And now we’re following him, the unknown character who arrived in Crete to reach a pleasant seaside locale and who at a certain moment, abruptly, for a reason also unknown, took a road toward the mountains. The man proceeded till Mourniès, drove through the village without knowing where he was going, though as if he did. Actually he wasn’t thinking, just driving, he knew he was headed south: the sun, still high, was already behind him. Since he’d changed direction, that sensation of lightness had returned, which he’d briefly felt at the table in the ice-cream shop, looking down on the broad horizon: an unusual lightness, and with it an energy he no longer recalled, as though he were young again, a sort of light euphoria, almost a happiness. He arrived at a village called Fournès, drove through the town confidently as though he already knew the way, stopped at a crossroads, the main road went to the right, he took the secondary road with a sign that said: Lefka Ori, the white mountains. He drove on calmly, the sensation of well-being was turning into a sort of cheerfulness, a Mozart aria came to mind and he felt he could reproduce its notes, he began whistling them with amazing ease, but then went hopelessly out of tune in a couple of passages, which made him laugh. The road slipped into the rugged canyons of a mountain. They were beautiful and wild places, the car went along a narrow asphalt road bordering the bed of a dry creek, at a certain point the creek bed disappeared among the rocks and the asphalt ended in a dirt road, in a barren plain among inhospitable mountains, meanwhile the light was fading, but he kept going as though he already knew the way, like someone obeying an old memory or an order received in a dream, and at a certain point he saw a crooked tin sign riddled with holes as if from gunshots or from time, and the sign said: Monastiri.
He followed it as though he’d been expecting it all along, until he came to a tiny monastery, its roof in ruins. He realized he’d arrived. Went down. The dilapidated door of those ruins sagged inward. He figured no one was there any longer, a beehive under the little portico seemed the only housekeeper. He went down and waited as if he had an appointment. It was almost dark. Then at the door a monk appeared, he was very old and moved with difficulty, he had the look of an anchorite, with his hair down to his shoulders and a yellowish beard, what do you want? he asked in Greek. Do you know Italian? answered the traveler. The old man nodded. A little, he murmured. I’ve come to change places with you, said the man.
So it’d been like this, and no other conclusion was possible, because that story didn’t call for any other possible conclusions, but the person who knew this story was aware that he couldn’t let it conclude in this way, and at this point he made a leap in time. And thanks to one of those leaps in time that are possible only in the imagination, things landed in the future with regard to that month of April of 2008. How many years ahead no one knows, and the person who knew the story remained vague, twenty years, for instance, which in the lifetime of a man is a lot, because if in 2008 a man of sixty still has all his energy, in 2028 he’ll be an old man, his body worn out by time.
And so the person who knew this story imagined it continued like this, and so let’s accept that we’re in 2028, as the person who knew the story had wanted and had imagined it would continue.
And at this point, the person who imagined how the story would continue saw two young people, a guy and a girl wearing leather shorts and trekking boots, who were hiking in the mountains of Crete. The girl said to her companion: I think that old guide you found in your father’s library doesn’t make any sense, by now the monastery will be a pile of stones full of lizards, why don’t we head toward the sea? And the guy responded: I think you’re right. But just as he said this she replied: no, let’s keep on for a bit, you never know. And in fact it was enough to walk around the rugged red-stone hill that cut through the countryside and there it was, the monastery, or rather ruins of the monastery, and the two of them approached, a wind blew in from the canyons raising the dust, the monastery’s door had collapsed, wasps’ nests defended that empty cave, the two of them had already turned their backs on that gloom when they heard a voice. In the empty space of the door stood a man. He was very old, looked dreadful, with a long white beard to his chest and hair down to his shoulders. Oooh, called the voice. Nothing else. The couple stood still. The man asked: do you understand Italian? They didn’t respond. What happened in 2008? asked the old man. The two young people looked at each other, they didn’t have the courage to exchange a word. Do you have photographs? asked the old man, what happened in 2008? Then he gestured for them to go away, though perhaps he was brushing away the wasps that whirled under the portico, and he returned to the dark of his cave.
The man who knew this story was aware that it couldn’t finish in any other way. Before writing his stories, he loved telling them to himself. And he’d tell them to himself so perfectly, in such detail, word by word, that one might say they were written in his memory. He’d tell them to himself preferably late in the evening, in the solitude of that big empty house, or on those nights when he couldn’t sleep, those nights in which insomnia yielded nothing but imagination, not much, yet imagination gave him a reality so alive that it seemed more real than the reality he was living. But the most difficult thing wasn’t telling to himself his stories, that was the easy part, it was as though he’d see the words of the stories he told himself written on the dark screen of his room, when fantasy would keep his eyes wide open. And that one story, which he’d told himself in this way so many times, seemed to him an already printed book, one that was very easy to express mentally but very difficult to write with the letters of the alphabet necessary for thought to be made concrete and visible. It was as if he were lacking the principle of reality to write his story, and in order to live the effective reality of what was real within him yet unable to become truly real, he’d chosen this place.
His trip was planned in fine detail. He landed at the Hania airport, got his luggage, went into the Hertz office, picked up the car keys. Three days? the clerk asked, astonished. What’s so strange about it? he said. No one comes to Crete on vacation for three days, the clerk replied, smiling. I have a long weekend, he responded, it’s enough for what I have to do.
The light in Crete was beautiful. It wasn’t Mediterranean but African; he’d reach the Beach Resort in an hour and a half, at most two, even going slowly, he’d arrive there around six, a shower and he’d start writing immediately, the hotel restaurant was open till eleven, it was Thursday evening, he counted: all of Friday, Saturday, and Sunday, three full days. They’d be enough: in his head everything was all already written.