INTRODUCTION
When I was a child, I read a short article—like one of those contained in this book—about the sinister world of Josef Stalin. It fascinated me enough to make me read more on the subject. Many years later, I found myself working in the Russian archives to research my first book on Stalin. My aim is that these short biographies will encourage and inspire readers to find out more about these extraordinary individuals—the men and women who created the world we live in today.
But history is not just the drama of the terrible and thrilling events of times gone by: we must understand our past to understand our present and future. “Who controls the past controls the future,” wrote George Orwell, author of 1984, and, “Who controls the present controls the past.” Karl Marx joked about Napoleon and his nephew Napoleon III that “all historical facts and and personages appear twice—the first time as a tragedy, the second time as farce.” Marx was wrong about this—as he was about much else: history does not repeat itself but it contains many warnings and lessons. Great men and women have rightly studied history to help them steer the present. For example three of the 20th century’s most homicidal monsters, Hitler, Stalin and Mao—all of whom appear in this book—were history buffs who spent much of both their misspent youths and their years in power reading about their own historical heroes.
At the time that Hitler came to order the slaughter of European Jewry in the Holocaust, he was encouraged by the Ottoman massacres of the Armenians during the First World War: “Who now remembers the Armenians?” he mused. The Armenian massacres feature in this book. When Stalin ordered the Great Terror, he looked back to the atrocities of his hero, Ivan the Terrible: “Who now remembers the nobles killed by Ivan the Terrible?” he asked his henchmen. Ivan the Terrible too is in this book. And Mao Zedong, as he unleashed waves of mass killings on China, was inspired by the First Emperor, another character who can be found in this book’s pages.
This is a collection of biographies of individuals who have each somehow changed the course of world events. This list can never be either complete or quite satisfactory: I have chosen the names; thus the list is totally subjective. There may be names you think are missing and others whose very inclusion you question: that is the fun and frustration of lists. You will find familiar names here—Elvis Presley, Jack Kennedy, Jesus Christ, Bismarck and Winston Churchill for example—but also many you may not know. Our modern world is dominated by the Near and Far East so that in this book you will not just find “traditional” leaders such as Henry VIII or George Washington but also the creators of the rising powers of today: Ayatollah Khomeini, Supreme Leader of Islamic Iran, Deng, who forged modern China, King Ibn Saud, founder of Saudi Arabia.
When I started this project, I tried to divide these characters into good and bad, but I realized that this was futile because many of the greatest—Napoleon, Cromwell, Genghis Khan, Peter the Great, to name just a few—combined the heroic with the monstrous. In this book, I leave it to you to make such judgments. We can go further stilclass="underline" the political and artistic genius of even the most admirable of these characters requires ambition, insensitivity, egocentricity, ruthlessness, even madness, as much it demands decency and heroism. “Reasonable people,” said George Bernard Shaw, “adapt themselves to the world. Unreasonable people adapt the world to themselves. Therefore change is only possible through unreasonable people.” Greatness needs courage (above all) and willpower, charisma, intelligence and creativity but it also demands characteristics that we often associate with the least admirable people: reckless risk-taking, brutal determination, sexual thrill-seeking, brazen showmanship, obsession close to fixation and something approaching insanity. In other words, the qualities required for greatness and wickedness, for heroism and monstrosity, for brilliant, decent philanthropy and brutal dystopian murderousness are not too far distant from each other. The Norwegians alone have a word for this: stormannsgalskap—the madness of great men.
In the last half-century, many history teachers seemed to enjoy making history as boring as possible, reducing it to the dreariness of mortality rates, tons of coal consumed per household and other economic statistics, but the study of any period in detail shows that the influence of character on events is paramount, whether we are looking at the autocrats of the ancient world or the modern democratic politicians of our own day. In the 21st century, no one who looks at world history after 9/11 would now claim that the character of US President George W Bush was not decisive in its contribution to the momentous decisions that were taken during this period. Plutarch, the inventor of biographical history, puts this best in his introduction to his portraits of Alexander and Caesar: “It is not histories I am writing, but lives; and in the most glorious deeds, there is not always an indication of virtue, of vice; indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die.”
SIMON SEBAG MONTEFIORE
RAMESES THE GREAT
c. 1302–1213 BC
His majesty slaughtered them all; they fell before his horse, and his majesty was alone, none with him.
Inscription on the temple walls of Luxor
Rameses II was the most magnificent of the Egyptian pharaohs, whose long reign—over sixty years—saw both military successes and some of the most impressive building projects of the ancient world. He subdued the Hittites and the Libyans, and led Egypt into a period of creative prosperity but he was probably the villain of the Exodus.
Some of the greatest wonders of the ancient world owe their existence to Rameses: he typifies the old-fashioned hero-king, admired for his conquests and monumental works, often won and built at a terrible human cost. His reign marks the high point of the Egypt of the pharaohs, in terms of both imperial power and artistic output.
During the reign of Rameses’ father, Seti I, Egypt had been involved in struggles for control over Palestine and Syria with the Hittites of Anatolia (in modern Turkey). Despite some initial success, when Rameses inherited the throne in 1279 BC Hittite power extended as far south as Kadesh in Syria.
Having been a ranking military officer, in title at least, since the age of ten, Rameses was keen to begin his reign with a victory. However, his first engagement with the Hittites, at the Battle of Kadesh in 1274, was a strategic failure. Despite winning the battle, Rameses could not consolidate his position and capture the actual city of Kadesh. In the eighth or ninth year of his reign he captured towns in Galilee and Amor, and shortly afterward he broke through the Hittite defenses, taking the Syrian towns of Katna and Tunip. No Egyptian ruler had been in Tunip for at least 120 years.
Despite these successes, Rameses found his advances against the Hittite empire unsustainable, so in 1258 the two sides met at Kadesh and agreed the first recorded peace treaty in history. With typical ostentation, the treaty was inscribed not on lowly papyrus but on silver, in both Egyptian and Hittite. It went further than merely agreeing to end hostilities; it also established an alliance by which both sides agreed to help the other in the event of an attack from a third party. Refugees from the long years of conflict were given protection and the right to return to their homelands.
The treaty ushered in a period of prosperity that lasted until the later years of Rameses’ reign. During that time the pharaoh indulged his ruling passion: building gargantuan monuments, many of which can still be seen in various parts of Egypt. The Ramesseum was a vast temple complex built near Kurna, which incorporated a school for scribes. It was decorated with pillars recording victories, such as the Battle of Kadesh, and featured statues of Rameses that stood 56ft (17m) tall and weighed more than 1000 tons. On an even bigger scale were the monuments built at the temple of Abu Simbel. Four colossal statues of Rameses, each more than 65ft (20m) high, dominate the vast façade of the temple, which also includes friezes and depictions of other Egyptian gods and pharaohs, and statues of Rameses’ favorites and family. Among these was his favorite wife Nefertari, who had her own, smaller temple built to the northeast. Her tomb in the Valley of the Queens features some of the most magnificent art of the entire ancient Egyptian period.