Intemperate & of a cruel hart.
Thomas Kyd noted of him instead.
For half a dozen years, in his middle and late fifties, Oskar Kokoschka was forced to turn out little other than watercolors — because he generally could not spare the few dollars for oils and canvas.
Cry, art, cry, and loudly lament.
No one, any longer, desires you.
Woe is me.
— Lettered Lucas Moser, a minor German painter, onto an altarpiece in 1431.
Fortune favors the brave, says Virgil.
Presumably aware that Terence had said it earlier.
Brunelleschi once carved a wood crucifix by which Donatello was so impressed that he could only gape in astonishment — while also spilling the apron full of eggs he had been bringing to Brunelleschi’s studio for their lunch.
Tennyson was once so drunk at the end of a London dinner that he started to leave by way of the fireplace.
I sing, as the Boy does by the Burying Ground — because I am afraid.
El Greco. Vermeer. Dieric Bouts. Frans Hals.
Each of whom was essentially forgotten for at least two centuries.
Or longer.
Bombastic nonsense. Concepts bordering on madness. Humbug.
Schopenhauer found in Hegel.
The anecdote, passed on as genuine, about Beaumont and Fletcher once being angrily accused of high treason by strangers in a tavern who had become convinced they were plotting to kill the king — when in actuality they had been discussing the outline of a new play.
He had often regretted opening his mouth, said Simonides.
But he could not recall having ever caused any major catastrophe by keeping it shut.
Literature is the art of writing something that will be read twice.
Said Cyril Connolly.
England expects that every man will do his duty.
Every man, on Nelson’s flagship the Victory, incidentally including boys of ten and twelve, some having been caught up by press gangs.
During most of his adult life, Joshua Reynolds made use of an ear trumpet.
And in his final years became almost totally blind.
Beethoven’s unkempt, laundry-strewn Vienna flat.
While beneath the piano, recollected at least one visitor, his chamber pot — unemptied.
John Locke died while sitting in a drawing room listening to someone read from the Psalms.
Novalis died while listening to a relative play the piano.
The wintry conscience of a generation.
V. S. Pritchett called George Orwell.
A poem by Theocritus written in Alexandria ca. 270 BC —
Complaining that the streets were too crowded.
Antonin Artaud spent nine of his last eleven years in insane asylums.
For decades, next door to the building in The Hague that had housed Spinoza’s attic:
The Spinoza Saloon.
Man is the only animal that knows he must die.
Said Voltaire.
St.-John Perse. Who was translated into English by Eliot.
And into German by Rilke.
September 9, 1960, Jussi Bjoerling died on.
Looked into by church authorities at Arnstadt in 1706, where Bach at twenty was organist:
By what right he had recently caused the strange maiden to be invited into the organ loft?
One day I wrote her name upon the strand.
A Man of Genius whose heart is perverted.
Wordsworth called Byron.
The most vulgar-minded genius that ever produced a great effect in literature.
George Eliot phrased it.
After devoting years to the score for Pelléas et Méllisande, Debussy played it through for Maurice Maeterlinck, on whose play it was based. Maeterlinck repeatedly dozed off in his chair.
Henry Moore was gassed in the trenches in World War I.
The Bateau-Lavoir, the legendary former Montmartre piano factory broken up into artists’ studios, where Picasso contrived any number of his early masterpieces — while living with no running water and only one communal toilet.
And which sixty years later was named a national historical monument — only to burn to the ground a few months afterward.
Continental degeneracy, Thomas Jefferson was several times condemned for.
Because of a chef who had been trained in Paris, Patrick Henry explained.
The bleak image Novelist is granted of himself as he asks a question of a local pharmacist — and becomes aware of the woman contemplating the conspicuously threadbare and even ragged ends of his coat sleeves.
Writing is the only profession where no one considers you ridiculous if you earn no money.
Said Jules Renard.
Gilda, in Rigoletto. Whom Mattiwilda Dobbs sang as at the Metropolitan two years after Marian Anderson had done Ulrica in Un Ballo in Maschera — making her the first black soprano to perform there in a romantic role opposite a white tenor.
Jack Dempsey’s claim that he was partly Jewish.
Via a great-great-grandmother named Rachael Solomon.
Chaucer’s personal library. The guess being forty volumes, presumably most of them in Latin.
Leonardo’s. Known to have contained thirty-seven.
Joseph Conrad spoke English with such a thick, partially French accent that people often had extraordinary difficulty in understanding him.
Le Bateau ivre.
Margot Fonteyn, in an early discussion of women’s liberation:
Will it mean I have to lift Nureyev, instead of vice versa?
Xerxes: Go, and tell those madmen to deliver up their arms.
Leonidas: Go, and tell Xerxes to come and take them.
George Sand, re an 1873 literary evening:
Flaubert talks with animation and humor, but all to do with himself. Turgenev, who is much more interesting, can hardly get a word in.
Parodying without taste or skill. Very near the limits of coherence.
Said the Times Literary Supplement of The Waste Land.
Unintelligible, the borrowings cheap and the notes useless.
Said the New Statesman and Nation.
So much waste paper.
Summed up the Manchester Guardian.
Kant’s irrationally compulsive 3:30 PM walk, which it is said he forswore only once in thirty years — on the day when the post brought him a first copy of Rousseau’s Émile.
A German singer! I would as soon hear my horse neigh.
Said Frederick the Great, insisting upon Italian performers for opera in Berlin.
A. E. Housman. Who spent most of his adult life as a professor of Latin.
After originally failing his final exams at Oxford.
What, still alive at twenty-two,
A fine upstanding lad like you?