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They felt their way through the darkness until they were standing back to back. They shivered from the fever and other ardors, and their bodies twitched and danced against each other. Ilan sighed, and Avram thought, What lousy timing, please don’t wake up on me now. He felt her muscular calves against his own, her springy rear end touching his. After that things got off track: his shoulders were somewhere down there against her back. His head rested against the back of her neck. You’re a head taller than me, he noted lightly, himself amazed at such a cruel realization of his fears. But we’re still at that age, she said softly, and turned to face him. Despite the darkness, she could see his face and his huge, exaggerated eyes, which showered her with sad, yearning looks, and she quickly looked for Ada to hand her a trace of mockery to hold on to, to unravel his image and his entirety, and generally this whole place, along with the guy drilling a hole in her head from the other side of the room. But her heart was tensing in anticipation of bad news.

Hey, she whispered weakly, can you see me? Yes, he murmured. How come we can see now? she wondered, afraid she might be hallucinating again. He laughed. She examined him suspiciously. What’s funny? That you won’t let me say bad things about myself. It was when he laughed that his face changed. He had nice teeth, bright and evenly spaced, and nice lips. The whole mouth area, Ora thought feebly, is like someone else’s. If a girl ever kisses him, she’ll probably shut her eyes, and then she’ll just have his mouth. Can you make do with just a mouth? Stupid thought. Her knees felt a little shaky. She was going to fall. This illness was doing her in. Making a rag out of her. She grabbed on to his pajama sleeve and almost fell on him. Her face was close to his, and had he tried to kiss her she would not have had the strength to pull away.

And I want to tell her about her voice, Avram said, because the voice is the most important thing for me, always, even before a girl’s appearance. She has a voice that no one I know has, an orange voice, I swear, don’t laugh, with a little bit of lemon-yellow around the edges, and it has a spring, it has a pounce. And if she wants me to, I can describe to her right now on the spot something I’d love to write for her one day, and interestingly she isn’t saying no …

Yes, Ora whispered.

Avram swallowed and shivered. I think it will be a piece for voices, he said. Just voices. I’ve been thinking about it for a few days, since we started talking, and here’s how it will start: there are fourteen notes, you see. Single notes, one after the other, human voices. Human voices are my favorite. There is no lovelier sound in the world, is there?

Yeah? So do you, do you make … music?

No, not exactly music, it’s more a combination of … never mind. Voices, that’s what interests me now, in these years.

Oh, said Ora.

But why fourteen? he asked in a whisper, deliberating with himself as if Ora were not in the room. There are fourteen voices when I hear it, but why? He mumbled to himself: I don’t know. That’s how I feel it. It will start with one long note, you see? A kind of “Ah …,” for six beats, and only after it disappears the other voice will start: “Ah …” Like ships sailing in the fog, blowing their horns at one another. Have you ever heard that?

No … Yes, I’m from Haifa.

And it will be sad. He inhaled through his teeth, and she felt it: all of him, in the blink of an eye, immersed in that sadness, and the whole world was the sadness now, and she too, involuntarily, felt a bitter, heart-sucking sorrow lapping inside her.

She said, Maybe it’s because of Ada?

What is?

Because she was, I told you, she was fourteen when—

What?

The notes, like you said, how there are fourteen notes.

Oh, wait — one for each year?

Could be.

You mean — a farewell to each one of her years?

Something like that.

That’s nice. That’s really … I hadn’t thought of that. One for each year.

But you came up with it, she laughed, it’s funny how impressed you are with it.

But you’re the one, Avram smiled, you’re the one who showed me what I came up with.

YOU INSPIRE ME, Ada used to say with her childish gravity. And Ora would laugh: Me? I inspire you? I’m just a bear of very little brain! And Ada — she was thirteen then, Ora remembers, one year from her death, and how horrifying it is to realize how ignorant she was of that, how she went about her business and did everything as usual and never guessed, but still, deep inside she seemed to be growing more profound, more mature, and more solid that year — Ada took hold of Ora’s hand and swung it back and forth with enthusiasm and gratitude and said, You, yes, you. It’s like you just sit there quietly, but then you throw out a single word or ask one small question, like it’s nothing, and bang! Everything falls into place in my mind and all of a sudden I know exactly what I wanted to say. Oh, Ora, what would I do without you? How could I live without you?

She remembers: they looked into each other’s eyes. One year, dear God.

Alive and sharp, this memory was almost intolerable now: Ada reading to her from her notebook stories and poems that she had written, using voices and gestures, and sometimes costumes, with hats and scarves, acting out the different characters, and crying with them and laughing. Her rosy, freckled face is flushed as if flames are leaping inside her head and peeking through her eyes. Ora sits opposite her with her legs crossed, watching wide-eyed.

When Ada finished reading, she was often exhausted and lost and gaping, and Ora would quickly pull herself together. Now it was her turn: to hug, to encircle, to bandage Ada, not to leave her for even a moment without Ora’s hand.

And I keep asking myself whether she has a boyfriend, Avram said to himself from somewhere in the distance, in his throaty, daydreaming voice. I know she said she didn’t, but how could that be? A girl like that wouldn’t be alone for a minute, the guys in Haifa aren’t stupid. He paused and waited for her answer. She said nothing. Doesn’t she want to tell me about her boyfriend? Or does she really not have one? She doesn’t have one, Ora said quietly. How come? Avram whispered. She doesn’t know, Ora said after a long pause, unwillingly seduced by his style and finding that it was actually more comfortable to talk about herself this way. She didn’t even want a boyfriend at all for a long time, she said, inadvertently playing her words to the slow, tense beat of the pulsations coming from the edge of the room. And then there just wasn’t anyone right, I mean, really right for her.

And hasn’t she ever loved anyone? Avram asked. Ora did not answer, and in the dark he thought she was sinking deeper into herself, her long neck bending painfully down toward her shoulder, toward the distant side of the room, as if she too were now seized by a tyrannical power like the one gripping his own body. So she did love someone, said Avram, and Ora shook her head. No, no, she just thought she did, but now she knows she didn’t. It was nothing, she mumbled despairingly, just a waste. She felt that as soon as she started to tell him about Asher, the truth would rush out in a huge, roiling torrent, the truth of those two years of nothingness, and nothing could be turned back anymore, and she was frightened by how much she wanted to, burned to tell him.

Wait a minute, he whispered suddenly from the doorway, I’ll be back in a minute. What? Where are you? Ora was distraught. What are you doing leaving me now? Just for a minute, he said, I’ll be right back.

With his last remaining strength he pulled himself away and left the room. Leaning on the corridor walls, he dragged himself on, far away from her, and every few steps he stopped and shook his head and said to himself, Go back, go back now, but he kept uprooting himself until he got to his room, and he sat down on his bed.