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After circling the arena to wild applause, the procession formed before the royal podium and saluted Domitian. They then saluted the young editor who was caught off guard and had to be angrily prompted by his mother before he remem­bered to rise and make the proper response. Most of the per­formers left the arena, but the gladiators lingered, swaggering around before the crowd and shouting to pretty girls, "Here's your chance, sweetheart, embrace me before death does." Some of the gladiators who were proud of their figures were completely naked except for garlands of flowers on their heads; their bodies shining with olive oil. Instead of weapons, they carried palm branches. These men flexed their muscles hooking the fingers of one hand under the fingers of the other and straining to make their biceps stand out or, raising both arms at their sides, threw back their shoulders. The crowd shouted and screamed with delight, most of the v/omen looking down coyly but managing to steal a glance out of the corners of their eyes at the magnificent figures before them. Shouts of: "My money's on you, Primus!" "Give 'em the cold steel, Pamphilus!" went up, and there was a desperate last-minute checking of names, odds, and weapons on the programmes.

When the arena was cleared, there came a moment's hush. Then the trumpet sounded and immediately hundreds of wild animals began to pour into the arena. This was the usual opening for the games—a venation or wild beast hunt.

The numbers and variety of animals in one of these hunts were astonishing. Martial says that there were nine thousand animals killed in these six-day games. There were deer, wild boars, bears, bulls, antelopes, ibex, jackals, ostriches, cranes, wild horses, hyenas, leopards and a herd of domestic cattle put in for "padding." The whole arena seemed covered with a patchwork quilt of various coloured skins. Fights were con­stantly breaking out but the arena was so crowded and the animals so terrified that by mere weight of numbers the con­testants were jostled apart and swept away from each other as the frantic creatures tried to find some way to escape.

The delighted crowd, shouting and counting eagerly on their fingers how many animals there were (for each show had to be bigger than the last), never gave a thought to the enormous labour and astonishing efficiency that made it possible to deliver all these different animals into the arena at the same instant.

When the crowd's interest in the swarming, fighting ani­mals began to lag, foxes with firebrands tied to their ails were set loose. The foxes darted through the packed mass, causing terror wherever they went, while the mob screamed with delight. Domitian, his sluggish nature titivated by the sight of struggling, helpless beasts, shouted for his bow. The fat emperor was an excellent shot and used to practice his markmanship on captive animals on his Alban estate. He was handed a powerful sinew-backed bow from Persia, so flexible that when the bow was unstrung, the curve of the bow was the reverse of that taken up when the string was attached. A slave strung the bow while the podgy ruler danced with impatience and another slave held out a quiver filled with arrows feathered with peacock trains. Domitian began to shoot into the packed animals while the crowd cheered him on. Often he was able to send one arrow through an animal and hit another on the other side. To exhibit his skill, he would shoot two arrows into an animal's head so they re­sembled horns. After shooting over a hundred of the animals, he ordered a slave to jump into the arena, run to the middle, and hold out his hand with the fingers spread. Domitian sent arrows between the fingers while the crowd yelled with de­lighted surprise and the patricians politely applauded. As the arena was still full of frantic animals, the slave had quite a job avoiding their wild rushes, and between watching out for the animals and keeping an eye on Domitian, he had a lively time. The crowd thought the slave's antics were excruciatingly funny and laughed until they cried. Suddenly a bull charged the man from behind and tossed him. The slave came down between two bears who instantly seized him and began pulling their victim apart. His cries sounded above the lowing of the cattle and the screams of the wild horses who were kicking on the sand with arrows sticking in them.

Domitian waited with an arrow on the string and a broad smile on his face until the slave was dead. Then with two expert shots, he killed both of the bears and sat down wiping his plump face to thunderous applause.

Now was the turn of the professional venatores, among them Carpophorus. These men entered the arena from the same openings that had emitted the animals. Each group of venatores could be instantly identified by the crowd from their equipment. Some men carried only a veil and a long dagger for the bears. Others were in full armour, like gladiators, to receive the charge of the bulls. Others carried spears with a round metal disc halfway up the haft. These would fight the wild boars, the disc being to prevent the boar forcing him­self along the spear and killing the man. Other men were on horseback with spears to dispatch the deer. Carpophorus wore only a loose smock that left his powerful arms bare and a few amulets hung around his neck for good luck.

At a signal from the young editor, the trumpet sounded, and while the band played wildly, the venatores rushed into the pass. The next instant the arena was full of screams, brays, howls, bellows, curses, and the noise of the conflict. The crowd loved this spectacle. Being high up and their view of the arena largely obscured by the central ring of masts supporting the awning, they had difficulty watching the in­dividual gladiatorial contests which the nobility in the front row especially enjoyed, but in these venationes there was so much doing that no matter where you sat you could see plenty of action. Everyone was on his feet, shouting encourage­ment to the venatores although the tumult in the arena was so great that no one could hear his own voice.

Carpophorus worked fast. Leaping from antelope to ante­lope, he grabbed the wretched creature by the horns, gave the neck one expert twist, and dropping the dying animal seized another. He killed five antelopes in rapid succession... then fifteen . . . then twenty. He killed at least one leopard so Martial says. As each animal dropped, there was a bellow of applause from the stands—and not only from the upper tiers, for the patricians were watching Carpophorus also. The shouts came in a regular rhythm like surf as Carpophorus killed animal after animal. Such a feat of strength had seldom been seen in the arena. Carpophorus, according to Martial, was definitely the star of the show.

By now the crowd of animals was thinning out and it was hard for Carpophorus to catch his victims. He adopted a new technique. Putting his hands behind him, he went after the exhausted foxes and frightened jackals that were crouching against the barricade, too terrified to move. Using his teeth alone, Carpophorus caught them by the back of the neck, gave one quick shake, and killed them. Sometimes the animals would turn on the man and sink their teeth into the venator's chin or cheeks. Carpophorus refused to use his hands to pull them off. He shook the animal loose or dislodged it by rolling on the sand and then returned to the attack. The crowd was hysterical by now, Domitian sat with his mouth open and his eyes bulging with delight and even the young editor, sweating and miserable in his heavy toga, took an interest in the proceedings.