Mystery and ambiguity are at the heart of Petrushevskaya’s fairy tales: we are always inside the dream. Petrushevskaya saves her best clues to the very end, and often we, like the character, have to travel the entire journey without any knowledge of its endpoint and without any memory of the original accident. The final revelation is always somewhat ambiguous, the screw never turns all the way, and the suspense over which reality is more real is never fully broken. When Petrushevskaya finally points the way out of the Orchard of Unusual Possibilities, the question of physical reality has already lost its vital urgency for the reader and the character. The half-memories of abandoned responsibilities, of everyday existence, lose their grip. All that matters now is the enchanting journey itself, and this new unearthly world, and the people you meet there, some of them once loved but long gone and forgotten.
As Solzhenitsyn revealed to the world the insides of the massive prison camps, so Petrushevskaya described for the first time the cramped Soviet apartment on the night of a white wedding, the danger not just of sexual failure but of the mother-in-law barging in drunk. But in all her work-and in the stories in this collection in particular-Petrushevskaya has insisted on a way out. The women in these stories are mad with grief. They walk around with little matchboxes, claiming that a baby is inside (“The Cabbage-patch Mother”); they decide to destroy everything in their apartments and leave in order to thwart an imagined gremlin (“There’s Someone in the House”); they appeal to alcoholic homeless prophets for help (“The Miracle”), to their dead mothers (“The Shadow Life”), to the sea god Poseidon. They bury their husbands in the forest, on the street before the draft board, or in the past. They consider burying themselves alongside them-and then they don’t. The greatness of Petrushevskaya lies first in her ability to convey the true, crippling power of despair, and then to find a reason to return, as she herself once returned from Lithuania.
She has described the absolute breakdown, in the postwar era, of traditional human values; she has also tried to discover what human relationships can survive. We know of no writer in any language who is working at such a pitch of emotion, with such honesty in even the smallest and shortest stories, with such a profound knowledge of people’s dreams and disappointments and consolations.
– KEITH GESSEN AND ANNA SUMMERS
Songs of the Eastern Slavs
The Arm
DURING THE WAR, A COLONEL RECEIVED A LETTER FROM HIS wife. She misses him very much, it said, and won’t he come visit because she’s worried she’ll die without having seen him. The colonel applied for leave right away, and as it happened that just a few days earlier he’d been awarded a medal, he was granted three days. He got a plane home, but just an hour before his arrival his wife died. He wept, buried his wife, and got on a train back to his base-and then suddenly discovered he had lost his Party card. He dug through all his things, returned to the train station-all this with great difficulty-but couldn’t find it. Finally he just went home. There he fell asleep and dreamed that he saw his wife, who said that his Party card was in her coffin-it had fallen out when the colonel bent over to kiss her during the funeral. In his dream his wife also told the colonel not to lift the veil from her face.
The colonel did as he was told: he dug up the coffin, opened it, and found his Party card inside. But then he couldn’t resist: he lifted the covering from his wife’s face. She lay there as if still alive, but there was a little worm on her left cheek. The colonel wiped away the worm with his hand, covered up his wife’s face, and reburied the coffin.
Now he had very little time, and he went directly to the airfield. The plane he needed wasn’t there, but then a pilot in a charred jacket pulled him aside and said he was flying to the same place as the colonel and could drop him off. The colonel was surprised that the pilot knew where he was going, but then he saw it was the same pilot who had flown him home.
“Are you all right?” asked the colonel.
“I had a little crash on the way back,” said the pilot, “but it’s all right. I’ll drop you off, it’s on the way.”
They flew at night. The colonel sat on a metal bench running the length of the plane. In truth he was surprised the plane could fly at all. It was in terrible shape: clumps of material hung everywhere, some kind of charred stump kept rolling into the colonel’s feet, and there was a strong odor of burned flesh. They soon landed, and the colonel asked the pilot if he was sure this was the right place. The pilot said he was absolutely sure.
“Why is your plane in such poor shape?” the colonel demanded, and the pilot explained that his navigator usually cleaned up, but he’d just been killed. And right away he started lugging the charred stump off the plane, saying, “There he is, my navigator.”
The plane stood in a field, and all through this field wandered wounded men. There was forest in every direction, a campfire burned in the distance, and among the burned-out cars and artillery, people were lying and sitting, others were standing, and others were milling about.
“Damn it!” the colonel yelled. “Where have you brought me? This isn’t my base!”
“This is your base now,” said the pilot. “I’ve brought you back to where I picked you up.”
The colonel understood that his division had been surrounded and destroyed, everyone killed or wounded, and he cursed everything on earth, including the pilot, who was still messing with his charred stump, which he insisted on calling his navigator, and pleading with it to get up and go.
“Let’s start evacuating everyone,” ordered the colonel. “We’ll begin with the military files, then the coats of arms and the heavily wounded.”
“This plane won’t fly anymore,” the pilot noted.
The colonel drew his pistol and promised to shoot the pilot then and there for disobeying an order. But the pilot ignored him and went on trying to stand the stump on the ground, first one way, then another, saying over and over, “Come on, let’s go.”
The colonel fired his pistol, but he must have missed because the pilot kept mumbling, “Come on, come on,” to his navigator, and in the meantime the roar of vehicles could be heard, and suddenly the field was filled with a mechanized column of German infantry.
The colonel took cover in the grass as the trucks kept coming and coming, but there was neither shooting nor shouting of orders, nor did the motors stop running. Ten minutes later the column was gone, and the colonel raised his head-the pilot was still fussing with his charred stump, and over by the fire people were still lying down, sitting, walking around. The colonel stood and approached the fire. He didn’t recognize anyone-this wasn’t his division at all. There was infantry here, and artillery, and God knows what else, all in torn uniforms, with open wounds on their arms, legs, stomachs. Only their faces were clean. They talked quietly among themselves. Next to the fire, her back to the colonel, sat a woman in civilian dress with a kerchief on her head.