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“He’s human. Or was, which ever it is, poor bloke. He made out ’Illy was a very, very lucky man. Raved about ’er, Alf did, like I said, and wouldn’t hear a word to the contrary. That was because the Colonel took an interest in ’er and nothing the Colonel did was wrong in Alf’s book. And it seems ’er old pot was killed saving the Colonel’s life, which would make ’im a bleedin’ ’ero. So there you were.”

“You approve of the engagement?”

“It’s not official yet, is it? Oh, yes. ’Illy’s a good picker. You know. In the trade or out of it. Knows a nice piece when ’e sees one. She may be pushing the spoilt beauty bit now but he knows the answers to that one and no error. Oh, yes,” Mr. Smith repeated, quizzing the top of his cigar. “I know about the Bill-Tasman image. Funny. Vague. Eccentric. Comes in nice and handy that lot, more ways than one. But ’e won’t stand for any funny business, don’t worry, in work or pleasure. She’ll ’ave to be a good girl and I reckon she knows it.”

Alleyn waited for a moment and then said: “I see no reason why I shouldn’t tell you this. There’s a theory in circulation that Moult was responsible for the practical jokes, if they can be so called.”

Mr. Smith became vociferous. “Don’t give me that one, chum,” he said. “That’s just silly, that is. Alf Moult put soap in my barley water? Not on your nelly. Him and me was pals, wasn’t we? Right? Well, then: arst yourself.”

“He didn’t like the staff here, did he?”

“ ’Course ’e didn’t. Thought they was shockers and so they are. That lot! But that’s not to say ’e’d try to put their pot on, writing silly messages and playing daft tricks. Alf Moult! Do me a favour!”

“You may not have heard,” Alleyn said, “of all the other incidents. A booby-trap, in the Mervyn manner, set for my wife.”

“Hullo-ullo! I thought there was something there.”

“Did you? There was a much nastier performance this evening. After Nigel went his rounds and before Colonel Forrester went to bed, somebody wedged the window in their room. The strain of trying to open it brought on an attack.”

“There you are! Poor old Colonel. Another turn! And that wasn’t done by Alf Moult, was it!”

“Who would you think was responsible?”

“Nigel. Simple.”

“No. Not Nigel, Mr. Smith. Nigel shut the window when I was in the room and then ran downstairs bellowing about his own troubles.”

“Came back, then.”

“I don’t think so. There’s too narrow a margin in time. Of course we’ll want to know who was in that part of the house just then. And if anyone can —”

“ ‘Help the police,’ ” Mr. Smith nastily suggested, “ ‘in the execution of their duty.’ ”

“Quite so.”

“I can’t. I was in the library with ’Illy.”

“All the evening?”

“All the evening.”

“I see.”

“Look! This carry-on — notes and soap and booby-traps — brainless, innit? Nobody at home where it come from. Right? So where’s the type that fits—? Only one in this establishment and he’s the one with the opportunity? Never mind the wedge. That may be different. It’s obvious.”

“Nigel?”

“That’s right! Must be. Mr. Flippin’ Nigel. In and out of the princely apart-e-mongs all day. Dropping notes and mixing soapy nightcaps.”

“We’ll find out about the wedge.”

“You will?”

“Oh, yes.”

“Here! You think you know who done it? Don’t you? Well — do you?”

“I’ve got an idea.”

“Innit marvellous?” said Mr. Smith. “Blimey, innit blinkin’ marvellous!”

“Mr. Smith,” Alleyn said, “tell me something. Why do you go to such pains to preserve your original turn of speech? If it is your original style. Or is it — I hope you’ll excuse this — a sort of embellishment? To show us there’s no nonsense about Bert Smith? Do forgive me — it’s nothing whatever to do with the matter in hand. I’ve no right to ask you, but it puzzles me.”

“Look,” said Mr. Smith, “you’re a peculiar kind of copper, aren’t you? What’s your game. What are you on about? Christ, you’re peculiar!”

“There! You are offended. I’m sorry.”

“Who says I’m offended? I never said so, did I? All right, all right, Professor ’Iggins, you got it second time. Put it like this. I see plenty of fakes in our business, don’t I? Junk tarted up to look like class? And I see plenty of characters who’ve got to the top same way as I did: from the bottom. But with them it’s putting on the class. Talking posh. Plums in their gullets. Deceiving nobody but themselves. ‘Educated privately’ in Who’s Who and coming a gutser when they loose their cool and forget themselves. Not for mine. I’m me. Born Deptford, Ejjercation, where I could pick it up. Out of the gutter mostly. Me.” He waited for a moment and then, with an indescribably sly glance at Alleyn, said ruefully, “Trouble is, I’ve lost touch. I’m not contemp’ry. I’m mixing with the wrong sort and it’s a kind of struggle to keep the old flag flying, if you can understand. P’raps I’m what they call an inverted snob. Right?”

“Yes,” Alleyn said. “That may be it. It’s an understandable foible. And we all have our affectations, don’t we?”

“It’s not a bloody affectation,” Mr. Smith shouted and then with another of his terribly prescient glances: “And it works,” he said. “It rings the bell, don’ it? They tell you George V took a shiner to Jimmy Thomas, don’t they? Why? Because he was Jimmy Thomas and no beg yer pardons. If ’e forgot ’imself and left an aitch in, ’e went back and dropped it. Fact!” Mr. Smith stood up and yawned like a chasm. “Well, if you’ve finished putting the screws on me,” he said, “I think I’ll toddle. I intended going back tomorrow, but if this weather keeps up I might alter me plans. So long as the telephone lines are in business, so am I.”

He moved to the foot of the stairs and looked back at Alleyn. “Save you the trouble of keeping obbo on me, if I stay put. Right?”

“Were you ever in the Force, Mr. Smith?”

“Me! A copper! Do me a favour!” said Mr. Smith and went chuckling up to bed.

Alone, Alleyn stood for a minute or two, staring at the moribund fire and listening to the night sounds of a great house. The outer doors were shut and barred and the curtains closed. The voice of the storm was transmitted only through vague soughing noises, distant rattling of shutters and an ambiguous mumbling that broke out intermittently in the chimneys. There were characteristic creaks and percussion-like cracks from the old woodwork and, a long way off, a sudden banging that Alleyn took to be a bout of indigestion in Hilary’s central-heating system. Then a passage of quiet.

He was accustomed and conditioned to irregular hours, frustrations, changes of plan and lack of sleep, but it did seem an unconscionable time since he landed in England that morning. Troy would be sound asleep, he expected, when he went upstairs.

Some change in the background of small noises caught his attention. A footfall in the gallery upstairs? What? He listened. Nothing. The gallery was in darkness but he remembered there was a time-button at the foot of each stairway and a number of switches controlling the lights in the hall. He moved away from the fireplace and towards the standard lamp near the right-hand flight of stairs and just under the gallery.

He paused, looking to see where the lamp could be switched off. He reached out his left arm towards it.

A totally unexpected blow can bring about a momentary dislocation of time. Alleyn, for a split second, was a boy of sixteen, hit on the right upper arm by the edge of a cricket bat. His brother George, having lost his temper, had taken a swipe at him. The blunted thump was as familiar as it was shocking.