Jim felt a bit nervy, he said. They drove and the Magyar said his piece. When they reached the lodge there would be no lights and no sign of life. The General would be inside. If there was any sign of life, a bicycle, a car, a light, a dog, if there was any sign that the hut was occupied, then the Magyar would go in first and Jim would wait in the car. Otherwise Jim should go in alone and the Magyar would do the waiting. Was that clear?
Why didn't they just go in together? Jim asked. Because the General didn't want them to, said the Magyar.
They drove for half an hour by Jim's watch, heading northeast at an average of thirty kilometres an hour. The track was winding and steep and tree-lined. There was no moon and he could see very little except occasionally against the skyline more forest, more hilltops. The snow had come from the north, he noticed; it was a point that was useful later. The track was clear but rutted by heavy lorries. They drove without lights. The Magyar had begun telling a dirty story and Jim guessed it was his way of being nervous. The smell of garlic was awful. He seemed to chew it all the time. Without warning he cut the engine. They were running downhill, but more slowly. They had not quite stopped when the Magyar reached for the handbrake and Jim smashed his head against the window post and took his gun. They were at the opening to a side-path. Thirty yards down this path lay a low wooden hut. There was no sign of life.
Jim told the Magyar what he would like him to do. He would like him to wear Jim's fur hat and Jim's coat and take the walk for him. He should take it slowly, keeping his hands linked behind his back, and walking at the centre of the path. If he failed to do either of those things Jim would shoot him. When he reached the hut he should go inside and explain to the General that Jim was indulging in an elementary precaution. Then he should walk back slowly, report to Jim that all was well, and that the General was ready to receive him. Or not, as the case might be.
The Magyar didn't seem very happy about this but he didn't have much choice. Before he got out Jim made him turn the car round and face it down the path. If there was any monkey business, Jim explained, he would put on the headlights and shoot him along the beam, not once, but several times, and not in the legs. The Magyar began his walk. He had nearly reached the hut when the whole area was floodlit: the hut, the path and a large space around. Then a number of things happened at once. Jim didn't see everything because he was busy turning the car. He saw four men fall out of the trees, and, so far as he could work out, one of them sandbagged the Magyar. Shooting started but none of the four paid it any attention, they were standing back while somebody took photographs. The shooting seemed to be directed at the clear sky behind the floodlights. It was very theatrical. Flares exploded, Very lights went up, even tracer, and as Jim raced the Fiat down the track he had the impression of leaving a military tattoo at its climax. He was almost clear - he really felt he was clear - when from the woods to his right someone opened up with a machine-gun at close quarters. The first burst shot off a back wheel and turned the car over. He saw the wheel fly over the bonnet as the car took to the ditch on the left. The ditch might have been ten foot deep but the snow let him down kindly. The car didn't burn so he lay behind it and waited, facing across the track hoping to get a shot at the machine-gunner. The next burst came from behind him and threw him up against the car. The woods must have been crawling with troops. He knew that he had been hit twice. Both shots caught him in the right shoulder and it seemed amazing to him, as he lay there watching the tattoo, that they hadn't taken off the arm. A klaxon sounded, maybe two or three. An ambulance rolled down the track and there was still enough shooting to frighten the game for years. The ambulance reminded him of those old Hollywood fire engines, it was so upright. A whole mock battle was taking place, yet the ambulance boys stood gazing at him without a care in the world. He was losing consciousness as he heard a second car arrive, and men's voices, and more photographs were taken, this time of the right man. Someone gave orders but he couldn't tell what they were because they were given in Russian. His one thought, as they dumped him on the stretcher and the lights went out, concerned going back to London. He imagined himself in the St James's flat, with the coloured charts and the sheaf of notes, sitting in the armchair and explaining to Control how in their old age the two of them had walked into the biggest sucker's punch in the history of the trade. His only consolation was that they had sandbagged the Magyar, but looking back Jim wished very much he'd broken his neck for him: it was a thing he could have managed very easily, and without compunction.
CHAPTER THIRTY-TWO
The describing of pain was to Jim an indulgence to be dispensed with. To Smiley, his stoicism had something awesome about it, the more so because he seemed unaware of it. The gaps in his story came mainly where he passed out, he explained. The ambulance drove him, so far as he could fathom, further north. He guessed this from the trees when they opened the door to let the doctor in: the snow was heaviest when he looked back. The surface was good and he guessed they were on the road to Hradec. The doctor gave him an injection; he came round in a prison hospital with barred windows high up, and three men watching him. He came round again after the operation in a different cell with no windows at all, and he thought probably the first questioning took place there, about seventy-two hours after they'd patched him up, but time was already a problem and of course they'd taken away his watch.
They moved him a lot. Either to different rooms, depending on what they were going to do with him, or to other prisons depending on who was questioning him. Sometimes they just moved to keep him awake, walking him down cell corridors at night. He was also moved in lorries, and once by a Czech transport plane, but he was trussed for the flight and hooded, and passed out very soon after they took off. The interrogation which followed this flight was very long. Otherwise he had little sense of progression from one questioning to another and thinking didn't get it any straighter for him, rather the reverse. The thing that was still strongest in his memory was the plan of campaign he formed while he waited for the first interrogation to begin. He knew silence would be impossible and that for his own sanity, or survival, there had to be a dialogue, and at the end of it they had to think he had told them what he knew, all he knew. Lying in hospital he prepared his mind into lines of defence behind which, if he was lucky, he could fall back stage by stage until he had given the impression of total defeat. His forward line, he reckoned, and his most expendable, was the bare bones of Operation Testify. It was anyone's guess whether Stevcek was a plant, or had been betrayed. But whichever was the case, one thing was certain: the Czechs knew more about Stevcek than Jim did. His first concession therefore would be the Stevcek story, since they had it already; but he would make them work for it. First he would deny everything and stick to his cover. After a fight he would admit to being a British spy and give his workname Ellis so that if they published it, the Circus would at least know he was alive and trying. He had little doubt that the elaborate trap and the photographs augured a lot of ballyhoo. After that, in accordance with his understanding with Control, he would describe the operation as his own show, mounted without the consent of his superiors and calculated to win him favour. And he would bury, as deep as they could go and deeper, all thoughts of a spy inside the Circus.