One night-not too late-Zhenya was walking home from a friend’s house when, not far from home, she was suddenly grabbed from both sides. Her attackers were three teenagers, around sixteen or seventeen, and dark-skinned-that is, migrants from the South. Zhenya didn’t know them, and they didn’t know Zhenya; they’d have grown up while she was away at school. They gagged her and led her away, twisting her arms behind her back, as if they had done it before, and Zhenya hobbled along bent over, and was pushed and shoved, a knife pricking her back. They addressed each other in their tongue; Zhenya understood some of it-though they called themselves Greeks in the town, they were not Greeks. Zhenya could tell they were arguing about who should go first, since one of them supposedly had a bad disease. They yelled in the darkness of the night, arguing (partly in Russian), dragging Zhenya with them, when suddenly everything became bright. It was as if someone had turned on a projector. The three man-boys stopped, momentarily letting go of Zhenya, and, seeing a construction site lit up before her, and an old man and a woman standing there among the broken rocks, she rushed toward them as fast as she could, taking the rag out of her mouth and yelling, “Kill me! Kill me!” She stopped beside the old man, reaching out her swollen arms to him and begging: “Kill me! Just don’t let them have me!”
The three boys started arguing indignantly that she was a whore, that she owed them, they’d paid! They yelled this in Russian.
The old man dismissed them with a single wave of his hand, saying, in their language, “Leave.” And the three turned around like soldiers and disappeared back into the night, having received an order in their own tongue.
The old man told Zhenya that he would walk her home. The woman stayed at the construction site; she held her head down, and Zhenya caught only a brief glimpse of her but was struck by her resemblance to her mother. Zhenya was afraid to leave, but the old man started off, and she had to follow. The old man brought her to a strange house. Zhenya couldn’t see anything in the dark, and entering a room that looked like a cupboard, she heard the old man lock the door behind her and walk away. Zhenya sat down on the floor, felt with her hands for the rough, uneven wall, then leaned against it and fell asleep.
In the morning she awoke outside. She was sitting with her back against the rough trunk of a poplar tree in the middle of an overgrown empty lot. Zhenya began to run, not knowing in which direction, until finally she found the road back to town and her grandmother’s and went to sleep in a little shack outside the house. It was early morning when she finally got home. She told her grandmother that she’d slept over at a friend’s house since she was afraid to walk at night. Zhenya also said that she wanted to return to school right away.
Her grandmother probably understood everything-Zhenya’s arms were badly swollen and covered with bruises, her face was puffy, and the corner of her mouth was torn.
The grandmother said she hadn’t slept all night and had instead gone through the chest with all their old things and found her daughter’s earrings and an icon. She wanted to give them to Zhenya.
Zhenya put on her mother’s earrings, which were exactly the same as the ones she’d recently used for payment, gathered her few things, including the icon, and set off for the train station. She decided to go by the construction site on the way, so as to see the old man and the woman who looked like her mother. But there was nothing there: no construction site, no empty lot. It was a sunny day, and all around were houses and gardens.
Walking alongside her, her grandmother kept silent about the fact that they weren’t heading toward the train station at all but rather in the opposite direction, toward the dump on the edge of town. Suddenly Zhenya said that she thought her mother’s grave might be nearby, and that they should look for it under a poplar log in an empty lot. The grandmother objected that her daughter had disappeared in an entirely different town, but Zhenya didn’t hear her. She simply kept looking for the log, and at the first one she found she sat down on the ground and burst into tears.
They both sat there like that for a long time, crying, and then Zhenya, in her winter dress with long sleeves, left that town for good. She no longer searched for her mother in mental hospitals and jails, though she kept wearing the earrings, and still does.
Two Kingdoms
IN THE BEGINNING THEY FLEW THROUGH A CELESTIAL PARADISE, through a glorious blue landscape and over thick curly clouds. You could tell the stewardess was from the place they were going to: she wore a wondrous linen suit with no buttons. The beverages she served had a foreign taste.
The passengers all dozed with fatigue. As Lina walked through the rows she was struck by how much everyone resembled everyone else, with their yellowish faces and black crew cuts. She even became frightened, thinking an army regiment was being transported with her to this new place. All the soldiers slept, reclining in the same exact way, their parched mouths half-open. But then again they might have been the embassy staff of some exotic southern country.
Then night fell. Lina had never flown so far and for so long, and she spent part of the night in the bathroom, looking out the little window. She saw stars above and around, as well as far below, where they could easily have been mistaken for dim village lights. Racing along through the black night, through the astral profusion, one’s soul felt elated, aware of itself at the center of the universe, in absolute and utter darkness among the large, furry, flickering stars. Alone among the stars!
Lina even began to cry. It was with difficulty now that she recalled the moments of parting from her family and everything she loved: it all seemed so enormous and confusing, and she could no longer remember what happened first and what happened next. The miraculous reappearance of Vasya with the tickets and the marriage license; the complex bureaucratic formalities; her mother’s tears when the women dressed Lina in white and wheeled her downstairs into the elevator, where Vasya took her in his arms and carried her to the car. Either she fainted or she was sick from the drive-everything was like a dream: the stupid music, the bewildered, terrified spectators on all sides, the mirrors showing Vasya with his beard, and then Lina, gray, emaciated, in white lace and with sunken eyes.
They must have done the operation they were planning before she left, but what happened after that, Lina was already unable to say. Her mother was howling for some reason, the sound muffled as if by a pillow, and her son was crying, frightened by the music, the flowers, and Lina’s face. He was crying the way frightened children always cry when they see their mother being beaten or taken from them: he shrieked loudly; it was heart-wrenching. He was too small-he had to stay with his grandmother because Lina needed another operation, in a foreign city, a foreign country, and with this new husband, this Vasya who had appeared out of nowhere with his beard.
He was really just a rumor, this Vasya. He would show up once a year, emerge from the crowd, kiss her hand, taking it in his big cold palm, and promise Lina fantastic treasures and a future for her son-not now, but soon. Later. Just then, at that particular moment, it was impossible. But later, later he would take them away, her and her son, and her honorable mom, too, to an earthly paradise far far away, somewhere on the shores of a warm sea, amid marble columns, where they had-was it little elves?-flying about. In short, she’d live like Thumbelina from the fairy tale.