The arcade is lit at night by three gas burners, enclosed in heavy square lanterns. These jets of gas, hanging from the glazed roof whereon they cast spots of fawn-coloured light, shed around them circles of pale glimmer that seem at moments to disappear. The arcade now assumes the aspect of a regular cut-throat alley. Great shadows stretch along the tiles, damp puffs of air enter from the street. Anyone might take the place for a subterranean gallery indistinctly lit-up by three funeral lamps. The tradespeople for all light are contented with the faint rays which the gas burners throw upon their windows. Inside their shops, they merely have a lamp with a shade, which they place at the corner of their counter, and the passer-by can then distinguish what the depths of these holes sheltering night in the daytime, contain. On this blackish line of shop fronts, the windows of a cardboard-box maker are flaming: two schist-lamps pierce the shadow with a couple of yellow flames. And, on the other side of the arcade a candle, stuck in the middle of an argand lamp glass, casts glistering stars into the box of imitation jewelry. The dealer is dozing in her cupboard, with her hands hidden under her shawl.
A few years back, opposite this dealer, stood a shop whose bottle-green woodwork excreted damp by all its cracks. On the signboard, made of a long narrow plank, figured, in black letters the word: MERCERY. And on one of the panes of glass in the door was written, in red, the name of a woman: Therese Raquin. To right and left were deep show cases, lined with blue paper.
During the daytime the eye could only distinguish the display of goods, in a soft, obscured light.
On one side were a few linen articles: crimped tulle caps at two and three francs apiece, muslin sleeves and collars: then undervests, stockings, socks, braces. Each article had grown yellow and crumpled, and hung lamentably suspended from a wire hook. The window, from top to bottom, was filled in this manner with whitish bits of clothing, which took a lugubrious aspect in the transparent obscurity. The new caps, of brighter whiteness, formed hollow spots on the blue paper covering the shelves. And the coloured socks hanging on an iron rod, contributed sombre notes to the livid and vague effacement of the muslin.
On the other side, in a narrower show case, were piled up large balls of green wool, white cards of black buttons, boxes of all colours and sizes, hair nets ornamented with steel beads, spread over rounds of bluish paper, fasces of knitting needles, tapestry patterns, bobbins of ribbon, along with a heap of soiled and faded articles, which doubtless had been lying in the same place for five or six years. All the tints had turned dirty grey in this cupboard, rotting with dust and damp.
In summer, towards noon, when the sun scorched the squares and streets with its tawny rays, you could distinguish, behind the caps in the other window, the pale, grave profile of a young woman. This profile issued vaguely from the darkness reigning in the shop. To a low parched forehead was attached a long, narrow, pointed nose; the pale pink lips resembled two thin threads, and the short, nervy chin was attached to the neck by a line that was supple and fat. The body, lost in the shadow, could not be seen. The profile alone appeared in its olive whiteness, perforated by a large, wide-open, black eye, and as though crushed beneath thick dark hair. This profile remained there for hours, motionless and peaceful, between a couple of caps for women, whereon the damp iron rods had imprinted bands of rust.
At night, when the lamp had been lit, you could see inside the shop which was greater in length than depth. At one end stood a small counter; at the other, a corkscrew staircase afforded communication with the rooms on the first floor. Against the walls were show cases, cupboards, rows of green cardboard boxes. Four chairs and a table completed the furniture. The shop looked bare and frigid; the goods were done up in parcels and put away in corners instead of lying hither and thither in a joyous display of colour.
As a rule two women were seated behind the counter: the young woman with the grave profile, and an old lady who sat dozing with a smile on her countenance. The latter was about sixty; and her fat, placid face looked white in the brightness of the lamp. A great tabby cat, crouching at a corner of the counter, watched her as she slept.
Lower down, on a chair, a man of thirty sat reading or chatting in a subdued voice with the young woman. He was short, delicate, and in manner languid. With his fair hair devoid of lustre, his sparse beard, his face covered with red blotches, he resembled a sickly, spoilt child arrived at manhood.
Shortly before ten o'clock, the old lady awoke. The shop was then closed, and all the family went upstairs to bed. The tabby cat followed the party purring, and rubbing its head against each bar of the banisters.
The lodging above comprised three apartments. The staircase led to a dining-room which also did duty as drawing-room. In a niche on the left stood a porcelain stove; opposite, a sideboard; then chairs were arranged along the walls, and a round table occupied the centre. At the further end a glazed partition concealed a dark kitchen. On each side of the dining-room was a sleeping apartment.
The old lady after kissing her son and daughter-in-law withdrew. The cat went to sleep on a chair in the kitchen. The married couple entered their room, which had a second door opening on a staircase that communicated with the arcade by an obscure narrow passage.
The husband who was always trembling with fever went to bed, while the young woman opened the window to close the shutter blinds. She remained there a few minutes facing the great black wall, which ascends and stretches above the arcade. She cast a vague wandering look upon this wall, and, without a word she, in her turn, went to bed in disdainful indifference.
CHAPTER II
Madame Raquin had formerly been a mercer at Vernon. For close upon five-and-twenty years, she had kept a small shop in that town. A few years after the death of her husband, becoming subject to fits of faintness, she sold her business. Her savings added to the price of this sale placed a capital of 40,000 francs in her hand which she invested so that it brought her in an income of 2,000 francs a year. This sum amply sufficed for her requirements. She led the life of a recluse. Ignoring the poignant joys and cares of this world, she arranged for herself a tranquil existence of peace and happiness.
At an annual rental of 400 francs she took a small house with a garden descending to the edge of the Seine. This enclosed, quiet residence vaguely recalled the cloister. It stood in the centre of large fields, and was approached by a narrow path. The windows of the dwelling opened to the river and to the solitary hillocks on the opposite bank. The good lady, who had passed the half century, shut herself up in this solitary retreat, where along with her son Camille and her niece Therese, she partook of serene joy.
Although Camille was then twenty, his mother continued to spoil him like a little child. She adored him because she had shielded him from death, throughout a tedious childhood of constant suffering. The boy contracted every fever, every imaginable malady, one after the other. Madame Raquin struggled for fifteen years against these terrible evils, which arrived in rapid succession to tear her son away from her. She vanquished them all by patience, care, and adoration. Camille having grown up, rescued from death, had contracted a shiver from the torture of the repeated shocks he had undergone. Arrested in his growth, he remained short and delicate. His long, thin limbs moved slowly and wearily. But his mother loved him all the more on account of this weakness that arched his back. She observed his thin, pale face with triumphant tenderness when she thought of how she had brought him back to life more than ten times over.