‘Lady Cromwell,’ he reminds her.
‘I should have said so, should I not? I forgot. My title is too new.’
She is on the brink of angry tears, and he would like to put his arms around her, but better not. Bess should not be stitching, unstitching; she could run a field camp, or direct a siege.
‘The next thing I see, Katherine Howard is wearing it at her waist. It is not the first gift she has had, that belonged to some lady better than she will ever be. The king wants to have her in his bed, to maul her about and see if he can do aught. And her people will say to her, do not gratify him, do not give way, do not so much as glance in his direction. I know.’ Her face is set. ‘We Seymours did it ourselves. We cannot complain – though we do. The Howards believe he might marry her. And who is to say he will not?’
He feels weary. ‘What does Anna say? She must know.’ He has seen her demeanour: sullen, listless. ‘She should give the king no cause to complain. If I were to advise her –’
‘But you do not. You don’t go near her.’
If he were to counsel Anna, it would be to patience. The dowager Katherine won the admiration of all, when she sat smiling by the king she supposed her husband, through hours of court ceremonies, hours which stretched into years. Never was she seen with tears on her cheeks, or an angry frown.
‘Yes,’ Bess says, ‘Katherine was a great pattern for womanhood. She died alone and friendless, did she not?’
On May Day, Richard Cromwell is to fight in the tournament at Greenwich, scheduled to fill five days with combat, spectacle and public rejoicing. He rides for the challengers, called the Gentlemen of England: among his team-mates, the gallant and handsome Thomas Seymour, and among his foes, the young Earl of Surrey, making his public debut in the lists.
Gregory no doubt will fight next year. For now he is a practice opponent. He has not Richard’s weight, but he has style and no fear, the best armour, the best horseflesh.
‘Tom Culpeper,’ Gregory explains. ‘We are studying what he will do. He is the king’s favourite, he has money laid on him. Richard is drawn against him in the foot combat. He does not come against him in the joust.’
The foot combat is the most ruthless of all the tournament games. It is ad hominem. There is no place to hide.
‘A likely young man,’ he says. ‘He is handsome.’
‘Not when I’ve finished with him,’ Richard says.
Both Suffolk and Norfolk are present when the contests open, and they greet each other with their usual empty civility. Suffolk would rise from the dead, he declares, to be at such an occasion, because in his day he held the palm: myself and the king, he says, always Harry and me. Gods, we were, in our time.
If you sit close to the king, under the canopy with the arms of England and France, you feel his body rigid with tension, his muscles jumping as if he were himself in the saddle. Henry sees, notes, scores every move, and at the end of a bout he drops back in his chair, releasing his breath as the winner and loser are led away, their lathered horses sidestepping and curvetting, their helmets off to acknowledge the crowd.
Young Surrey rides seven times: he has no special success, but he is not unhorsed either. Norfolk, he suspects, prefers proper fighting. The Howard entourage make a good deal of noise, but provided a show is made, and the family honour is upheld, the duke seems little interested in the finer points. He is not one to pine for old times, when it comes to a contest of arms; given his choice, he would haul up a cannon, and blast the foe to Jerusalem.
Between the contests musicians play. They sing ‘England be Glad’, their voices lost in the open air. Then they play the Bear Dance, and Montard Brawle, which makes the ladies jump in their seats and beat time, and all those who are not in armour clap their hands. The queen is sedate, her hands folded, but she watches all that passes with a wide and interested gaze; she looks to the king for a signal for when to applaud and when to despond.
He, Essex, goes in and out, as messengers call on him. ‘News from Ireland,’ he says briefly to the king. While the silk pennants flutter and the trumpets call, he is crawling through bog and brush, after the O’Connors, the O’Neills, the Kavanaghs and the Breens: the wreckers, burners and despoilers, ready to open their ports to Pole’s ships.
When Richard makes his first run, his lance lifts his opponent clean out of the saddle. It is the cleanest strike seen in years. You have seen a vulgar boy plunge his knife into a loaf, and wave it around on the point? That is how the enemy is hoisted, flying into the air while his horse carries on without him. You hardly hear him hit the ground because the courtiers are yelling like drunks at a bear-baiting.
Richard collects his horse and turns him. His grooms rush to the end of the barrier to make sure he wheels wide of the tilt. Richard shows the crowd his mailed glove, empty, as if they did not know his lance was splintered. Henry is on his feet, a blaze of gold. He is beside himself, laughing and crying. They are waving Richard back to the king, but through the narrow slit in his helmet most probably he cannot see the signal; now a squire takes his bridle, and his mount flecked with lather steps up, snorting, harness ringing. The king takes a diamond from his finger: he is mouthing something; Richard’s mailed arm reaches out.
Next day is Sunday. Richard Cromwell kneels, and rises Sir Richard. Henry kisses him. He says, ‘Richard, you are my diamond.’
On 3 May the challengers and the answerers fight on horseback, with rebated swords. Fitzwilliam, Lord Admiral, sits beside him and talks below the clatter. ‘The word from the border is that the Scots are gathering a fleet. Their ambassador says James plans to sail to France to visit his kin. But our agents say he is bound for Ireland.’
He glances across at Norfolk. ‘A pity the Scot does not come by land. My lord is always looking to fight his father’s battles over again. He is short of glory these days.’
Fitzwilliam says, ‘I want twenty ships. I must be at the Irish coast before James, to chase him back to the open sea.’
He nods. ‘I will see you supplied.’
A great roar rises from the crowd: another knight spilled from his saddle to the green and springy ground, crunching in his weight of mail and tumbling arse-over-pate. The winner removes his helmet: the spectators applaud: Cromwell! they shout. Fitzwilliam says abruptly, ‘You are popular in this arena.’
‘It’s my nephew they are shouting for. I should send Richard to the council in my stead, to explain what I have spent.’
The bills are coming in for the conveyance of the queen by land and sea. Her thirteen trumpeters alone have cost us near a hundred pounds. Just this morning he had a chit for more than a hundred and forty pounds for work on the king’s tomb – which is unfair, considering that Henry is never going to die. He complains, ‘It has cost us two thousand marks to honour the Duke of Bavaria as we waved him goodbye.’
The Lord Admiral says, ‘Surely that would be a sound investment for you? Even if you found it from your own purse.’
He does not ask Fitz to enlarge on what he means. He is thinking about the tomb: one hundred and forty-two pounds, eleven shillings and tenpence. Have you ever seen the Wound Man, in a surgeons’ manual? There is a caltrop beneath his foot, a spear through his calf, and between his ribs an arrow, the shaft snapped. There is a cleaver in his shoulder, a sword in his gut, a dagger through his eye. He is bleeding money. Just as well he has persuaded Parliament into a two-year subsidy for the king. It will not be popular in the country. But there are forts to build, as well as ships to fit. He never believed in the amity between François and the Emperor, but he does believe they would put aside their quarrels for an immediate object: the invasion of England. He says to Fitz, ‘They will come in by Ireland if they can, either one of them. Conciliate them, the king says; but he is a fool if he believes anything they say.’