Aware that a lot could happen while people waited for Penelope to complete a thought process, Miss Susan waved at a clock on a shop across the square and said: ‘And who can tell me the time here in Genua, please?’
‘Ooo, miss, miss, ooo …’
A boy called Gordon cautiously admitted that it might be three o’clock, to the audible disappointment of the inflatable Vincent.
‘That’s right,’ said Miss Susan. ‘Can anyone tell me why it’s three o’clock in Genua while it’s twelve o’clock in Ankh-Morpork?’
There was no avoiding it this time. If Vincent’s hand had gone up any faster it would have fried by air friction. ‘Yes, Vincent?’
‘Ooo miss speed of light miss it goes at six hundred miles an hour and at the moment the sun’s rising on the Rim near Genua so twelve o’clock takes three hours to get to us miss!’
Miss Susan sighed. ‘Very good, Vincent,’ she said, and stood up. Every eye in the room watched her as she crossed over to the Stationery Cupboard. It seemed to have travelled with them and now, if there had been anyone to note such things, they might have seen faint lines in the air that denoted walls and windows and doors. And if they were intelligent observers, they’d have said: so … this classroom is in some way still in Ankh-Morpork and also in Genua, is it? Is this a trick? Is this real? Is it imagination? Or is it that, to this particular teacher, there is not much of a difference?
The inside of the cupboard was also present, and it was in that shadowy, paper-smelling recess that she kept the stars.
There were gold stars and silver stars. One gold star was worth three silver ones.
The headmistress disapproved of these, as well. She said they encouraged Competitiveness. Miss Susan said that was the point, and the headmistress scuttled away before she got a Look.
Silver stars weren’t awarded frequently and gold stars happened less than once a fortnight, and were vied for accordingly. Right now Miss Susan selected a silver star. Pretty soon Vincent the Keen would have a galaxy of his very own. To give him his due, he was quite uninterested in which kind of star he got. Quantity, that was what he liked. Miss Susan had privately marked him down as Boy Most Likely to Be Killed One Day By His Wife.
She walked back to her desk and laid the star, tantalizingly, in front of her.
‘And an extra-special question,’ she said, with a hint of malice. ‘Does that mean it’s “then” there when it’s “now” here?’
The hand slowed halfway in its rise.
‘Ooo …’ Vincent began, and then stopped. ‘Doesn’t make sense, miss …’
‘Questions don’t have to make sense, Vincent,’ said Miss Susan. ‘But answers do.’
There was a kind of sigh from Penelope. To Miss Susan’s surprise the face that one day would surely cause her father to have to hire bodyguards was emerging from its normal happy daydream and wrapping itself around an answer. Her alabaster hand was rising, too.
The class watched expectantly.
‘Yes, Penelope?’
‘It’s …’
‘Yes?’
‘It’s always now everywhere, miss?’
‘Exactly right. Well done! All right, Vincent, you can have the silver star. And for you, Penelope …’
Miss Susan went back to the cupboard of stars. Getting Penelope to step off her cloud long enough even to answer a question was worth a star, but a deep philosophical statement like that had to make it a gold one.
‘I want you all to open your notebooks and write down what Penelope just told us,’ she said brightly as she sat down.
And then she saw the inkwell on her desk beginning to rise like Penelope’s hand. It was a ceramic pot, made to drop neatly into a round hole in the woodwork. It came up smoothly, and turned out to be balanced on the cheerful skull of the Death of Rats.
It winked one blue-glowing eye socket at Miss Susan.
With quick little movements, not even looking down, she whisked the inkwell aside with one hand and reached for a thick volume of stories with the other. She brought it down so hard on the hole that blue-black ink splashed onto the cobbles.
Then she raised the desk lid and peeped inside.
There was, of course, nothing there. At least, nothing macabre …
… unless you counted the piece of chocolate half gnawed by rat teeth and a note in heavy gothic lettering saying:
SEE ME
and signed by a very familiar alpha-and-omega symbol and the word
Grandfather.
Susan picked up the note and screwed it into a ball, aware that she was trembling with rage. How dare he? And to send the rat, too!
She tossed the ball into the wastepaper basket. She never missed. Sometimes the basket moved in order to ensure that this was the case.
‘And now we’ll go and see what the time is in Klatch,’ she told the watching children.
On the desk, the book had fallen open at a certain page. And, later on, it would be story time. And Miss Susan would wonder, too late, why the book had been on her desk when she had never even seen it before.
And a splash of blue-black ink would stay on the cobbles of the square in Genua, until the evening rainstorm washed it away.
Tick
The first words that are read by seekers of enlightenment in the secret, gong-banging, yeti-haunted valleys near the hub of the world, are when they look into The Life of Wen the Eternally Surprised.
The first question they ask is: ‘Why was he eternally surprised?’
And they are told: ‘Wen considered the nature of time and understood that the universe is, instant by instant, recreated anew. Therefore, he understood, there is in truth no past, only a memory of the past. Blink your eyes, and the world you see next did not exist when you closed them. Therefore, he said, the only appropriate state of the mind is surprise. The only appropriate state of the heart is joy. The sky you see now, you have never seen before. The perfect moment is now. Be glad of it.’
The first words read by the young Lu-Tze when he sought perplexity in the dark, teeming, rain-soaked city of Ankh-Morpork were: ‘Rooms For Rent, Very Reasonable’. And he was glad of it.
Tick
Where there is suitable country for grain, people farm. They know the taste of good soil. They grow grain.
Where there is good steel country, furnaces turn the sky to sunset red all night. The hammers never stop. People make steel.
There is coal country, and beef country, and grass country. The world is full of countries where one thing shapes the land and the people. And up here in the high valleys around the hub of the world, where the snow is never far away, this is enlightenment country.
Here are people who know that there is no steel, only the idea of steel.[5] They give names to new things, and to things that don’t exist. They seek the essence of being and the nature of the soul. They make wisdom.
Temples command every glacier-headed valley, where there are particles of ice in the wind, even at the height of summer.
There are the Listening Monks, seeking to discern within the hubbub of the world the faint echoes of the sounds that set the universe in motion.
There are the Brothers of Cool, a reserved and secretive sect which believes that only through ultimate coolness can the universe be comprehended, and that black works with everything, and that chrome will never truly go out of style.
In their vertiginous temple criss-crossed with tightropes, the Balancing Monks test the tension of the world and then set out on long, perilous journeys to restore its equilibrium. Their work may be seen on high mountains and isolated islets. They use small brass weights, none of them bigger than a fist. They work. Well, obviously they work. The world has not tipped up yet.
5
But they still use forks, or, at least, the
* Hardly there has ever been a philosopher who has made pronouncements about spoons, but “There is no spoon” is of course one of the better-known metaphysical mumbo-jumbo quotes from the original