Theatre
1
THE door opened and Michael Gosselyn looked up. Julia came in.
‘Hulloa! I won’t keep you a minute. I was just signing some letters.’
‘No hurry. I only came to see what seats had been sent to the Dennorants. What’s that young man doing here?’
With the experienced actress’s instinct to fit the gesture to the word, by a movement of her neat head she indicated the room through which she had just passed.
‘He’s the accountant. He comes from Lawrence and Hamphreys. He’s been here three days.’
‘He looks very young.’
‘He’s an articled clerk. He seems to know his job. He can’t get over the way our accounts are kept. He told me he never expected a theatre to be run on such businesslike lines. He says the way some of those firms in the city keep their accounts is enough to turn your hair grey.’
Julia smiled at the complacency on her husband’s handsome face.
‘He’s a young man of tact.’
‘He finishes today. I thought we might take him back with us and give him a spot of lunch. He’s quite a gentleman.’
‘Is that a sufficient reason to ask him to lunch?’
Michael did not notice the faint irony of her tone.
‘I won’t ask him if you don’t want him. I merely thought it would be a treat for him. He admires you tremendously. He’s been to see the play three times. He’s crazy to be introduced to you.’ Michael touched a button and in a moment his secretary came in.
‘Here are the letters, Margery. What appointments have I got for this afternoon?’
Julia with half an ear listened to the list Margery read out and, though she knew the room so well, idly looked about her. It was a very proper room for the manager of a first-class theatre. The walls had been panelled (at cost price) by a good decorator and on them hung engravings of theatrical pictures by Zoffany and de Wilde. The armchairs were large and comfortable. Michael sat in a heavily carved Chippendale chair, a reproduction but made by a well-known firm, and his Chippendale table, with heavy ball and claw feet, was immensely solid. On it stood in a massive silver frame a photograph of herself and to balance it a photograph of Roger, their son. Between these was a magnificent silver ink-stand that she had herself given him on one of his birthdays and behind it a rack in red morocco, heavily gilt, in which he kept his private paper in case he wanted to write a letter in his own hand. The paper bore the address, Siddons Theatre, and the envelope his crest, a boar’s head with the motto underneath: Nemo me impune lacessit. A bunch of yellow tulips in a silver bowl, which he had got through winning the theatrical golf tournament three times running, showed Margery’s care. Julia gave her a reflective glance. Notwithstanding her cropped peroxide hair and her heavily-painted lips she had the neutral look that marks the perfect secretary. She had been with Michael for five years. In that time she must have got to know him inside and out. Julia wondered if she could be such a fool as to be in love with him.
But Michael rose from his chair.
‘Now, darling, I’m ready for you.’
Margery gave him his black Homburg hat and opened the door for Julia and Michael to go out. As they entered the office the young man Julia had noticed turned round and stood up.
‘I should like to introduce you to Miss Lambert,’ said Michael. Then with the air of an ambassador presenting an attache to the sovereign of the court to which he is accredited: ‘This is the gentleman who is good enough to put some order into the mess we make of our accounts.’
The young man went scarlet. He smiled stiffly in answer to Julia’s warm, ready smile and she felt the palm of his hand wet with sweat when she cordially grasped it. His confusion was touching. That was how people had felt when they were presented to Sarah Siddons. She thought that she had not been very gracious to Michael when he had proposed asking the boy to luncheon. She looked straight into his eyes. Her own were large, of a very dark brown, and starry. It was no effort to her, it was as instinctive as brushing away a fly that was buzzing round her, to suggest now a faintly amused, friendly tenderness.
‘I wonder if we could persuade you to come and eat a chop with us. Michael will drive you back after lunch.’
The young man blushed again and his adam’s apple moved in his thin neck.
‘It’s awfully kind of you.’ He gave his clothes a troubled look. ‘I’m absolutely filthy.’
‘You can have a wash and brush up when we get home.’
The car was waiting for them at the stage door, a long car in black and chromium, upholstered in silver leather, and with Michael’s crest discreetly emblazoned on the doors. Julia got in.
‘Come and sit with me. Michael is going to drive.’
They lived in Stanhope Place, and when they arrived Julia told the butler to show the young man where he could wash his hands. She went up to the drawing-room. She was painting her lips when Michael joined her.
‘I’ve told him to come up as soon as he’s ready.’
‘By the way, what’s his name?’
‘I haven’t a notion.’
‘Darling, we must know. I’ll ask him to write in our book.’
‘Damn it, he’s not important enough for that.’ Michael asked only very distinguished people to write in their book. ‘We shall never see him again.’
At that moment the young man appeared. In the car Julia had done all she could to put him at his ease, but he was still very shy. The cocktails were waiting and Michael poured them out. Julia took a cigarette and the young man struck a match for her, but his hand was trembling so much that she thought he would never be able to hold the light near enough to her cigarette, so she took his hand and held it.
‘Poor lamb,’ she thought, ‘I suppose this is the most wonderful moment in his whole life. What fun it’ll be for him when he tells his people. I expect he’ll be a blasted little hero in his office.’
Julia talked very differently to herself and to other people: when she talked to herself her language was racy. She inhaled the first whiff of her cigarette with delight. It was really rather wonderful, when you came to think of it, that just to have lunch with her and talk to her for three quarters of an hour, perhaps, could make a man quite important in his own scrubby little circle.
The young man forced himself to make a remark.
‘What a stunning room this is.’
She gave him the quick, delightful smile, with a slight lift of her fine eyebrows, which he must often have seen her give on the stage.
‘I’m so glad you like it.’ Her voice was rather low and ever so slightly hoarse. You would have thought his observation had taken a weight off her mind. ‘We think in the family that Michael has such perfect taste.’
Michael gave the room a complacent glance.
‘I’ve had a good deal of experience. I always design the sets myself for our plays. Of course, I have a man to do the rough work for me, but the ideas are mine.’
They had moved into that house two years before, and he knew, and Julia knew, that they had put it into the hands of an expensive decorator when they were going on tour, and he had agreed to have it completely ready for them, at cost price in return for the work they promised him in the theatre, by the time they came back. But it was unnecessary to impart such tedious details to a young man whose name even they did not know. The house was furnished in extremely good taste, with a judicious mixture of the antique and the modern, and Michael was right when he said that it was quite obviously a gentleman’s house. Julia, however, had insisted that she must have her bedroom as she liked, and having had exactly the bedroom that pleased her in the old house in Regent’s Park which they had occupied since the end of the war she brought it over bodily. The bed and the dressing-table were upholstered in pink silk, the chaise-longue and the armchair in Nattier blue; over the bed there were fat little gilt cherubs who dangled a lamp with a pink shade, and fat little gilt cherubs swarmed all round the mirror on the dressing-table. On satinwood tables were signed photographs, richly framed, of actors and actresses and members of the royal family. The decorator had raised his supercilious eyebrows, but it was the only room in the house in which Julia felt completely at home. She wrote her letters at a satinwood desk, seated on a gilt Hamlet stool.