Ginelli followed the path over a knoll and to the edge of another small wooded area.
'I lost the path,' he said. 'I just stood there for a minute or two wondering what to do next. And then I heard it, William. I heard it loud and clear. Sometimes the gods give you a break.'
'What did you hear?'
'A dog farting,' Ginelli said. 'Good and loud. Sounded like someone blowing a trumpet with a mute on it.'
Less than twenty feet into the woods he had found a rough corral in a clearing. It was no more than a circle of thick branches driven into the ground and then laced up with barbed wire. Inside were seven pit-bulls. Five were fast asleep. The other two were looking dopily at Ginelli.
They looked dopy because they were dopy. 'I thought they'd be stoned, although it wasn't safe to count on it. Once you train dogs to fight, they become a pain in the ass – they will fight with each other and wreck your investment unless you're careful. You either put them in separate cages or you dope them. Dope is cheaper and it's easy to hide. And if they had been straight, a rinky-dink piece of work like that dog corral wouldn't have held them. The ones getting their asses chewed would have busted out even if it meant leaving half their hides hanging on the wires behind them. They were only sobering them up when the betting line got heavy enough to justify the risk. First the dope, then the show, then more dope.' Ginelli laughed.
'See? Pit-bulls are just like fucking rock stars. It wears them out quick, but as long as you stay in the black, you can always find more pit-bulls. They didn't even have a guard. '
Ginelli opened his shopping bag and took out the steaks. After parking on the woods road, he had taken them out of their store shrink-wrap and injected a hypo of what he called Ginelli's Pit-Bull Cocktail into each: a mixture of Mexican brown heroin and strychnine. Now he waved them in the air and watched the sleeping dogs come slowly to life. One of them uttered a thick bark that sounded like the snore of a man with serious nasal problems.
'Shut up or no dinner,' Ginelli said mildly. The dog that had barked sat down. It immediately developed a fairly serious starboard list and began to go back to sleep.
Ginelli tossed one of the steaks into the enclosure. A second. A third. And the last. The dogs squabbled over them in listless fashion. There was some barking, but it had that same thick, snory quality, and Ginelli felt he could live with it. Besides, anyone coming from the camp to check on the makeshift kennel would be carrying a flashlight, and he would have plenty of time to fade back into the woods. But no one had come.
Billy listened with horrified fascination as Ginelli told him calmly how he had sat nearby, dry-smoking a Camel and watching the pit-bulls die. Most of them had gone very quietly, he reported (was there the faintest tinge of regret in his voice? Billy wondered uneasily) – probably because of the dope they had already been fed. Two of them had very mild convulsions. That was all. All in all, Ginelli felt, the dogs were not so badly off; the Gypsies had had worse things planned for them. It was over in a little less than an hour.
When he was sure they were all dead or at least deeply unconscious, he had taken a dollar bill from his wallet and a pen from his breast pocket. On the dollar bill he wrote:
NEXT TIME IT COULD BE YOUR GRANDCHILDREN, OLD MAN. WILLIAM HALLECK SAYS TO TAKE IT OFF. The pit-bulls had worn twists of clothesrope for collars. Ginelli tucked the bill under one of them. He hung the foul-smelling coat on one of the corral posts and put the hat on top of it. He removed the sneakers and took his own shoes from his hip pockets. He put them on and left.
Coming back, he said, he had gotten lost for a while and had ended up taking a header in the bad-smelling boggy place. Finally, however, he had seen farmhouse lights and gotten himself oriented. He found the woods road, got into his car, and started back toward Bar Harbor.
He was halfway there, he said, when the car started to feel not right to him. He couldn't put it any better or make it any clearer – it just didn't seem right anymore. It wasn't that it looked different or smelled different; it just didn't seem right. He had had such feelings before, and on most occasions they had meant nothing at all. But on a couple …
'I decided I wanted to ditch it,' Ginelli said. 'I didn't want to take even a little chance that one of them. might have had insomnia, been walking around, seen it. I didn't want them to know what I was driving, because then they could fan out, look for me, find me. Find you. See? I do take them serious. I look at you, William, and I got to.'
So he had parked the car on another deserted side road, pulling the distributor cap, and had walked the three miles back into town. When he got there, dawn was breaking.
After leaving Billy in his new Northeast Harbor quarters, Ginelli had cabbed back toward Bar Harbor, telling the driver to go slow because he was looking for something.
'What is it?' the driver asked. 'Maybe I know where it is.'
'That's all right,' Ginelli replied. 'I'll know it when I see it.'
And so he had – about two miles out of Northeast Harbor he had seen a Nova with a For Sale sign in the windshield sitting beside a small farmhouse. He checked to make sure the owner was home, paid off the cab, and made a cash deal on the spot. For an extra twenty the owner – a young fellow, Ginelli said, who looked like he might have more head lice than IQ points – had agreed to leave his Maine plates on the Nova, accepting Ginelli's promise to send them back in a week.
'I might even do it, too,' Ginelli said thoughtfully. 'If we're still alive, that is.'
Billy looked at him sharply, but Ginelli only resumed his story.
He had driven back toward Bar Harbor, skirting the town itself and heading out along 37-A toward the Gypsy camp. He had stopped long enough to call a person he would only identify to Billy as a 'business associate.' He told the 'business associate' to be at a certain pay-telephone kiosk in midtown New York at twelve-thirty P.M. – this was a kiosk Ginelli used often, and due to his influence it was one of the few in New York that was rarely out of order.
He drove by the encampment, saw signs of activity, turned around about a mile up the road, and cruised back. A makeshift road had been carved through the hayfield from 37-A to the camp, and there was a car heading up it to 37-A.
'A Porsche turbo,' Ginelli said. 'Rich kid's toy. Decal in the back window that said Brown University. Two kids in the front, three more in the back. I pulled up and asked the kid driving if they were Gypsies down there, like I'd heard. He said they were, but if I'd been meaning to get my fortune read, I was out of luck. The kids had gone there to get theirs read, but all they got was a quick here's-your-hat, what's-your-hurry routine. They were moving out. After the pit-bulls, I wasn't surprised.
'I headed back toward Bar Harbor and pulled into a gas station – that Nova gobbles gas like you wouldn't believe, William, but it can walk and talk if you put the go to the mat. I also grabbed me a Coke and dropped a couple of bennies because by then I was starting to feel a little bit low.'
Ginelli had called his 'business associate' and had arranged to meet him at the Bar Harbor airport that evening at five o'clock. Then he had driven back to Bar Harbor. He parked the Nova in a public lot and walked around town for a while, looking for the man.
'What man?' Billy asked.
'The man,' Ginelli repeated patiently, as if speaking to an idiot. 'This guy, William, you always know him when you see him. He looks like all the other summer dudes, like he could take you for a ride on his daddy's sloop or drop ten grams of good cocaine on you or just decide to split the Bar Harbor scene and drive to Aspen for the Summerfest in his Trans Am. But he is not the same as they are, and there are two quick ways to find it out. You look at his shoes, that's one. This guy's shoes are bad shoes. They are shined, but they are bad shoes. They have no class, and you can tell by the way he walks that they hurt his feet. Then you look at his eyes. That's big number two. These guys, it seems like they never wear the Ferrari sunglasses and you can always see their eyes. It's like some guys got to advertise what they are just like some guys have got to pull jobs and then confess to the cops. Their eyes say, “Where's the next meal coming from? Where's the next joint coming from? Where's the guy I wanted to connect with when I came here?” Do you dig me?'