"Then your problems are over."
"No," Lars said. "Oddly, my problems aren't over. I have a job I want you to do. Bill me for it. If you can't do it yourself or won't do it—"
"Don't make a speech. Just say what it is."
Lars said, "I want every back issue of The Blue Cephalopod Man from Titan rounded up. A complete file from issue number one, volume one." He added, "It's a 3-D comic book. You know, the lurid kind that wiggles when you took at it. I mean, the girls wiggle—breasts, pelvic area, all there is to wiggle. The monsters salivate."
"Okay." Pete scratched himself a memo. "The Blue Cephalopod Man from Titan. I've seen it, although it's not made for North America. My kids seem to get hold of it anyhow. It's one of the worst, but it's not illegal, not outright pornographic. Like you say, the girls wiggle but at least they don't—"
"Go over every issue," Lars said. "With your best engineers. Thoroughly. List every weapons item employed in all the sequences. Check out which are ours and Peep-East's. Draw up accurate specs, anyhow as accurate as you can, based on the data given in the comic book sequences."
"Okay." Pete nodded. "Well, go ahead."
"Make a third list of all weapons items that are not ours and are not Peep-East's. In other words unknown to us. Maybe there won't be any but maybe there will. Have them, if possible, made into accurate specs; I want mockups and—"
"Did you and Lilo come up with anything?"
"Yes."
"Good."
"It's called a steam engine. Donkey type."
Pete regarded him. "Seriously."
"Seriously."
"They'll massacre you."
"I know that," Lars said.
"Can you get away? Back to Wes-bloc?"
"I can try; I can run. But there's other things that are more important at this moment. Now listen. Job number two, which you will actually do first. Contact KACH."
"Right." Jot-jot.
"Have them investigate all persons responsible for preparing, drawing, making up the dummies, writing the script ideas. In other words, go into the human sources of all the material in the comic book The Blue Cephalopod Man from Titan."
"Will do." Pete scratched away.
"Urgently."
"Urgently." Pete wrote that. "And report to whom?"
"If I'm back in Wes-bloc, to me. If not, then to you. Next job."
"Shoot, Mr. God, sir."
"Vidphone on an emergency line the S.F. branch of the FBI. Tell them to instruct their team here in the field at Fairfax, Iceland, to—" And he stopped, because the screen had gone blank. The set was dead.
"Somewhere along the line the Soviet secret police who had been monitoring the call had pulled the plug.
It was astonishing that they hadn't done so sooner.
He left the booth, stood pondering. Down the corridor waited two KVB men. No other way out.
Yet somewhere in Fairfax the FBI had holed itself up. If he somehow got to them he might be able to—
But they had orders to cooperate with the KVB. They would simply turn him back over to Major Geschenko.
It's still that wonderful world, he thought, in which everyone cooperates—unless you happen to be the sole person who has ceased to cooperate and who would like to get out. Because there is no longer an out; all the roads lead back here.
He might as well eliminate the middlemen and deal directly with Major Geschenko.
So, reluctantly, he returned to the motel room.
At the table Geschenko, Dr. Todt and Lilo Topchev still sat, drinking coffee and reading the homeopape. This time they were conversing in German. Multilingual bastards, Lars said to himself as he sat down.
"Wie geht's?" Dr. Todt asked him.
"Traurig," Lilo said. "Konnen Sie nicht sehen? What happened, Lars? Did you phone up General Nitz and ask him to please take you home? And he said no, and don't bother me, because you're now under the jurisdiction of the KVB, even though Iceland is supposedly neutral ground. Nicht wahr?"
To Major Geschenko, Lars said, "Major, I am officially asking permission to discuss my situation alone with a rep from the United States police agency, the FBI. Will you grant that?"
"Easily managed," Geschenko said. A KVB man, abruptly entering the room, surprised all of them. Geschenko included. He approached the major, presenting him with typed, not a Xeroxed, document. "Thank you," Geschenko said, and silently read the document. Then he lifted his head to confront Lars. "I think your idea is a good one—to sequester all the back-issues of The Blue Cephalopod Man from Titan and to have KACH run a thorough analysis on the strip's creators. We, of course, are already doing both ourselves, but there's no reason why your people can't duplicate it However, to save time—and time, I should remind you, is in this case essential—I advance very respectfully the idea that you ask your business associates in San Francisco whom you just now conversed with to notify us of any useable material which they might uncover. After all, it is an American city that has been the first object of attack."
Lars said, "If I can speak to an FBI man, yes. If not, no."
"I told you already that it was easy to arrange." Geschenko addressed his aide again in Russian.
Lilo said, "He's telling him to go out, stay five minutes, return and say in English that the FBI entourage here at Fairfax can't be located."
Glancing at her, Major Geschenko said irritably, "In addition to all else you could be arraigned under Soviet law for interfering with security operations. It would be a charge of treason, punishable by death before a firing squad. So why don't you for once in your life shut up?" He looked genuinely angry; he had lost his poise and his face was dark red.
Lilo murmured. "Sie konnen Sowjet Gericht und steck'—"
Interrupting, Dr. Todt said firmly, "My patient, Mr. Powderdry, seems under great stress, due especially to this last interchange. Would you object, Major, if I gave him a tranquilizer?"
"Go ahead, doctor," Geschenko said grouchily. He waved curtly, dismissing his aide—without having reinstructed him, Lars observed.
From his black medical bag Dr. Todt brought several bottles, a flat tin, a number of folders of free samples of the sort distributed by the large ethical pharmaceutical houses in incredible numbers all over the world, new drugs as yet untested and not on the market; he had, wearisomely, always been interested in the latest in medications. Mumbling, calculating to himself, Todt sorted among them, lost in his own idiosyncratic universe.
Again an aide brought Geschenko a document. He studied it silently, then said, "I have preliminary information on the artist who is the creator of The Blue Man abomination. Would you care to hear it?"
"Yes," Lars said.
"I couldn't care less," Lilo said.
Dr. Todt continued to root about in his overfilled black medical bag.
Reading from the document presented him, Major Geschenko summarized for Lars' benefit the info which the Soviet intelligence-apparatus, acting at top speed, had assembled. "The artist is named Oral Giacomini. A Caucasian of Italian origin who migrated to Ghana ten years ago. He is in and out of a mental institution in Calcutta—and not a reputable one at that. Without electroshock and thalamic-suppressors he would be in a complete autistic schizophrenic withdrawal."
"Jeez," Lars said.
"Further, he is an ex-inventor. For instance, his Evolution Rifle. He actually built one, about twelve years ago, had it patented in Italy. Probably for use against the Austro-Hungarian Empire." Geschenko set down the document on the table; coffee stained it at once, but he did not seem to give a good goddam, Lars noticed; the major was as disgusted as he himself. "Oral Giacomini's ideas, as analyzed by the second-rate psychiatrists at Calcutta, consist of worthless, grandiose, schizophrenic delusions of world-power. And this is the lunatic nonentity whose mentality you—" he shook his fist, futilely, at Lars and Lilo—"have seen fit to tap as the inspiration for your 'weapons'!"
"Well," Lars said presently, "that's the weapons fashion designing biz."
Dr. Todt closed his medical bag at last and sat regarding them.