I checked the address that Nicky Heath had given me, scribbled on a torn-out page of Notes for Persons in Police Custody, the Home Office pamphlet they give you these days in place of the old ‘You’ve been nicked, me laddie.’ I’d asked Coldwood for the address first, but he’d warned me off even more emphatically than Basquiat had, pointing out that if I was serious about not wanting to be arrested the best thing I could do was sod off home and stay there.
‘You’re forgetting one thing, Gary,’ I pointed out.
‘Which is?’
‘I’m also serious about being innocent. I didn’t take a straight razor to Kenny Seddon’s throat. The last time I wanted to do that, I hadn’t even started to shave.’
Coldwood shook his head. ‘So?’
‘So I know Kenny wasn’t writing my name in blood because he wanted to tell you who’d attacked him. You’re still open-minded on that subject, which is more or less where you need to be, but I’m not. It was something else — some other kind of message, and I’ve got to assume it was meant for me. Not “It was Castor what done it” but “Castor, take a look at this.” You understand? I don’t know what it’s about or if it’s really any of my business, but I need to find out before I can let this drop. And since you won’t even tell me where Kenny lives, I don’t trust you to tell me anything else you turn up. No hard feelings.’
‘I’ll tell you everything I think you need to know,’ Coldwood promised, and the stolid emphasis told me exactly how carefully he was choosing his words.
‘And I’ll do the same for you,’ I assured him, with a straight face. Then I walked on out of the station, found the nearest working phone box — my mobile being down on batteries again because I can never be arsed to recharge it — and called Nicky Heath, my technically dead sometime-informant. He shagged Kenny’s address from the electoral roll in about ten seconds flat.
‘New case?’ he asked me after I’d taken the details down.
‘Not exactly, Nicky,’ I said. ‘But it’s something I’m looking into. And I’ll probably be coming to you for a bit more than this as soon as I know what I’m looking for.’
‘Sure. Tell me about it tonight. You’re coming to the screening, right?’
I trod water mentally while I tried to work out what he meant. Then I remembered the gold-trimmed card that had dropped onto Pen’s doormat three weeks before — requesting the pleasure of my company at a one-off presentation of Ridley Scott’s Blade Runner (the original theatrical release, not the director’s cut) at Nicky’s formerly derelict cinema, the Walthamstow Gaumont. Strictly by invitation only, gatecrashers strongly discouraged — and since Nicky had indulged his burgeoning paranoia by turning the Gaumont into a cavernous booby-trapped fortress, that phrase hid a whole world of pain.
‘The screening,’ I echoed. ‘Right. I’ll see you there.’
And if that was what it took, that was what I’d do. But business before some implausible imitation of pleasure.
Kenny Seddon lived at 137 Weston Block, Nicky had said. I could check each tower in turn, but why not use the natural resources that were already on offer? I wandered over to the small group of boys who were still intent on their kick-about. A few of them turned to watch me as I approached, but the lad who was in possession of the ball carried on side-kicking it up into the air and then bouncing it off his chest in a metronomic rhythm.
They were younger than I’d thought, most of them probably not yet into their teens. That was welcome, because along with the broad daylight it gave me a certain assurance that they wouldn’t roll me at knifepoint for my mobile phone. They didn’t look threatening, it has to be said, but there was a certain edginess to their expressions. Maybe they were tense for the same reason that the kids in the schoolyard hadn’t seemed to be enjoying their playtime all that much: because on some level they were aware of the psychic miasma and were responding to it. Or maybe they just thought I was the truant officer.
‘Hey, guys,’ I said. ‘Which block is Weston?’
Most of the boys seemed happy to stare me out, but one of them pointed. ‘Fourth along,’ he said, flicking his flax-blond hair out of his eyes with his thumb. He was as skinny as a whippet — a whippet that’s been on a low-fat diet for a while — and the nervous gesture made me notice that he had a grubby bandage wrapped around his hand. One around each hand, in fact. He was so pale that his skin looked like paper. His orange tee-shirt bore the enigmatic legend URBAN FREESTYLE.
I nodded, said thanks and turned to leave.
‘Eighth floor,’ the boy added, to my departing back.
I stopped and looked at him again.
‘What?’ I inquired.
The boy hesitated, looking confused and a little hunted. ‘The — place you wanted,’ he said. ‘Number 137. It’s on the eighth floor, right next door to where I . . .’ He trailed off into silence, frowning as he tried to remember what I’d actually said.
Some of the other lads glared at him. They clearly felt that giving information to casual strangers was a bad idea on general principle. I couldn’t fault their thinking on that one. ‘Your turn, Bic,’ one of them said pointedly. He threw the ball hard at the blond kid, who just got his hands up in time to catch it. The conversation was over, and there was no point in pushing the point. I walked on across the pastel-coloured pavement, heading for the tower that he’d indicated.
When I looked back, twenty seconds or so later, the boys still hadn’t resumed their game: they were watching me out of sight, except for the blond boy who was staring down at the ball as he rubbed his bandaged hand against its surface. He still looked unhappy about what had just happened. He’d clearly heard the number 137: I just hadn’t said it.
The miasma stabbed against the inside of my temples, suddenly agonisingly acute, then faded again just as abruptly into the background rasp that it had now become.
Up close, Weston Block was an impressive if unlovely structure, its coat of duck-egg green doing nothing to bring it into harmony with its surroundings. There was a broad stairwell going up its side, leading to the first of the walkways a few storeys above my head. There were also double doors leading into a foyer with three lifts side by side, marked like the outer walls with many overlays of spray-painted graffiti. As it turned out, none of the lifts worked. There were interior stairs too, but they smelled heavily of mildew cut through with the sharper stink of urine.
So I went back outside and ascended into the sky on Shanks’s pony.
The first walkway was three floors up. It was wider than it looked from the ground — almost as wide as a street. And like a street it had its own lighting: octagonal grey lamp-posts supported art-deco globes that didn’t sort well with anything else I could see. There was a chest-high stone parapet on either side of the walkway to stop people tumbling down onto the pavement below, and a trellised arch at the end furthest from me that looked as though it had been put there for the benefit of climbing plants. But nothing decorated the walkway except for some broken glass tastefully strewn around and a few overfilled black plastic bin bags spilling out their freight of tea leaves and tin cans into my path. The parapet was cracked at a couple of points, as though the walkway had suffered a little from subsidence and never been repaired.
This seemed to be where the older kids hung out — school apparently not being an option that anyone around here took very seriously. A group of them were sitting on the parapet, smoking. One of them looked at me with unfriendly interest as I hove into view, then looked away and spat casually over the edge of the walkway.
I slogged on up the stairs. A lean guy in his thirties, with slicked black hair, a piercing above his right eye and an acrid stench of body odour fighting an olfactory ground war with some cheap cologne, jostled my shoulder as he passed me going down. Then suddenly he stopped, giving me a harder look. He was as pale as the kid, Bic: in fact, his pallor had gone beyond whiteness into the yellow sallows of nearly exposed bone, so he wasn’t equipped to blanch. But his expression was one of stunned surprise, and my death-sense prickled as he stared at me. Not what he seemed, then: a zombie, most likely, but with enough animation in his face and movements to be of fairly recent vintage.