'And this is Arthur,' said Mendel cheerfully. 'How's Will?' He was a quirkish, loping tracker of a man, sharp-faced and sharp-eyed, and Guillam had a very precise picture of him just then, leaning over his policeman's notebook with his pencil poised.
'I want to give you the headlines now in case I go under a bus.'
'That's right, Will,' said Mendel consolingly. 'Can't be too careful.'
He gave his message slowly, using the scholastic cover they had agreed on as a last protection against random interception: exams, students, stolen papers. Each time he paused he heard nothing but a faint scratching. He imagined Mendel writing slowly and legibly and not speaking till he had it all down.
'I got those happy snaps from the chemist by the by,' said Mendel finally, when he had checked it all back. 'Come out a treat. Not a miss among them.'
'Thanks. I'm glad.'
But Mendel had already rung off.
I'll say one thing for moles, thought Guillam: it's a long dark tunnel all the way. As he held open the door for the old lady he noticed the telephone receiver lying on its cradle, how the sweat crawled over it in drips. He considered his message to Mendel, he thought again of Roy Bland and Toby Esterhase staring at him through the doorway, he wondered quite urgently where Smiley was, and whether he was taking care. He returned to Eaton Place needing Camilla badly, and a little afraid of his reasons. Was it really age that was against him suddenly? Somehow, for the first time in his life, he had sinned against his own notions of nobility. He had a sense of dirtiness, even of self-disgust.
CHAPTER TWELVE
There are old men who go back to Oxford and find their youth beckoning to them from the stones. Smiley was not one of them. Ten years ago he might have felt a pull. Not now. Passing the Bodleian he vaguely thought: I worked there. Seeing the house of his old tutor in Parks Road, he remembered that before the war in its long garden Jebedee had first suggested he might care to talk to 'one or two people I know in London'. And hearing Tom Tower strike the evening six he found himself thinking of Bill Haydon and Jim Prideaux, who must have arrived here the year that Smiley went down and were then gathered up by the war; and he wondered idly how they must have looked together then, Bill the painter, polemicist and socialite; Jim the athlete, hanging on his words. In their heyday together in the Circus, he reflected, that distinction had all but evened out: Jim grew nimble at the brainwork and Bill in the field was no man's fool. Only at the end, the old polarity asserted itself: the workhorse went back to his stable, the thinker to his desk.
Spots of rain were falling but he couldn't see them. He had travelled by rail and walked from the station, making detours all the way: Blackwell's, his old college, anywhere, then north. Dusk had come here early because of the trees.
Reaching a cul-de-sac he once more dawdled, once more took stock. A woman in a shawl rode past him on a pushbike, gliding through the beams of the streetlamps where they pierced the swathes of mist. Dismounting, she pulled open a gate and vanished. Across the road a muffled figure was walking a dog, man or woman he couldn't tell. Otherwise the road was empty, so was the phone box. Then abruptly two men passed him, talking loudly about God and war. The younger one did most of the talking. Hearing the older one agree, Smiley supposed he was the don.
He was following a high paling that bulged with shrubs. The gate of number fifteen was soft on its hinges, a double gate but only one side used. When he pushed it, the latch was broken. The house stood a long way back; most of the windows were lit. In one, high up, a young man stooped over a desk. At another, two girls seemed to be arguing, at a third, a very pale woman was playing the viola but he couldn't hear the sound. The ground-floor windows were also lit but the curtains were drawn. The porch was tiled, the front door was panelled with stained glass; on the jamb was pinned an old notice: 'After 11 p.m. use side door only'. Over the bells, more notices: 'Prince three rings', 'Lumby two rings', 'Buzz: out all evening, see you, Janet'. The bottom bell said 'Sachs' and he pressed it. At once dogs barked and a woman started yelling.
'Flush, you stupid boy, it's only a dunderhead. Flush, shut up, you fool. Flush!'
The door opened part way, held on a chain; a body swelled into the opening. While Smiley in the same instant gave his whole effort to seeing who else was inside the house, two shrewd eyes, wet like a baby's, appraised him, noted his briefcase and his spattered shoes, flickered upward to peer past his shoulder down the drive, then once more looked him over. Finally the white face broke into a charming smile, and Miss Connie Sachs, formerly queen of research at the Circus, registered her spontaneous joy.
'George Smiley,' she cried, with a shy trailing laugh as she drew him into the house. 'Why you lovely darling man, I thought you were selling me a Hoover bless you and all the time it's George!'
She closed the door after him, fast.
She was a big woman, bigger than Smiley by a head. A tangle of white hair framed her sprawling face. She wore a brown jacket like a blazer and trousers with elastic at the waist and she had a low belly like an old man's. A coke fire smouldered in the grate. Cats lay before it and a mangy grey spaniel, too fat to move, lounged on the divan. On a trolley were the tins she ate from and the bottles she drank from. From the same adaptor she drew the power for her radio, her electric ring and her curling tongs. A boy with shoulder-length hair lay on the floor, making toast. Seeing Smiley he put down his brass trident.
'Oh Jingle darling, could it be tomorrow?' Connie implored. 'It's not often my oldest, oldest lover comes to see me.' He had forgotten her voice. She played with it constantly, pitching it at all odd levels. 'I'll give you a whole free hour, dear, all to himself: will you? One of my dunderheads,' she explained to Smiley, long before the boy was out of earshot. 'I still teach, I don't know why. George,' she murmured, watching him proudly across the room as he took the sherry bottle from his briefcase and filled two glasses. 'Of all the lovely darling men I ever knew. He walked,' she explained to the spaniel. 'Look at his boots. Walked all the way from London, didn't you, George? Oh bless, God bless.'
It was hard for her to drink. Her arthritic fingers were turned downward as if they had all been broken in the same accident, and her arm was stiff. 'Did you walk alone, George?' she asked, fishing a loose cigarette from her blazer pocket. 'Not accompanied, were we?'
He lit the cigarette for her and she held it like a peashooter, fingers along the top, then watched him down the line of it with her shrewd, pink eyes. 'So what does he want from Connie, you bad boy?'
'Her memory.'
'What part?'
'We're going back over some old ground.'
'Hear that, Flush?' she yelled to the spaniel. 'First they chuck us out with an old bone then they come begging to us. Which ground, George?'
'I've brought a letter for you from Lacon. He'll be at his club this evening at seven. If you're worried you're to call him from the phone box down the road. I'd prefer you not to do that, but if you must he'll make the necessary impressive noises.'
She had been holding him but now her hands flopped to her sides and for a good while she floated round the room, knowing the places to rest and the holds to steady her and cursing, 'Oh damn George Smiley and all who sail in him.' At the window, perhaps out of habit, she parted the edge of the curtain but there seemed to be nothing to distract her.
'Oh George, damn you so,' she muttered. 'How could you let a Lacon in? Might as well let in the competition, while you're about it.'