The reporter recognized his tone of voice as a request, and arose hastily. “Yeh. I guess I got all I can here.”
“Not a word in the paper about this other,” warned Painter. “Right now, play up Timmy and Ox as our chief suspects. Give Shayne full credit for bringing them in,” he added generously, “and quote me as saying I’m not completely satisfied and am working on some other aspects of the case.”
Rourke said, “Will do,” and briskly followed Shayne out of the detective chief’s office.
“What’s on your mind?” he asked Shayne eagerly as they went down the corridor.
“Plenty. Let’s stop at Jim’s for a drink.”
When they were settled in a secluded booth in Jim’s Joint with drinks in front of them, Rourke said anxiously, “You were damn well sold on the widow Fitzgilpin this morning, Mike. Are you unsold now?”
“Let’s say I’m slightly disillusioned,” Shayne admitted wryly.
“You got to hand it to Petey sometimes. When he gets a hunch he hangs onto it like a bulldog. If he can put this lover of hers in Miami last night it’ll be tough sledding for both of them.”
“I can do better than that,” Shayne informed the reporter grimly. “Strictly off the record, I can place George Nourse hiding in Linda’s bedroom when her husband came home unexpectedly from his office last night.”
“Wha-at?” Rourke stared across the table at him in complete amazement. “All that stuff wasn’t news to you? The divorce threats and all? The way you acted in Painter’s office…”
Shayne shrugged irritably. “He has his methods and I have mine. Each of them works… sometimes.”
“You held out on him,” charged Rourke. “Damn it, Mike. If he knew Nourse was in town playing bedsie with Linda! That he was actually at their place last night…!”
“And,” said Shayne cynically, “for a real clincher, that the husband downed a big drink of whiskey while he was there… which Linda says he fixed in the kitchen for himself… but how in hell does anybody know at this point? Yeh,” he muttered. “Petey would have himself a prima facie against the two of them. That’s why I didn’t hand him the dope on a platter.”
“You’re on pretty thin ice, Mike,” Rourke warned him seriously. “Withholding important information in a murder investigation. You sat there in his office and blandly pretended you’d never heard of George Nourse before.”
“He was telling me, he wasn’t asking me,” Shayne pointed out irritably. “He was so damned full of his own self-importance. Hell! I’ll bet that lawyer came to him with the information about the proposed divorce, and now he’s taking all the credit for digging it up.”
“Still and all…” Rourke paused, shaking his head dubiously.
“All the little twerp has to do is go to Linda and get the whole story for himself just the way she gave it to me. But he’s playing it smart. He’s so damned busy fashioning a noose to go around her pretty neck that he won’t do the obvious thing. To hell with that,” Shayne went on briskly. “I’ve got more important things that Painter could also find out for himself if he’d go to Linda. There’s a mysterious female named Mrs. Kelly who showed up at the insurance office a day or so after your interview with Fitzgilpin was printed. She talked with his secretary who recalls that she seemed much more interested in Fitzgilpin and his private affairs than in a big policy on her husband’s life. Particularly about his last visit to New York in November nineteen sixty-one.
“A lot of funny little things seem to point back to that convention he attended in New York. That was when Linda had her affair with Nourse, and immediately after Jerome’s return, she asked for the divorce. And I found this tucked very carefully back in a drawer of his desk at the office.”
Shayne got the menu with the rosebud and the picture of the young couple out of his pocket and spread them out in front of Rourke. “See the date. His secretary remembered his bringing it back as a sentimental souvenir of his trip. Some young couple, whom he met at the convention and characteristically befriended to the point of being best man at their wedding and blowing them to a wedding dinner in the Village afterward. What do you make of it? Recognize either the bride or groom?”
Rourke had the photograph in his hand studying it carefully. He shook his head. “Not off-hand. I’ve got a sneaking hunch way down deep inside me that I should know who the man is, but I don’t. Why do you figure this is important, Mike?”
“That same sort of sneaking hunch that you’ve got,” Shayne told him. “As I say, several things seem to pinpoint this trip he made to New York. Linda’s affair with Nourse. The Kelly woman’s interest in the date he’d been there. This menu, rosebud and picture carefully put away in his desk.”
He paused and Rourke frowned and said, “None of that seems to tie in together with murder. Isn’t it a pretty far-fetched hunch?”
“It was until Linda told me about the telephone call last night that took Jerome Fitzgilpin out to his death. All she heard him say was Kelly. She doesn’t know whether it was Mr. or Mrs.”
“Goddamn it, Mike. You are holding out.”
“Not really. It’s still nothing that Painter can’t get for himself by simply going to Linda and asking her. Here’s her version of what happened last night.”
Shayne succinctly repeated what Linda had told him about Nourse’s unexpected appearance at the apartment, her husband’s return and their quarrel about the cigar butt, the telephone call he received, and his opportune departure without discovering Nourse… and his leaving on Jerome’s heels.
Rourke listened to the recital with absorbed interest, and when Shayne finished, he breathed out excitedly and said, “So if Nourse did follow him to the Sporting Club and they had a showdown there…”
Shayne said, “There’s nothing to indicate that’s what happened. Don’t forget the phone call that took him out. Kelly. Poisoning indicates premeditation, Tim. You don’t just happen to have a supply of sodium amytal in your pocket handy when you decide to commit murder. Nourse was a gambler. According to Linda, a reckless and violent man. Right now I’m willing to accept her judgement on him.” Shayne sighed and tossed off his drink.
“I hoped this picture or the name of Kelly might trigger off something for you.” He refolded the menu carefully and put it back into his pocket.
“I’m sorry it doesn’t. What’s your angle now?”
“Since Petey is already on Nourse’s trail, let him run that down. I’m going to check back on that convention trip to New York and the wedding angle. If I can come up with the name of Kelly I’ll feel I’m on the right trail.”
Shayne put money on the table and got up. Rourke got up also, asking, “Anything I can do at the moment?”
“Just keep in touch with Painter and let me know fast if anything breaks. I’ll do the same.”
“How about my going around to get an exclusive interview with the widow?” suggested Rourke eagerly.
Shayne shook his head. “She’s dynamite right now… until Painter gets around to her. If she did spill anything to you, you’d have to take it to him before you printed a word of it. No, Tim. Goddamn it, I’m trusting you to be surprised when you hear all this from Painter eventually.”
12
Back in his own apartment for the first time that day since Lucy Hamilton’s early morning call had taken him away, Shayne shrugged off his jacket and loosened his tie, poured a small drink of cognac and set a glass of ice water beside it on the center table, and settled himself comfortably beside the telephone.
He had to think for a moment to remember the name, but then it came to him. Angelo Fermi, fingerprint expert for the New York police department who eagerly hoped Shayne could help him get a television series on the air.
It was Saturday, but he hoped Fermi would be on duty. He put in a person-to-person telephone call for the New York detective, and sipped his drink and waited a couple of minutes while persons at police headquarters in New York shunted the call around, and finally got Fermi’s voice over the wire.