But ten minutes passed, counted in gradually building heat and trickles of perspiration down the back of Carver’s neck, and he began to wonder if McGregor was actually going to arrive. Carver and the news media might have been set up, for some reason not yet clear. McGregor might be engaged in another of his Machiavellian games.
The mosquito returned, or one just like it, and droned around Carver’s face, tickling as it tried to flit up a nostril. He swatted air viciously with his cupped hand, hoping the turbulence would drive the pesky insect away.
Then he noticed a blue work van parked near Nightlinks, unlettered and with two people sitting in the front seats, motionless as mannequins behind the wide tinted windshield. The pedestrian traffic in the shopping strip seemed to pick up. Several cars arrived, and people in business clothes got out. Another van. A gray Pontiac of the sort used for unmarked police cars by the Del Moray department. Carver hoped no one at Nightlinks would look out the window.
Two men in brown suits who should have had PLAINCLOTHES COP flashing in neon on their foreheads came out of the Aero Lounge and strolled along the length of the strip shopping center, passed Nightlinks without pausing, then stopped and stood as if carrying on a conversation.
One of them walked around the back of the building as a man and woman climbed from an unmarked police car and moved toward Nightlinks. Carver was impressed by the number of players here. McGregor had dipped deep into the department’s limited labor pool to put on a spectacle for the TV cameras.
A police cruiser arrived, driving fast and leaning hard as it turned into the lot. Its red and blue roofbar lights were flashing but its siren was silent. The only sound was its tires whining like a frantic plea on the hot pavement. Simultaneously, another unmarked Pontiac arrived, braking to a rocking halt in front of Nightlinks with its driver’s-side door already opening, and the long form of McGregor unfolded up from it. He glanced around, striking what he must have fancied a heroic pose, then hitched up his wrinkled pants and strode directly to Nightlinks as van and car doors opened and shoulder-held TV minicams appeared along with cables and well-coiffed, attractive people who looked as if they should be employed at Nightlinks.
In front of Nightlinks’ door, McGregor paused to make sure everyone had a photo opportunity, then he barged in, followed by two plainclothes cops. The two uniforms who’d gotten out of the squad car trailed respectfully behind, then took positions near the entrance to keep the media at bay, spread their stances, and appeared immovable as stone sculptures outside a public building.
Carver got out of the Olds and headed toward the scene.
When he got near, he was held back along with the media and the rest of the spectators. Nightlinks’ door was wide open and there was a lot of activity inside. Loud voices, then silence. A few feet to Carver’s left a TV camera with a Channel 6 News logo was set up and an anchorwoman with a Channel 6 News logo on her blazer was speaking into a microphone with a Channel 6 News logo on it, gazing as sincerely into the lens as if she were talking to a lover. One of the uniforms was a man named Geary, who’d been helped by Carver a year ago when his daughter was suspected of manslaughter. Geary was of medium height, but broad, with massive chest and shoulders. He had a face like a bear that had shaved.
“You’re a TV star,” Carver said to him.
Geary smiled. “If only I had a good side.”
“What’s going on?” Carver asked.
Geary smiled wider. It wasn’t infectious. “Show time,” he said softly, mouthing the words more than pronouncing them, so only Carver would be aware of them. Like most of the cops in the Del Moray department, like most of humanity that had come in contact with the crude and amoral lieutenant, Geary hated McGregor. But he had to work for him.
Fifteen minutes passed. Carver was getting tired of leaning on his cane. The media types were getting impatient, milling about and smiling at each other and rolling their eyes. You could take only so much tape footage of cops and cop cars and the outside of a building.
Then the media stirred expectantly on what seemed like instinct and moved closer to the door. Geary and his partner hunkered down as if there might be an assault.
One of the plainclothes detectives led the attractive, skinny receptionist with the thin ankles outside. She was wearing a tight white dress and shoes with silver metal spikes for high heels and was snarling toothily. A sure bet for an appearance on the late news.
The detective deposited her in the back of the squad car, capping the back of her head with his huge hand so she wouldn’t bump herself on the car’s roof, messing up her fragile and improbable hairdo.
Then a very attractive blond who was probably a baby-faced thirty but was dressed like a naughty sixteen was led outside and placed in the car. She kept her head down, trying to hide her features, as if she might not be recognized on TV or in news photos if she only kept her chin tucked in.
Carver was waiting for Harvey Sincliff, hoping he’d been in his office and would be taken into custody before his lawyers could be alerted.
But the next thing out the door was a cop carrying a large cardboard box stuffed with file folders. He placed the box in the trunk of one of the unmarked Pontiacs and went back inside for another load. More cops with more boxes emerged. Nightlinks’ files would be held at police headquarters and pored over for the kind of black-and-white evidence that would make for high bail and surefire convictions.
Finally Sincliff was led outside. His dark hair had popped loose from where he’d plastered it sideways over his bald spot and was flopping over one ear with each step he took. He was wearing obviously expensive pleated gray slacks shot through with shiny silver thread, a pastel blue shirt, and a yellow and blue tie. Wide red suspenders held up his pants beneath his protruding stomach. He was holding his suit coat in front of him, and when he saw all the media he raised it so it was supported over his head by his forearms and handcuffed wrists like a protective tent.
As the coat draped to the side when he was being placed in the car with the receptionist and the blond, he noticed Carver and his eyes caught fire. He spat in Carver’s direction. Would have again, only the cop loading him into the car had gotten spittle on his shoes so he gave Sincliff an extra hard shove and slammed the door. Sincliff glared out through the window at Carver for a few seconds, then lifted his coat again to hide his face.
“That man is not your friend,” Geary said.
Carver said, “It’s probably my taste in clothes, but it doesn’t matter. He’s going where everyone dresses alike.”
Geary gave his widest smile for the cameras, revealing large yellow canine teeth.
One of the print journalists was trying to get Geary aside for a brief interview as Carver moved away.
“Do you know the man who was arrested?” the woman from Channel 6 News asked, when Carver had reached the fringe of onlookers.
“Nobody really knows anybody else,” Carver said, and on through the heat to where his car was parked. Let her ponder that one and try to fit her conclusions into a seven-second sound-bite.
He drove to his office and settled in behind his desk, deciding to make himself wait until eight o’clock before calling McGregor.
“So what do you have from tonight’s raid?” he asked, when McGregor had come to the phone.
“One thing I have is you sticking your face in where it don’t belong. Don’t think I didn’t notice you at Nightlinks, piss-head.”
“I didn’t upstage you. Did you get what you need on Sincliff?”
“It looks good, especially if you and your dark meat come through like you promised. Warrants are being issued for the Johns you named. Miami’s already arrested Reverend Devine. He’s denying everything, calling it a plot against him perpetrated by his enemies in the liberal Hollywood cabal that wants to keep getting rich foisting off its values on the public.”