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A creature named Saburac, "a Marquis mighty, great and strong" (as Quentin called him), appeared in the midst of smoke and fumes that filled our cramped living space, and this apparition took the form of an Elizabethan soldier in breastplate and helm, armed at all points, with the head of the lion, riding a horse as white as bone. He roared with scornful laughter when Quentin commanded him to build a tower, filled and furnished with victuals, arms, and armor, in the void of space, but Colin threatened him, and the monster called him "Prince Phobetor," and bowed. (Which surprised me, because Colin's paradigm was trumped by Quentin's. I guess not every creature from Quentin's paradigm trumped Colin, though.)

"Mine office also be to afflict men for many days with wounds and sores, rotten and full of worms," the lion-headed knight announced. Colin was interested in the possibilities here, but by that time, Quentin had banished the entity to its tasks. A tower made of great gray stones, tumbling hugely in the zero-g, was beginning to fall to pieces off our port bow. I had seen the tower cross over from the parallel plane of Earth's dreamland, but to the others, the tower must have seemed to appear from nowhere.

Of course, we really did not need a tower. We needed the metals and other elements, or, I should say, Victor did. He assumed his faceless, gold-skinned spaceworthy form and pulled himself across the vacuum on magnetic beams. In the wreckage of the tower were iron and steel, carbon and water, and so on.

The food the creature conjured from nothing was not harmed by exposure to vacuum and radiation: If anything, it was safer than normal. Radiation kills germs.

It was salt pork and hardtack, with a barrel of apples and a barrel of limes: soldiers' food from the days when soldiers manned towers. The water barrels made it intact, being watertight. Vanity was surprised the water did not freeze in the cold of outer space, and I tried to explain to her how a thermos bottle worked.

The Marquis had also thoughtfully supplied the tower with strands of cable, useful for any number of things in wartime, but they shattered like glass after exposure to vacuum. Colin wanted to keep the culverins and bombards, but Victor melted them down with molecular engines. He let Colin keep a harquebus, along with a forked stick to rest it on.

The Marquis was thorough. There were drums and trumpets and other military odds and ends.

The prize of the collection, and something I slid through the fourth dimension and swept across the vacuum to recover myself, was the standard: It was the Union Jack. I also kept a spear to fly it from.

Victor manipulated the elements, absorbing mass from the walls and armory of the tower, and grew new forms of life in his stomach, which he vomited out after gestation. I like Victor a lot, as we all know, but sometimes I wonder about kissing him, you know?

He created metallic plant-mollusk creatures that looked like green clams. They adhered to the outer surface of Vanity's ship, perfectly happy in the airlessness, and multiplied until, at the end of five days, they covered every square inch. Victor said they were iron-based life-forms that could absorb and block dangerous radiation, and protect us from the reentry heat of the Martian atmosphere. Vanity doubted the laws of nature inside the ship would allow for radiation, but Quentin thought that Lucretius-theory might permit small, fast-moving atomies of fire-essence to exist, so I ruled in favor of Victor.

The portholes were occluded by clams, which bothered everyone but Victor (who doesn't get bothered) and me (who doesn't need portholes). Victor and Quentin designed a light source that looked like a basin of burning water, which also fed oxygen and hydrogen into the little air-atomies. Vanity had to green-stone the basin so that its rim formed another boundary for yet a third set of laws of nature.

There was enough lumber left over from the wreckage of the tower to build two crude platforms, one above the other, amidships, to divide our cylinder into three chambers. Victor glued the lumber together with a resin he secreted from an orifice that, shall we say, made the vomiting up of green clams look in contrast like a wholesome process.

This timber was too bulky to fit in our Jules Verne-style brass airlock, so my job was to reach through the walls and pull the lumber inside. The tower came with a chamber pot, and I volunteered to empty it overboard, which I could do without touching the hull. When the ship was under thrust, the stern became floor. With our lamp hanging in the bow, the third chamber was dark and private enough, even with all the light leaking through the crudely glued floorboards, to serve as the head.

Victor broke the remaining pieces of the tower into small bits, too small to survive reentry heat and reach the ground in lumps, once their orbit decayed.

And yes, the ship could maintain one-g for two days.

We spent the time telling each other ghost stories. Quentin's were the best.

The fourth world out from Sol swelled in my vision, red as rust, lifeless as a skull, and capped with dry ice at the poles. It was beautiful.

You are wondering how the Dark Mistress prevented her troops from going stir-crazy when locked in a large coffin for nine days. Well, keep in mind our background: We were used to confinement, to boring assignments, to grueling schoolwork.

So everyone checked my figures. The motivation was simple: You flunk the math problem, the ship misses the target, we all die.

We did trigonometry and calculus. Victor magnetically opened his layer of clams so we could clear a porthole and take measurements of the planets with binoculars and homemade sextants. We did our figuring on slide rales. You heard me: good old-fashioned slipsticks, those things everyone says are dead as a dodo. They are easy to make with two sticks, or even two pieces of paper laid side by side. Try making an electronic adding machine with what you have in your knapsack.

Victor had the log tables memorized, and several of the Dukes, Great Kings, and Presidents of the Middle Air that Quentin could call up teach liberal arts and useful sciences, including mathematics.

An abacus is pretty easy to make, too, if you have a Telchine boy who can sculpt materials to fine-machine standards with his brain. Vanity and I contributed pearl necklaces and beaded bracelets to the project.