I returned to the silk and skin. There were no drawers anywhere, no piece of furniture that might contain pieces of paper on which someone had written something. There was nothing at the telephone stand but the phone, which was yellow, and the directory, which was in a red leather holder. But along one wall, the one across from the bed, there was no furniture for about thirty feet of its length, and the silk along the bottom, for three feet up from the floor, was in little folds like a curtain, not flat as it was everywhere else. I went and gave the silk a tug and it parted and slid along the top, and behind it were drawer fronts, of wood something like mahogany, but redder. I pulled one open. Female slippers, a dozen pairs in two neat rows, various colors and shapes and sizes. The sizes ranged from quite small to fairly large.
I looked into only five more drawers before I went to the phone. That was enough to make it plain that Meg Duncan wasn't the only one who had keys to the door and elevator. There was another drawer of slippers, again assorted colors and sizes, and two drawers of nighties, a mighty fine collection. It was after I unfolded eight of them and spread them on the bed for comparison, and found that they also covered a wide range in sizes, that I went to the phone and dialed a number. There was a possibility that it was tapped or there was an extension, but it was very slim, and I preferred the slight risk to going out to a booth.
Saul Panzer, whose number I dialed, was the free-lance operative we called on when only the best would do. But what I got was the answering-service girl, who said that Mr. Panzer was out and couldn't be reached and would I leave a message. I said no and dialed another number, Fred Durkin's, the next best, and got him. He said he had nothing on for the day.
"You have now," I told him. "Pack a bag for a week. It will probably be less but could be more. Come as you are, no costumes required, but have a gun. You probably won't use it, but have it. Come to One-fifty-six West Eighty-second Street, the basement entrance, superintendent, and push the button at the door. It will be a man or woman, either Cuban or Puerto Rican, I'm not sure which. They speak American. Tell him or her your name and ask for me, and you'll have the pleasure and honor of being brought to my presence. Don't hurry. Take three minutes to pack if you want to."
" Eighty-second Street," he said. "Murder. What was his name? Yeager."
"You read too much and you're morbid and you jump to conclusions. Pack your bag and button your lip." I hung up.
Folding flimsy nighties properly is no job for a man and it takes time, but I gritted my teeth and stuck to it, because a detective is supposed to leave a place the way he found it. Them back in the drawer, I brought the elevator up, took it down, and went to an open door, the first one on the left in the hall. The Perez family was having a conference in the kitchen. Father and mother were sitting, and Maria was standing. There was more light than there had been in the front of the hall, and with that rare specimen, the more light the better. Looking at her, any man alive would have the thought, What the hell, I could wash the dishes and darn the socks myself. The beige nightie with lace around the top, medium-sized, would have fitted her fine. I made my eyes go to her parents and spoke.
"A man will come pretty soon, tall and thick in all directions. He'll give his name, Fred Durkin, and ask for me, Send him up."
I got the expected reaction from Mrs. Perez. I had no right to tell anybody about that place, they were going to pay me, and so forth. Wishing to keep on speaking terms with our clients, I took four minutes to explain why I had to leave Fred there when I went, got her calmed down, permitted my eyes to dart another glance at Maria, took the elevator back up, and resumed on the drawers where I had left off. I won't take time and space to list an inventory, but will merely say that everything that could be needed for such an establishment was there. I'll only mention two details: one, that there was only one drawer of male items, and the six suits of pajamas were all the same size; and two, the drawer in which I found Meg Duncan's cigarette case was obviously a catchall. There were three women's handkerchiefs, used, an anonymous compact, a lady's umbrella, a matchbook from Terry's Pub, and other such miscellany. I had just put it all back in and was closing the drawer when I heard the click from the elevator.
Presumably it was Fred, but possibly not, so I got the Marley out and went to the wall by the elevator door. I could hear no voices from below; the place was so thoroughly soundproofed that you could hear nothing but a faint suggestion of noise from the street traffic, and that was more felt than heard. Soon the click came again, the door opened, and Fred stepped out. He stood and swiveled his head, right and left, brought it around until he caught a glimpse of me, turned it back again, and spoke.
"Jesus Kee-rist!"
"Your new home," I told him. "I do hope you'll be happy here. The idea is, you take your pick from the pictures. Something like the Mountain Room at the Churchill with live trout and you choose the one you want for lunch. I strongly recommend the one over there sitting on a rose bush. If she can stand thorns she can stand you."
He put his bag down. "You know, Archie, I've always wondered why you didn't marry. How long have you had it?"
"Oh, ten years, I guess. I have others here and there around town. I'm turning this one over to you for a while. Kitchen, bathroom, TV, maid service. Like it?"
"Good God. I'm a married man."
"Yeah. Too bad. I'd like to stay and explain the pictures to you, but I have to go. The point is, if a visitor comes, someone should be here to receive her. It could be a him, but more likely it would be a her. Most likely there won't be any, but there might be. She might come at any hour, day or night. The less you know the better; just take my word for it that if she steps out of that elevator you are in a position to refuse to let her get back in, and there's no other way out of here. Identify yourself or not, as you prefer. Ring me, and I'll come."
He was frowning. "Alone with a woman, restraining her by force isn't so good."
"You won't have to touch her unless she starts it."
"She sticks her head out a window and yells police."
"Not a chance. There's no window, and she wouldn't want anyone to know she's here, least of all a cop. The one thing she'll want is to get out, and fast."
He was still frowning. "The hole that Yeager's body was found in is right out front. Maybe I ought to know a little more."
"Not from me. Why drag in Yeager? He's dead; I read it in the paper. If the phone rings take it and ask who it is and see what happens, but don't say who you are. That's the door to the kitchen." I pointed. "There's some fancy stuff in the refrigerator when you get hungry. The people down below are Mr. and Mrs. Cesar Perez and their daughter Maria. Did you see Maria?"
"No."
"I'm going to marry her when I find time. I'll tell Mrs. Perez to bring you up a loaf of bread, and if you have to have anything she'll get it. She and her husband are out on a limb and they're counting on me to get a ladder. Okay, enjoy the pictures. You couldn't ask for a better chance to study anatomy." I opened the elevator door.
"What if it's a man that comes?"
"It won't be. If it is, stick to the program; that's why I told you to have a gun."