10. Nine five-dollar bills of various ages.
Mrs. Perez had moved the other chair beside me and was on it. She had seen everything, but had said nothing. I looked at my watch: twenty minutes to six. I evened the edges of the tear sheets from the Times, folded them double, and put the other items inside the fold. The question of obstructing justice by suppressing evidence of a crime was no longer a question. My lawyer might maintain that I had assumed that that stuff wasn't relevant to the murder of Yeager, but if he told a judge and jury that I had also assumed that it wasn't relevant to the murder of Maria Perez, he would have to concede that I was an idiot.
With the evidence in my hand, I stood up. "All this proves," I told Mrs. Perez, "is that Maria had the normal curiosity of an intelligent girl and she liked to draw pictures of faces. I'm taking it along, and Mr. Wolfe will look it over. I'll return the money to you some day, I hope soon. You've had a hard night and you've got a hard day ahead. If you have a dollar bill, please get it and give it to me. You're hiring Mr. Wolfe and me to investigate the murder of your daughter; that's why you're letting me take this stuff."
"You were right," she said. "I've earned no medals yet. The dollar, please?"
"We can pay more. A hundred dollars. It doesn't matter."
"One will do for now." She got up and went, and soon was back with a dollar bill in her hand. She gave it to me. "My husband is asleep," she said.
"Good. You ought to be too. We are now your detectives. A man will come sometime today, and he'll probably take you and your husband down to the District Attorney's office. They won't mention Yeager, and of course you won't. About Maria, just tell them the truth, what you've already told the policeman, about her going to the movie, and you don't know who killed her or why. Have you been getting breakfast for the man up above?''
"Yes."
"Don't bother this morning. He'll be leaving pretty soon and he won't come back." I offered a hand, and she took it. 'Tell your husband we're friends," I said, and went out to the elevator.
Emerging into the bower of carnality, I switched on the light. My mind was so occupied that the pictures might as well not have been there, and anyway there was a living picture: Fred Durkin on the eight-foot-square bed, his head on a yellow pillow, and a yellow sheet up to his chin. As the light went on he stirred and blinked, then stuck his hand under the pillow and jerked it out with a gun in it. ''At ease," I told him. "I could have plugged you before you touched it. We've got all we can use, and it's time to go. There's no rush; it'll be fine if you're out of here in half an hour. Don't stop down below to find Mrs. Perez and thank her; they're in trouble. Their daughter was murdered last night - not here, not in the house. Just blow."
He was on his feet. "What the hell is this, Archie? What am I in?"
"You're in three hundred bucks. I advise you to ask me no questions; I might answer them. Go home and tell your wife you've had a rough two days and nights and need a good rest."
"I want to know one thing. Am I going to get tagged?"
"Toss a coin. I hope not. We could be lucky."
"Would it help if I wipe up here? Ten minutes would be it."
"No. If they ever get this far they won't need fingerprints. Go home and stay put. I may be ringing you around noon. Don't take any of the pictures."
I entered the elevator.
12
When Wolfe came down from the plant rooms at eleven o'clock I was at my desk with the noon edition, so-called, of the Gazette. There was a picture of Maria Perez, dead, on the front page. She didn't really rate it, since she had had absolutely no distinction but youth and beauty, but she got a break because nobody important had been killed or robbed or arrested that night.
It was wide open. The only facts they had, leaving off the tassels, were: a) the body had been found at 12:35 a.m. by a watchman making his rounds on a North River pier in the Forties; b) she had been dead not more than three hours and probably less; c) she had been shot in the back of the head with a.32; d) she had last been seen alive by the two girl friends who had gone to the movie with her, and who said she had got up and left a little before nine o'clock and hadn't come back; she had said nothing to them; they had supposed she was going to the rest room; and e) her father and mother refused to talk to reporters. There was no hint of any suspicion that there was any connection between her death and that of Thomas G. Yeager, whose body had been found three days earlier in a hole in the street she had lived on.
I had reported briefly to Wolfe after his breakfast in his room, just the essentials. Now, as he sat at his desk, I handed him the Gazette. He glanced at the picture, read the story, put the paper down, and leaned back.
"Verbatim," he said. I gave him the crop, including, of course, my call on Fred. When I had finished I handed him the evidence I had got from Maria's drawer.
"One item," I said, "might mislead you - labels from four champagne bottles. I do not and will not believe that Maria drank any of the champagne. She got the labels when her father or mother brought the bottles down to dispose of them."
"Who said so?"
"I say so."
He grunted and began his inspection. With that sort of thing he always takes his time. He looked at the back of each item as well as the front, even the advertisements, the five-dollar bills, and the tear sheets from the Times. Finishing with them, the labels, and the photographs, he handed them to me and tackled the drawings. After running through them, five seconds for some and up to a minute for others, he stood up and began laying them out on his desk in rows. They just about covered it. I stood and watched as he shifted them around into groups, each group being presumably different sketches of the same woman. Twice I disagreed and we discussed it. We ended up with three groups with four sketches each, five groups with three sketches each, one group with two, and two with only one. Eleven different guests in two years, and it wasn't likely that Maria had got all of them. Yeager had been a very hospitable man.
I pointed to one of the four-sketch groups. "I can name her," I said. "Ten to one. I have danced with her. Her husband owns a chain of restaurants and is twice her age."
He glared at me. "You're being frivolous."
"No, sir. The name is Delancey."
"Pfui. Name that one." He pointed to the two-sketch group. "One dated April fifteenth and the other May eighth. Last Sunday."
"I was leaving it to you. You name it."
"She has been in this room."
"Yes, sir."
"Julia McGee."
"Yes, sir. I wasn't being frivolous. I wanted to see if you would spot her. If those are the dates Maria saw the subjects in the hall, not merely the dates she made these sketches, Julia McGee was there Sunday. Either she killed him or she found him dead. If he was on his feet when she arrived she wouldn't have left before midnight, because refreshments were expected - and of course she didn't go to take dictation. And if he was alive and she was there when the murderer came she would have got it too. So if she didn't kill him she him dead. By the way, to clear up a detail, I have entered the dollar Mrs. Perez gave me in the cash book as a retainer. I took it because I thought she would be more likely to hold on if she had us hired, and I assumed they are now eliminated. They didn't kill their daughter. I am not crowing. I would rather have been wrong than be proved right by having Maria get it, even if she asked for it."