes. The Mexican was an old man. He said he remembered Churros from his childhood in the Oaxaca highlands, the rams with their four horns, two curving up, two down. “Buen’ carne,” he told Delia. Uncommonly fine meat.
The wind blew out of the southwest in the early part of the season, a wind that smelled of juniper and sage and pollen; in the later months, it blew straight from the east, a dry wind smelling of dust and smoke, bringing down showers of parched leaves and seedheads of yarrow and bittercress. Thunderstorms came frequently out of the east, enormous cloudscapes with hearts of livid magenta and glaucous green. At those times, if she was camped on a ridge, she’d get out of her bed and walk downhill to find a draw where she could feel safer, but if she were camped in a low place, she would stay with the sheep while a war passed over their heads, spectacular jagged flares of lightning, skull-rumbling cannonades of thunder. It was maybe bred into the bones of Churros, a knowledge and a tolerance of mountain weather, for they shifted together and waited out the thunder with surprising composure; they stood forbearingly while rain beat down in hard blinding bursts.
Sheepherding was simple work, although Delia knew some herders who made it hard, dogging the sheep every minute, keeping them in a tight group, moving all the time. She let the sheep herd themselves, do what they wanted, make their own decisions. If the band began to separate, she would whistle or yell, and often the strays would turn around and rejoin the main group. Only if they were badly scattered did she send out the dogs. Mostly she just kept an eye on the sheep, made sure they got good feed, that the band didn’t split, that they stayed in the boundaries of the O-Bar allotment. She studied the sheep for the language of their bodies, and tried to handle them just as close to their nature as possible. When she put out salt for them, she scattered it on rocks and stumps as if she were hiding Easter eggs, because she saw how they enjoyed the search.
The spring grass made their manure wet, so she kept the wool cut away from the ewes’ tail area with a pair of sharp, short-bladed shears. She dosed the sheep with wormer, trimmed their feet, inspected their teeth, treated ewes for mastitis. She combed the burrs from the dogs’ coats and inspected them for ticks. You’re such good dogs, she told them with her hands. I’m very very proud of you.
She had some old binoculars, 7 x 32s, and in the long quiet days, she watched bands of wild horses miles off in the distance, ragged looking mares with dorsal stripes and black legs. She read the back issues of the local newspapers, looking in the obits for names she recognized. She read spine-broken paperback novels and played solitaire and scoured the ground for arrowheads and rocks she would later sell to rockhounds. She studied the parched brown grass, which was full of grasshoppers and beetles and crickets and ants. But most of her day was spent just walking. The sheep sometimes bedded quite a ways from her trailer and she had to get out to them before sunrise when the coyotes would make their kills. She was usually up by three or four and walking out to the sheep in darkness. Sometimes she returned to the camp for lunch, but always she was out with the sheep again until sundown, when the coyotes were likely to return, and then she walked home after dark to water and feed the dogs, eat supper, climb into bed.
In her first years on Joe-Johns, she had often walked three or four miles away from the band just to see what was over a hill, or to study the intricate architecture of a sheepherder’s monument. Stacking up flat stones in the form of an obelisk was a common herders’ pastime, their monuments all over that sheep country, and though Delia had never felt an impulse to start one herself, she admired the ones other people had built. She sometimes walked miles out of her way just to look at a rockpile up close.
She had a mental map of the allotment, divided into ten pastures. Every few days, when the sheep had moved on to a new pasture, she moved her camp. She towed the trailer with an old Dodge pickup, over the rocks and creekbeds, the sloughs and dry meadows, to the new place. For a while afterward, after the engine was shut off and while the heavy old body of the truck was settling onto its tires, she would be deaf, her head filled with a dull roaring white noise.