Snuck out? The plot thickens.
I find Ceepak in the back yard, out near the pool.
“She snuck out,” he says. “To meet her boyfriend.”
He points up to a small balcony on the second floor. There's a sliding glass door up there and it's open. The balcony's right near this trellis deal made out of four-by-fours and latticework with grapevines or something growing all over it. It'd be an easy little hop from the balcony to the top of the trellis and then a quick shimmy down to the ground. It's like Ashley has a backyard “Romeo and Juliet Playset” instead of the more traditional jungle gym.
“Is the boyfriend here?”
“Negative,” Ceepak says. “We heard his story, then his father hauled him home.”
“Mayor Sinclair?”
“Roger that. The boy will be available for further questioning, should we need to talk to him later.”
“So what's his story?” Ceepak pulls out his little notebook.
“Ben Sinclair says Ashley Hart called him from her cell phone and stated she needed to see him right away. She was so ’totally freaked by everything that happened today, she asked him-no, he said she ‘begged him’-to meet her back here by the pool. He hopped on his motorcycle, left town around 2045. They waved him through at the guardhouse gate….”
Figures. Guess being the mayor's son gives you an E-Z Pass through life.
“Sinclair arrived here at approximately 2100 hours. The state police officer guarding the northern perimeter let him pass when he explained who he was.” He does a two-finger point to the south. “I was patrolling the far perimeter. Wasn't alerted to his arrival. The young man waited approximately fifteen minutes. Sat there.”
Ceepak points to a chaise longue on the patio surrounding the kidney-shaped pool. I see one empty and one half-empty Heineken sitting on a small round table next to the chair.
“How old's this boyfriend?” I ask, looking at his beer bottles.
“Sixteen. Maybe seventeen. Apparently, he knows where they stow the alcoholic beverages.”
Ceepak nods at a refrigerator tucked into the brickwork of a massive backyard barbeque. I'm not talking Weber grill and sack of charcoal here. This is one of those stainless-steel professional jobs built into a garden wall.
“So the kid sat sipping beer for five, ten minutes,” I say, picking up the narrative.
“Right,” Ceepak says, piecing it all together for me so it becomes clearer for him. “Then, when Ashley still doesn't show, he starts ‘getting pissed.’ He walks over here … to the pergola-”
“The what?”
“The arbor. The trellis.”
“This thing? With the vines?”
“Right. He comes over here and tries calling up to Ashley's room … tosses a pea pebble or two at her bedroom window….”
“And he realizes her balcony door is open.”
“Exactly,” Ceepak says. “That's when young Mr. Sinclair starts, as he puts it, ‘to shit a brick.’ He runs back up to the road, yells at the state police officer, says, ‘Ashley's gone! Ashley's gone!’ Her mother hears the boy, comes running out the front door. She proceeds to scream as well. At 2125 hours, I call for reinforcements, initiate a hard target search.”
That would be 9:25 P.M.
It's almost ten now. Took me fifteen minutes to drive down from The Sand Bar. I drove slow because, well, I'd been drinking.
“Ceepak?”
It's the chief.
“What the hell happened?”
The chief is wearing a big mesh T-shirt, like a football jersey if they played football in July instead of the fall. He's got on gray sweat-pant shorts and flip-flops and looks like he was home in his comfy chair, ready to kick back, pop the top on a cold one, and watch some ball when this new thing started going down.
“Nothing definite yet, chief.”
“Well, find something definite, okay? Find it fast.”
“I'm all over it, sir.”
The chief does one of those quick looks around, like he wants to make sure nobody is eavesdropping.
“This thing? It could … you know … it could get messy. State police. FBI. I need, you know … I need your best, John.”
“It's all I'll ever give you, sir.”
“Great. Okay. Great. Thanks.”
Something about the way Ceepak says stuff, like he truly means it, always puts people at ease.
“Where's the mother?”
“Inside. Jane is sitting with her.”
“Okay. Good. Smart. I'm going up to the road,” the chief says. “Reconnoiter with the troops. Work out a search grid. You coming?”
“In a minute. I want to nose around down here first.”
“Yeah?”
“Yeah.”
“Holler if you find something … anything.”
“Roger.”
“I'm putting out an Amber Alert.”
Ceepak nods. This means the TV and radio will urge anybody who thinks they see Ashley, or has any information about her at all, to call the police.
The chief lugs his bulk around the side of the house and starts screaming at our guys assembled up at the top of the driveway. When we can't hear him yelling any more, Ceepak motions for me to follow him-away from the pool, down to the beach.
The back yard of the beach house sort of flows right into the sand, making it look like whoever owns the house also owns this piece of the ocean too.
“Where we going?” I ask.
“Down to the beach. They've got the road covered. Sending out search teams. But-we had the front and sides of the house under surveillance when Ashley went missing. There's also the gatehouse at the entrance to the subdivision. The guard only granted admittance to the mayor's son because he knew him. So….”
“So whoever did this came up the beach?” I catch on fast.
“He or she. But at this juncture, we don't even know if there was someone.”
“What? You think Ashley went for a moonlit stroll on the beach? Without her boyfriend?”
“Like I said, at this point, anything is possible.” Ceepak is walking with his head down, studying the ground in front of his feet. “And everything will remain possible until we find evidence that eliminates certain of those possibilities.”
“Like what?”
“This.”
Ceepak pulls out his Maglite and twists the lens.
He saw the bootprint without the light. I see it now.
“Timberland?” I ask.
“Looks like.” He follows the prints down to the tide line, where the waves wash everything away.
“It's our same guy,” I say.
“That is one possibility. Remember, Danny-don't jump to conclusions; there may not be anything solid for you to land on.”
That line is so corny, it must be something Ceepak's father told him. My own dad always said, “Never assume: It makes an ass out of ‘u’ and ‘me.’” I think they must go to night school to learn the corny stuff they're supposed to say to their sons in certain situations.
“So,” I ask, “how did this boot-wearing person sneak in?”
“Good question.”
Ceepak swings his flashlight around.
“You think he was, I don't know-some kind of Navy SEAL or something? Scuba-dived up to the beach? Dragged Ashley away….”
“It's a possibility,” Ceepak says, only half-listening. Maybe he knows I stole my idea from this Steven Seagal movie I rented once.
“How about a boat?” I say. “Maybe the guy or girl … the doer … maybe they had a boat.”
“More probable than a car or ATV. However, I suspect we might have heard the approach of any motorized craft. So if it was a boat….”
“It was a rowboat … or a kayak … or a rubber raft….”
“Or, our perp might have simply walked along the shoreline, using the waves to wash away any trace of his or her movements.”
He swings his flashlight up and down the beach. Left, then right, then left again.
He stops on a patch of beach grass just beyond the high-tide line.
There's this one trampled section. Ceepak walks over to it. I'm right behind him.
“Careful where you step.”
“Right,” I say, remembering my morning lesson, walking only where Ceepak has already walked.