Michael himself had been playing tennis in the blazing desert sun with two soldiers who were stationed at March Field. When the woman had come out of the clubhouse, saying, "You'd better come in and listen to the radio. There's an awful lot of static, but I think I heard that the Japanese have attacked us," the two soldiers had looked at each other and had put their rackets away and had gone in and packed their bags and had started right back for March Field. The ball before the battle of Waterloo. The gallant young officers waltzing, kissing the bare-shouldered ladies goodbye, then off to the guns on the foaming horses, with a rattle of hoofs and scabbards and a swirling of capes in the Flanders night more than a century ago. An old chestnut, then, probably, but Byron had done it big just the same. How would Byron have handled the morning in Honolulu and this next morning in Beverly Hills?
Michael had meant to stay in Palm Springs another three days, but after the tennis game he had paid his bill and rushed back to town. No capes, no horses, just a hired Ford with a convertible top that went down when you pushed a button. And no battle waiting, just the rented-by-the-week ground-floor apartment overlooking the swimming-pool.
The noise of the mower came in at the french window that opened on to the small lawn. Michael turned and looked at the machine and the gardener. The gardener was a small fifty-year-old Japanese, bent and thin with his years of tending other people's grass and flower-beds. He plodded after the machine mechanically, his thin, wiry arms straining against the handle.
Michael couldn't help grinning. A hell of a thing to wake up to, the day after the Japanese Navy dropped the bombs on the American fleet – a fifty-year-old Jap advancing on you with a lawn-mower. Michael looked more closely and stopped smiling. The gardener had a set, gloomy expression on his face, as though he were bearing a chronic illness. Michael remembered him from the week before, when he had gone about his chores with a cheery, agreeable smile, and had even hummed from time to time, tunelessly, as he had pruned the oleander bush outside the window.
Michael got out of bed and went to the window, buttoning his pyjama top. It was a clear, golden morning, with the tiny crispness that is Southern California's luxurious substitute for winter. The green of the lawn looked very green and the small red and yellow dahlias along the border shone like gleaming bright buttons against it. The gardener kept everything in sharp definite lines out of some precise sense of Oriental design.
"Good morning," Michael said. He didn't know the man's name. He didn't know any Japanese names. Yes – one. Sessue Hayakawa, the old movie star. What was good old Sessue Hayakawa doing this morning?
The gardener stopped the lawn-mower and came slowly up from his sombre dream to stare at Michael.
"Yes, Sir," he said. His voice was flat and high, and there was no welcome in it. His little dark eyes, set among the brown wrinkles, looked, Michael thought, lost and pleading. Michael wanted to say something comforting and civilized to this ageing, labouring, exile who had overnight found himself in a land of enemies, charged with the guilt of a vile attack three thousand miles away.
"It's too bad," Michael said, "isn't it?"
The gardener looked blankly at him, as though he had not understood at all.
"I mean," said Michael, "about the war."
The man shrugged. "Not too bad," he said. "Everybody say, 'naughty Japan, goddamn Japan'. But not too bad. Before, England wants, she take. America wants, she take. Now Japan wants." He stared coldly at Michael, direct and challenging.
"She take."
He turned, and turned the mower with him, and started across the lawn slowly, with the cut grass flying in a fragrant green spray around his ankles. Michael watched him for a moment, the bent humble back, the surprisingly powerful legs, bare up to the knee in torn shorts, the creased, sun-worn neck rising out of the colourless sweaty shirt.
Michael reflected. Perhaps a good citizen, in time of war, should report utterances like this to the proper authorities. Perhaps this aged Japanese gardener in his ragged clothes was really a full commander in the Japanese Navy, cleverly awaiting the arrival of the Imperial Fleet outside San Pedro Harbour before showing his hand. Michael grinned. The movies, he thought; there was no escape for the modern mind from their onslaught.
He closed the french windows and went in and shaved. While he was shaving he tried to plan what he would do from now on. He had come to California with Thomas Cahoon, who was trying to cast a play. They were conferring about revisions with the author, too, Milton Sleeper, who could only work at night on the play, because he worked during the day for Warner Brothers as a scenario writer. "Art," Cahoon had said, acidly, "is in great shape in the twentieth century. Goethe worked all day on a play, and Chekhov and Ibsen, but Milton Sleeper can only give it his evenings."
Somehow, Michael thought, as he scraped at his face, when your country goes to war, you should be galvanized into some vast and furious action. You should pick up a gun, board a naval vessel, climb into a bomber for a five-thousand-mile flight, parachute into the enemy's capital…
But Cahoon needed him to put the play on. And, there was no escaping this fact, Michael needed the money. If he went into the Army now, his mother and father would probably starve, and there was Laura's alimony… Cahoon was giving him a percentage of the play this time, too. It was a small percentage, but if it was a hit it would mean that money would be coming in for a year or two. Perhaps the war would be short and the money would last it out. And if it was a tremendous smash, say, like Abie's Irish Rose or Tobacco Road, the war could stretch on indefinitely. It was a dreadful thing to think of, though – a war that ran as long as Tobacco Road.
Too bad he didn't have the money now, though. It would have been so satisfactory to go to the nearest Army post after hearing the news on the radio and enlist. It would have been a solid, unequivocal gesture which you could look back at with pride all your life. But there were only six hundred dollars in the bank, and the income-tax people were bothering him about his return in 1939, and Laura had been unpredictably greedy about the divorce settlement. He had to give her eighty dollars a week for her whole life, unless she got married, and she had taken all the cash he had in his account in New York. He wondered what happened to alimony when you joined the Army.
As Michael dressed he tried to think about other things. There was something inglorious about sitting, a little hung-over from last night's nervous drinking, in this over-fancy, pink-chiffon, rented bedroom, uneasily going over your finances on this morning of decision, like a book-keeper who has lifted fifty dollars from the till and is worrying about how to get it back before the auditors arrive. The men at the guns in Honolulu were probably in even worse financial straits, but he was sure they weren't worrying about it this morning. Still, it was impracticable to go down and enlist immediately. It was ridiculous, but patriotism, like almost every other generous activity, was easier for the rich, too.
Outside, across the street, on a vacant lot that rose quite steeply above the rest of the ground around it, there were two Army trucks and an anti-aircraft gun and soldiers in helmets were digging in. The gun, poking its long, covered muzzle up at the sky, and the busy soldiers scraping out an emplacement as though they were already under fire, struck Michael as incongruous and comic. This, too, must be a local phenomenon. It was impossible to believe that any place elsewhere in the country the Army was going to these melodramatic lengths. And, somehow, soldiers and guns had always seemed to Michael, as they did to most Americans, like instruments for a kind of boring, grown-up game, not like anything real. And this particular gun was stuck between a woman's Monday wash-line, brassieres and silk stockings and pantie girdles, and on the back door of a Spanish bungalow, with the morning's milk still on the steps.