Soon, the months and years and decades were passing in a kind of daydream; his world never changed, or rather it changed slowly and at his own command. In the outer universe, art and fashion and politics morphed swiftly by comparison, when he bothered to notice. Which was rarely, and this is truly saying something, for his own wife had become a politician herself! He breathed her air, listened attentively to her stories, and yet remained somehow detached or aloof.
Was this what it felt like to be Bruno de Towaji? Consumed by the practical difficulties separating plan and theory from hard reality? Anchored only by the love of a good woman? For her part, Xmary seemed to understand; Conrad had never been happier, and a part of each of them suspected he never would be again. “These,” she told him once, “are the good old days. Savor each one, for they’ll never come again.”
Not that it was a peaceful time. Far from it! More and more tunnels collapsed, some by accident and some by malevolence, but most because that was how they were supposed to work: the neutronium bores would hollow out the ground and then bring it crashing down behind them. Deaths and manglings by misadventure were a part of the monthly routine; by its very nature, this workplace could not be made safe, any more than a shifting volcano of boulders and razor-sharp knives could be safe. Rest assured, through their labors the project’s burgeoning crew learned a thing or two about pain and loss and recovery.
But in the best of worlds, learning does modify behavior. Few of Luna’s workers died more than twice. It became, in a way, a rite of passage, except for Conrad himself, who well remembered his faxless days on Sorrow and could not be bothered to die even once. “I hope to lead by example,” he told his crew on several occasions, when Bell Daniel teased him about it.
And so, year by year the moon changed and shrunk as the mass beneath its surface was squozen into neubles and packed down into diamond plates near the solid core. And as the lithosphere’s diameter approached its final value, the bores’ work became slower and more precise. A traditional sculptor cuts first with a jackhammer, then with a chisel, then an awl, and finally with a rasp and a file and a block of heated wellstone to smooth and polish. Such was the role of the destruction crew in those last eighty years: finessing the rubble of Luna into something new and wonderful.
Of course, an odd thing was happening by this point: the moon had begun to retain air. It wasn’t much at first—just a bit of outgassed oxygen, combining with a bit of hydrogen from the solar wind. The pressure could be measured in microbars—millionths of a breathable atmosphere—but overnight it seemed to change the texture of the soil and rocks at the surface, which had never before felt the touch of anything but vacuum.
And then the first of the gigantic atmosphere-processing faxes had been lowered into place along the Nearside equator. Tied to a network gate, it called down nitrogen from Titan, carbon dioxide from Venus, methane and heavy nobles from a spherical station adrift in the atmosphere of Jupiter. The Elementals grew wealthier still, for who but they could arrange such enormous transfers of purified mass? And then, before the atmosphere had achieved even a tenth of its final density, a second fax was placed on the Farside to crack additional oxygen from the soil itself, and to combine some fraction of it with the carbon and hydrogen and nitrogen to produce a gray, reeking smog of water and hydrocarbons, fats and other complex organics which would be useful in conditioning the soil for the arrival of life.
And indeed, life was not far behind; soon the surface was crawling with dainty labor robots, spreading and raking and watering and fertilizing a powder of microscopic spores. This had few visible effects, but on the visceral level it struck a deep chord: for the first time in its 4.5-billion-year history, this world was waking up. Suddenly it had a smell, a feel, a sky under which you could walk without protection. Whether the Fatalists and naturalists liked it or not, the history of Luna would be forevermore shaped by living things.
Which was good, because the flow of refugees from the colonies now exceeded the Queendom’s own population growth by an order of magnitude, and was expected to continue increasing. If crushing the moon had once been a forward-thinking solution to long-term problems, it was now a grim and immediate necessity. But that was a political matter, and Conrad felt justified in letting other people worry about it. After all, he was just an architect.
“Don’t lose too much contact with reality,” advised King Bruno on one of his status-check visits, when Conrad made some comment along these lines. “Believe me, even on Maplesphere things are easier when I keep the end users in mind. I’ve wasted years of my life solving the wrong problems, and now I should like to have them back. I’ve lost arms inside a wormhole, lad, but never my entire self.”
But in spite of the king’s warnings, Conrad found himself spending less time on Grace—his nominal home—and more here on this squozen moon, whose lifelessness had begun, suddenly, to seem precious even to him, in the way that all things become precious when their time is nearly over. Another era of his personal history—and Luna’s—was drawing to a close. And not only theirs; all the Queendom seemed to be drawing its collective breath, preparing for some new spasm of change. And as Conrad became aware of this, as his gaze turned finally outward, he found all the eyes of the Queendom looking in at him with worried impatience.
What have you built for us, Architect, in this hour of need? And the answer that came to Conrad was a strange one indeed, for he found he didn’t know. His job was to deliver the skeleton of a world; its final flesh and purpose had never been his to decide.
Said Rodenbeck, “History is a blind toboggan. A single man can sometimes steer it, much to the trees’ dismay, but a billion dragging feet will have their say as well.”
Chapter Twelve
in which a frontier is finally opened
Was it a sad moment? A happy one? A moment of triumph or the passing of a triumphant age? Was it all of the above?
The kilometer-wide neutronium bore was a cylinder of mirror-bright impervium, and as it chewed its way through Lunar bedrock—consuming oxides of iron and silicon at one end and excreting neubles at the other—it made a sound like the end of a world. A never-ending detonation of antimatter, yes, a crushing of atomic bonds and atomic nuclei, a crushing of matter itself into dense neutron paste.
Architect Laureate Conrad Ethel Mursk stood behind it at a safe distance, along with his wife, Governor Adjudicate Xiomara Li Weng, and the very closest members of his construction crew’s inner circle. Watching and thinking, celebrating and mourning. Not talking, because the sound had already tattered their eardrums, pulverized their fibrediamond-reinforced hearing bones. If they stood here long enough, the sound—still skeletally conducted through the ground—would deafen them at the cerebrum level as well, and finally bruise the soft meat of their brains into unthinking goo. In Conrad’s outfit, sound levels were measured not in decibels but in Minutes To Kill, and this one pegged the meter at MTK 15.
There were no standards or limits per se, although it was generally recognized that at levels higher than this, useful work became a lot more difficult. Even 15 was pushing it, hard. But the people of Sol were tough, and the survivors of Barnard tougher still, and with a fax machine handy the assembled group had little thought for its safety.