'No mole,' said Jim, to the black outlines of the Quantocks. 'No meeting with Control, no service flat in St James's.'
'No Tinker, Tailor.'
His second line of defence would be Max. He proposed at first to deny that he had brought a legman at all. Then he might say he had brought one but he didn't know his name. Then, because everyone likes a name, he would give them one: the wrong one first, then the right one. By that time Max must be clear, or underground, or caught.
Now came in Jim's imagination a succession of less strongly held positions: recent scalphunter operations, Circus tittle-tattle, anything to make his interrogators think he was broken and talking free and that this was all he had, they had passed the last trench. He would rack his memory for back scalphunter cases, and if necessary he would give them the names of one or two Soviet and satellite officials who had recently been turned or burned; of others who in the past had made a one-time sale of assets and, since they had not defected, might now be considered to be in line for burning or a second bite. He would throw them any bone he could think of, sell them if necessary the entire Brixton stable. And all this would be the smokescreen to disguise what seemed to Jim to be his most vulnerable intelligence, since they would certainly expect him to possess it: the identity of members of the Czech end of the Aggravate and Plato networks.
'Landkron, Krieglova, Bilova, the Pribyls,' said Jim.
Why did he choose the same order for their names? Smiley wondered.
For a long time Jim had no responsibility for these networks. Years earlier, before he took over Brixton, he had helped establish them, recruited some of the founder members; since then a lot had happened to them in the hands of Bland and Haydon of which he knew nothing. But he was certain that he still knew enough to blow them both sky high. And what worried him most was the fear that Control, or Bill, or Percy Alleline, or whoever had the final say these days, would be too greedy, or too slow, to evacuate the networks by the time Jim, under forms of duress he could only guess at, had no alternative but to break completely.
'So that's the joke,' said Jim, with no humour whatever. 'They couldn't have cared less about the networks. They asked me half a dozen questions about Aggravate then lost interest. They knew damn well that Testify wasn't my private brainchild and they knew all about Control buying the Stevcek pass in Vienna. They began exactly where I wanted to end: with the briefing in St James's. They didn't ask me about a legman, they weren't interested in who had driven me to the rendezvous with the Magyar. All they wanted to talk about was Control's rotten-apple theory.'
One word, thought Smiley again, it might be just one word. He said: 'Did they actually know the St James's address?'
'They knew the brand of the bloody sherry, man.'
'And the charts?' asked Smiley quickly. 'The music case?'
'No.' He added: 'Not at first. No.'
Thinking inside out, Steed-Asprey used to call it. They knew because the mole Gerald had told them, thought Smiley. The mole knew what the housekeepers had succeeded in getting out of old MacFadean. The Circus conducts its postmortem: Karla has the benefit of its findings in time to use them on Jim.
'So I suppose by now you were beginning to think Control was right: there was a mole,' said Smiley.
Jim and Smiley were leaning on a wooden gate. The ground sloped sharply away from them in a long sweep of bracken and fields. Below them lay another village, a bay and a thin ribbon of moonlit sea.
'They went straight to the heart of it. "Why did Control go it alone? What did he hope to achieve?" "His comeback," I said. So they laugh: "With tinpot information about military emplacements in the area of Brno? That wouldn't even buy him a square meal in his club." "Maybe he was losing his grip," I said. If Control was losing his grip, they said, who was stamping on his fingers? Alleline, I said, that was the buzz; Alleline and Control were in competition to provide intelligence. But in Brixton we only got the rumours, I said. "And what is Alleline producing that Control is not producing?" "I don't know." "But you just said that Alleline and Control are in competition to provide intelligence." "It's rumour. I don't know." Back to the cooler.'
Time, said Jim, at this stage lost him completely. He lived either in the darkness of the hood, or in the white light of the cells. There was no night or day, and to make it even more weird they kept the noises going most of the time.
They were working him on the production-line principle, he explained: no sleep, relays of questions, a lot of disorientation, a lot of muscle, till the interrogation became to him a slow race between going a bit dotty, as he called it, and breaking completely. Naturally, he hoped he'd go dotty but that wasn't something you could decide for yourself, because they had a way of bringing you back. A lot of the muscle was done electrically.
'So we start again. New tack. "Stevcek was an important general. If he asked for a senior British officer, he could expect him to be properly informed about all aspects of his career. Are you telling us you did not inform yourself?" "I'm saying I got my information from Control." "Did you read Stevcek's dossier at the Circus?" "No." "Did Control?" "I don't know." "What conclusions did Control draw from Stevcek's second appointment in Moscow? Did Control speak to you about Stevcek's role in the Warsaw Pact Liaison Committee?" "No." They stuck to that question and I suppose I stuck to my answer because after a few more no's they got a bit crazy. They seemed to lose patience. When I passed out they hosed me down and had another crack.'
Movement, said Jim. His narrative had become oddly jerky. Cells, corridors, car... at the airport, VIP treatment and a mauling before the aeroplane... on the flight, dropped off to sleep and was punished for it: 'Came round in a cell again, smaller, no paint on the walls. Sometimes I thought I was in Russia. I worked out by the stars that we had flown east. Sometimes I was in Sarratt, back on the interrogation resistance course.'
For a couple of days they let him alone. Head was muzzy. He kept hearing the shooting in the forest and he saw the tattoo again, and when finally the big session started, the one he remembered as the marathon, he had the disadvantage of feeling half defeated when he went in.
'Matter of health much as anything,' he explained, very tense now.
'We could make a break if you wanted,' Smiley said, but where Jim was, there were no breaks, and what he wanted was irrelevant.
That was the long one, Jim said. Sometime in the course of it, he told them about Control's notes and his charts and the coloured inks and crayons. They were going at him like the devil and he remembered an all-male audience, at one end of the room, peering like a lot of damn medicos and muttering to one another, and he told them about the crayons just to keep the talk alive, to make them stop and listen. They listened but they didn't stop.
'Once they had the colours they wanted to know what the colours meant. "What did blue mean?" "Control didn't have blue." "What did red mean? What did red stand for? Give us an example of red on the chart. What did red mean? What did red mean? What did red mean?" Then everybody clears out except a couple of guards and one little frosty fellow, stiff back, seemed to be head boy. The guards take me over to a table and this little fellow sits beside me like a bloody gnome with his hands folded. He's got two crayons in front of him, red and green, and a chart of Stevcek's career.'