Your mission is to observe. Do not attract any unwanted attention. How copy, over?
“Roger that loud and clear, sir. Solid copy, out.”
Out.
“LT’s cranky.” Wyatt winks at Mooney. “Let’s move out, killah.”
They’ve gone about half a mile. The soldiers step over scattered open luggage strewn across First Avenue, then turn onto Forty-Second Street.
Halfway up the block west of their position, they see a soldier standing guard outside an office building. Beyond, far down the street, they can see cop cars parked at roadblocks set up to keep sections of Forty-Second clear for official traffic. Figures are moving around the cars, barely visible through the smoky haze hanging in the air.
“Hey!” Wyatt says, giving a big wave.
The soldier turns but does not react to them.
“Does he see us?”
From the east, across the river, they hear intermittent bursts from a heavy machine gun, the sound distant and booming and angry, like a primitive war drum.
“Hang on,” Mooney says. He raises a pair of binoculars to his eyes.
The soldier is PFC Richard Boyd.
“It’s Rick Boyd,” he says, his eyes stinging.
Wyatt grabs the binoculars, takes a look, and gasps.
“Jesus Christ,” he says.
“I’d better report this to the LT.”
“Jesus Christ,” Wyatt repeats. “They bit his nose off.”
“War Dogs Two-Six, this is Romeo Five Tango, over,” Mooney says into his handheld, sounding calmer than he feels.
“There are goddamn flies in the wound,” Wyatt says, gritting his teeth.
This is War Dogs Two actual. Standing by to copy, over.
“We found Richard Boyd, over.”
Good work. What’s his status? Over.
“He’s, ah, wounded, over.”
Can you provide medical attention and get him moving, or should we send you the doc? Over.
“Negative. There’s more to it than that.”
Wyatt snorts and whispers, “You could say that again.”
Mooney waves at him to zip it.
Speak clearly, over.
“He’s one of them, sir. He’s been bitten and he is . . . one of them now. Over.”
Explain “one of them,” over.
“He’s showing symptoms of being a. . . .” He suddenly can’t remember the politically correct term the soldiers have been told to use. Finally, he sighs and finishes, “A Mad Dog, sir. He’s a Mad Dog, over.”
A long pause.
“Negative contact. How copy, over?” says Mooney.
Are you absolutely sure of these facts, over?
“Affirmative. One hundred percent, sir. Over.”
Roger that. Wait, out.
The soldiers crouch and keep an eye on Boyd, who wanders aimlessly around, then stops and stands still, his jaws moving.
“There are flies in the hole, laying babies,” Wyatt says, lowering the binoculars and glaring at Mooney, “where his nose used to be.”
“We can’t do anything about that right now,” Mooney says. “Keep an eye out behind us, will you? We don’t want anybody sneaking up.”
“Okay,” Wyatt says, sounding strangely tamed.
They wait like this for several minutes. Mooney sighs loudly. “Come on, already. Let’s get on with it.”
As if on command, his handheld comes to life.
Romeo Five Tango, this is War Dogs Two actual. Message follows, over.
Mooney keys his handset and says, “Send message, over.”
You will mark Private Boyd’s position but take no further action related to him. Break. Abort mission and return to base immediately. Avoid detection by civilians. Break. Follow the new ROE strictly if you are threatened. How copy, over?
Mooney and Wyatt exchange a glance.
“Um, roger that, sir. You want us to avoid detection and abort mission. Wilco, out.”
Out.
Mooney stands. “You heard the man. Time to go home, Joel. Joel?”
“We can’t leave him out here like this, Mooney.”
The skinny soldier raises his M4 and takes careful aim down its barrel using its iron sights.
Mooney says, “He’s one of us, man.”
Tears are streaming down Wyatt’s face. His eyes are wild.
“I’m just going to put him out of his misery. I knew him, too.”
“Stand down and secure your weapon, Joel.”
“I just want to help him.”
“Put the goddamn gun down.”
Wyatt says, “But he’s already dead.”
He pulls the trigger.
Nothing happens.
His M4 jammed on a double feed. He has two rounds stuck in the firing chamber.
“It’s not fair,” Wyatt says, racking the bolt back.
Down the street, a car alarm blares. Boyd’s head jerks towards the sound. He runs off.
“I guess it’s Rick’s lucky day,” Wyatt adds bitterly.
“Let’s just get back to base,” Mooney tells him, utterly exhausted. “Before you give me a heart attack.”
He starts thinking about what the Lieutenant said. It was strange: The LT explicitly ordered them to leave behind a member of their unit who is sick and wounded. This offends him but he knows better than to refuse orders or even question their wisdom. Besides, as a grunt, he’s used to receiving orders he thinks don’t make a lick of sense. Something to do with his limited situational awareness, or the incompetence of his superiors, take your pick. This is not what is bothering him. What’s bothering him is the way the LT’s tone got under his skin. The LT sounded worried.
No, scratch that.
The LT actually sounded terrified.
There is some major shit going down here and we are
walking into the middle of it and that’s wacked
At oh-six-forty-five hours, with the return of daylight, the invisible war slowly resumes, filling the air with scattered booms and popping of gunfire from all directions. In another time, one might mistake the sounds for fireworks. The boys of War Dogs Two-Three huddle around Sergeant Ruiz. Toting an M4 Super 90 shotgun and wearing rows of red shotgun shells across the front of his outer tactical vest, the Sergeant tells Third Squad that they will be leading the platoon to rejoin Charlie Company, and that they are authorized to shoot civilian targets, even those who do not have a weapon.
PFC McLeod considers Ruiz a gung ho mo fo when it comes to God, guns and the Army. It’s not just the man’s freaky black eyes, his intense stare. The man is something of a legend in the Army as a natural born killer. Without his shirt on, the Sergeant’s thickly muscled torso is emblazoned with a large, ornate black cross tattooed on his chest and abdomen. Once, in Iraq, he surprised an RPG team and when his weapon jammed, he killed the men, by himself, in a struggle lasting fifteen minutes, with his knife.
McLeod often tells people that it is because of psychos like Ruiz that pussies like him can sleep at night no matter how bad things get in the field.
But now the world is turning upside down. In the middle of America’s biggest city, Sergeant Ruiz’s voice shakes with something like fear as he tells them they are authorized to shoot any civilian who makes a threatening gesture towards the unit.
“What if it’s some guy giving me the finger—should I light him up, Sergeant?” McLeod grates. “Hell, this being New York, the whole city is now a free-fire zone.”
“Shut up,” Ruiz says absently, then tells them to deep six any personal effects, which will be stored in the hospital, and otherwise drop anything that is nonessential.