'Fuck your justice,' he said. 'You know about as much about justice as I know about jet turbines. Take it off me.'
Lemke's eyes stared up into Billy's – that horrible emptiness just below the intelligence. 'Let go of me or I'll make it worse,' he said calmly. 'So much worse you think I blessed you the first time.'
The grin suddenly broke on Billy's face – the bony grin which looked like a crescent moon that had been pushed over on its back. 'Go ahead,' he said. 'Try. But you know, I don't think you can.'
The old man stared at him wordlessly.
'Because I helped do it to myself,' Billy said. 'They were right about that much, anyway – it's a partnership, isn't it? The cursed and the one who does the cursing. We were all in it with you together. Hopley, Rossington, and me. But I am opting out, old man. My wife was jerking me off in my big old expensive car, right, and your daughter came out between two parked cars in the middle of the block like any ordinary jaywalker, and that's right, too. If she had crossed at the corner she would be alive now. There was fault on both sides, but she's dead and I can never go back to what my life was before. It balances. Not the best balance in the history of the world, maybe, but it balances. They've got a way of saying it in Las Vegas – they call it a push. This is a push, old man. Let it end here.'
A strange and almost alien fear had arisen in Lemke's eyes when Billy began to smile, but now his anger, stony and obdurate, replaced it. 'I never take it off, white man from town,' Taduz Lemke said. 'I die widdit in my mout.'
Billy slowly brought his face down on Lemke's until their foreheads touched and he could smell the old man's odor – it was the smell of cobwebs and tobacco and dim urine. 'Then make it worse. Go ahead. Make it – how did you say? – like you blessed me the first time.'
Lemke looked at him for a moment longer, and now Billy sensed it was Lemke who was the one caught. Then suddenly Lemke turned his head to Samuel.
'Enkelt av lakan och kanske alskade! Just det!'
Samuel Lemke and the young man with the pistol under his vest tore Billy away from Taduz Lemke The old man's shallow chest rose and fell rapidly; his scant hair was disarrayed.
He's not used to being touched – not used to being spoken to in anger.
'It's a push,' Billy said as they pulled him away. 'Do you hear me?'
Lemke's face twisted. Suddenly, horribly, he was three hundred years old, a terrible living revenant.
'No poosh!' he cried at Billy, and shook his fist. 'No poosh, not never! You die thin, town man! You die like this!' He brought his fists together, and Billy felt a sharp stabbing pain in his sides, as if he had been between those fists. For a moment he could not get his breath and it felt as if all his guts were being squeezed together. 'You die thin!'
'It's a push,' Billy said again, struggling not to gasp.
'No poosh!' the old man screamed. In his fury at this continued contradiction, thin red color had crisscrossed his cheeks in netlike patterns. 'Get him out of here!'
They began to drag him back across the circle. Taduz Lemke stood watching, his hands on his hips and his face a stone mask.
'Before they take me away, old man, you ought to know my own curse will fall on your family,' Billy called, and in spite of the dull pain in his sides his voice was strong, calm, almost cheerful. 'The curse of white men from town.'
Lemke's eyes widened slightly, he thought. From the corner of his eye Billy saw the old woman with the trading stamps in her blanketed lap fork the sign of the evil eye at him again.
The two young men stopped pulling him for a moment; Samuel Lemke uttered a short, bewildered laugh, perhaps at the idea of a white upper-middle-class lawyer from Fairview, Connecticut, cursing a man who was probably the oldest Gypsy in America. Billy himself would have laughed two months ago.
Taduz Lemke, however, was not laughing.
'You think men like me don't have the power to curse?' Billy asked. He held his hands – his thin, wasted hands up on either side of his face and slowly splayed the fingers. He looked like a variety-show host asking an audience to end their applause. 'We have the power. We're good at cursing once we get started, old man. Don't make me start.'
There was movement behind the old man – a flash of white nightgown and black hair.
'Gina!' Samuel Lemke cried out.
Billy saw her step forward into the light. Saw her raise the slingshot, draw the cradle back, and release it all in the same smooth gesture – like an artist drawing a line on a blank pad. He thought he saw a liquid, streaky gleam in the air as the steel ball flew across the circle, but that was almost certainly just imagination.
There was a hot, glassy spear of pain in his left hand. It was gone almost as soon as it came. He heard the steel ball bearing she had fired thwang off the steel side of a van. At the same moment he realized he could see the girl's drawn, furious face, not framed in his spread fingers, but through his palm, where there was a neat round hole.
She slingshotted me, he thought. Holy Christ, she did! Blood, black as tar in the firelight, ran down the pad of his palm and soaked the sleeve of his sport coat.
'Enkelt!' she shrieked. 'Get out of here, eyelak! Get out of here, killing bastard!'
She threw the slingshot. It landed at the edge of the fire, a wishbone shape with a rubber cup the size of an eyepatch caught in its fork. Then she fled, shrieking.
No one moved. Those around the fire, the two young men, the old man, and Billy himself – all of them stood in tableau. There was the slam of a door, and the girl's shrieks were muffled. And still there was no pain.
Suddenly, not even knowing he meant to do it, Billy held his bleeding hand out toward Lemke. The old man flinched back and forked the sign of the evil eye at Billy. Billy closed his hand as Lemke had done; blood ran from his closed fist as it had run from Lemke's closed fist.
'The curse of the white man is on you, Mr Lemke – they don't write about that one in books, but I'm telling you it's true – and you believe that.'
The old man screamed a flood of Romany. Billy felt himself hauled backward so suddenly that his head snapped on his neck. His feet left the ground.
They're going to throw me in the fire. Christ, they're going to roast me in it …
Instead he was carried back the way he had come, through the circle (people fell out of their chairs scrambling away from him) and between two pickups with camper caps. From one of them Billy heard a TV crackling out something with a laugh track.
The man in the vest grunted, Billy was swung like a sack of grain (a very underweight sack of grain), and then for a moment he was flying. He landed in the timothy grass beyond the parked vehicles with a thud. This hurt a good deal more than the hole in his hand; there were no padded places on him anymore, and he felt his bones rattle inside his body like loose stakes in an old truck. He tried to get up and at first could not. White lights danced in front of his eyes. He groaned.
Samuel Lemke came toward him. The boy's handsome face was smooth and deadly and expressionless. He reached into the pocket of his jeans and brought out something – Billy at first thought it was a stick and only recognised it for what it was when Lemke unfolded the blade.
He held his bleeding hand out, palm up, and Lemke hesitated. Now there was an expression on his face, one Billy recognized from his own bathroom mirror. It was fear.
His companion muttered something to him.
Lemke hesitated for a moment, looking down at Billy; then he refolded the blade into the knife's dark body. He spat in Billy's direction. A moment later the two of them were gone.