— Ann Beattie
THIS IS NOT A NOVEL
For Toby and Duncan Freeman and Sydney Markson
I am now trying an Experiment very
frequent among Modern Authors;
which is, to write upon Nothing.
Writer is pretty much tempted to quit writing.
Writer is weary unto death of making up stories.
Lord Byron died of either rheumatic fever, or typhus, or uremia, or malaria.
Or was inadvertently murdered by his doctors, who had bled him incessantly.
Stephen Crane died of tuberculosis in 1900. Granted an ordinary modern life span, he would have lived well into World War II.
This morning I walked to the place where the streetcleaners dump the rubbish. My God, it was beautiful.
Says a van Gogh letter.
Writer is equally tired of inventing characters.
Bertolt Brecht died of a stroke. Terrified of being buried alive, he had pleaded that a stiletto be driven through his heart once he was declared legally dead. An attending physician did so.
Mr. Coleridge, do not cry. If opium really does you any good, and you must have it, why do you not go and get it?
Asked Wilkie Collins’ mother.
William Blake lived and dressed in inconceivable filth, and virtually never bathed.
Mr. Blake’s skin don’t dirt, his wife Catherine contributed.
When I was their age I could draw like Raphael. But it took me a lifetime to learn to draw like they do.
Said Picasso at an exhibition of children’s art.
A novel with no intimation of story whatsoever, Writer would like to contrive.
And with no characters. None.
The Globe Theatre burned to the ground on June 29, 1613. Did any new play of Shakespeare’s, not yet in quarto publication, perhaps burn with it?
Albert Camus, on the one occasion when he was introduced to William Faulkner:
The man did not say three words to me.
Nietzsche died after a sequence of strokes. But his final illness, and his madness, were almost surely the result of syphilis.
W. H. Auden was once arrested for urinating in a public park in Barcelona.
Frans Hals was once arrested for beating his wife.
Plotless. Characterless.
Yet seducing the reader into turning pages nonetheless.
No one was injured in the Globe Theatre calamity. One man’s breeches were set on fire, but it is on record that the flames were quenched with a tankard of ale.
When Dickens shocked Victorian London by separating from his wife, it was Thackeray who let slip that it was over an actress. Dickens did not speak to him for years.
Tell it not in Gath, publish it not in the streets of Askelon.
George Santayana, reading Moby Dick:
In spite of much skipping, I have got stuck in the middle.
Thales of Miletus died at his seat while watching an athletic contest.
But I knew that Monsieur Beyle quite well, and you will never convince me that a trifler like him could have written masterpieces.
Said Sainte-Beuve.
Actionless, Writer wants it.
Which is to say, with no sequence of events.
Which is to say, with no indicated passage of time.
Then again, getting somewhere in spite of this.
The old wives’ tale, repeated by Socrates, that Thales was also frequently so preoccupied with gazing up at the stars that he once tumbled into a well.
And was even laughed at by washerwomen.
Jack Donne, the young John Donne was commonly called.
Oedipus gouges out his eyes, Jocasta hangs herself, both guiltless; the play has come to a harmonious conclusion.
Wrote Schiller.
Verdi died of a stroke.
Puccini died of throat cancer.
Indeed, with a beginning, a middle, and an end.
Even with a note of sadness at the end.
What porridge had John Keats?
Asked Browning.
What is the use of being kind to a poor man?
Asked Cicero.
Bertrand Russell was so inept, physically, that he could never learn to make a pot of tea.
Immanuel Kant could not manage to sharpen a quill pen with a penknife.
John Stuart Mill could barely tie a simple knot.
The sixth-century legend that St. Luke was a painter.
And did a portrait of the Virgin Mary.
Tartini’s violin.
Which shattered in its case at his death.
Insistently, Brahms wore his pants too short.
Sometimes actually taking a scissors to the bottoms.
A novel with no setting.
With no so-called furniture.
Ergo meaning finally without descriptions.
André Gide died of a disease of the lungs.
Rereading the Aeneid on his deathbed.
It was while they were making copies of the Masaccio frescoes in the Santa Maria del Carmine as young apprentices that Michelangelo criticized the draftsmanship of Pietro Torrigiano:
Bone and cartilage went down like biscuit, Torrigiano would later tell Benvenuto Cellini.
Re Michelangelo’s nose.
The greatest genius of our century, Goethe called Byron.
The greatest genius of our century, Byron called Goethe.
Ivan Turgenev, at nineteen, during a shipboard fire:
Save me! I am my mother’s only son!
Catullus, who loved a woman he called Lesbia, but whose real name may have been Clodia.
Propertius, who loved a woman he called Cynthia, but whose real name may have been Hostia.
Both, two full thousand years ago.
Gustav Mahler died of endocarditis.
Louis-Ferdinand Céline died of a brain aneurysm.
A novel with no overriding central motivations, Writer wants.
Hence with no conflicts and/or confrontations, similarly.
Rudolph Kreutzer never performed the Kreutzer sonata.
One of the ennobling delights of Paradise, as promised by Thomas Aquinas:
Viewing the condemned as they are tortured and broiled below.
The friendship of Samuel Beckett and Alberto Giacometti.
Richard Strauss: Why do you have to write this way? You have talent.
Paul Hindemith: Herr Professor, you make your music and I’ll make mine.