I pulled into a service station as the last of the day began to fade, between two great pools of white halogen light. The station promised fast food, petrol, games and entertainment. I bought coffee, pide and a chocolate bar containing a grand total of three raisins, sat in the window and watched. I didn’t like the face that watched back from the reflection. It looked like the face of someone without scruple.
Otoyol-3 was a busy highway at the best of times, and though the signs promised Edirne as you headed west, they could equally have offered directions to Belgrade, Budapest, Vienna. It was a road for bored truckers to whom the mighty bridge from Asia to Europe across a plunging gorge was no more and no less than a tedious bottleneck, and the sight of Aya Sofia on the banks of the Golden Horn nothing more than a mental tick box proclaiming, Only ten more hours to home…
Families, six to a five-seater car, tore through the station like prisoners freed from their cells. The parents and one regrettable grandmother who’d insisted on coming too bickered, while the children whooped, their eyes opened to the irresistible truth that what they’d needed their whole lives was a plastic water gun and a pair of x2 magnification binoculars.
I needed to ditch my car, sooner rather than later.
When had the face in the window made this decision? I wondered.
Probably around the same time it chose not to swallow a slow-acting but incurable poison.
Possibly the same instant it received a text message on an unused phone: Circe.
The moment it realised it wasn’t alone.
A man asked me if I had the time.
I did not.
Was I going to Edirne?
I was not.
Was I OK? I looked… different.
I was fine. Dealing with some personal stuff.
Everyone always respects a guy who’s dealing with personal stuff.
He left me alone.
In the half-gloom of the parking lot a pair of lovers screamed at each other, their blooming romance destroyed by the trauma of trying to map-read in the dark. I got back into the car, turned the radio up high, wound the windows down to let in the cold and headed north, towards Edirne.
Chapter 9
I’ve always liked Edirne. Sometime the haunt of princes and kings, in recent decades it had fallen into grubby disrepair, worn like an old man who knew that the holes in his cardigan were a badge, not of shame, but thrifty pride. In winter slush turned grey in the gutters of the straight dual carriageways, while in summer boys and men gathered to compete in the annual wrestling tournament, buttocks shining, oiled torsos gleaming, clawed hands locked across the arched backs of their beefy opponents as they rolled in the sand. I have never been tempted to participate, even in the skin of champions. For sure, the city lacked any of the great “come-hithers” of Istanbul, save for a silver-capped mosque built by yet another Sultan Selim with a penchant for marble, and a pleasant-looking hospital founded by a Beyazid who loved to both conquer and repent–but for all that it had a proud integrity of purpose and design which invited the visitor to remember that Edirne didn’t need to be flashy to be great.
I parked the car by a fountain decked with giant metal sun flowers.
I took the bags from the boot, put a hundred lira and one of the passports in my pocket, snapped one bracelet of a pair of handcuffs on to my right wrist, popped the key in my inside jacket pocket, pulled the sleeve down to hide the steel, slung the bags across my back and walked away through the quiet Edirne night.
Sodium lamps stood out from the walls where once torches had burned, the pinkish bulbs captured in old iron hooks. Magnolia apartment blocks squatted between ornate 1800s mansions, now transformed into flats for busy families, the grey-blue light of the TV flickering behind the balconies. A cat hissed from behind a laundry line. A speeding bus parped its hooter at a neglectful motorbike. A restaurant owner waved goodbye to his favourite customers as they staggered home through the night.
I headed towards the white-lit walls of the Selimiye mosque, for where there are great monuments to regal expenditure, there are hotels.
The receptionist was dozing off in front of a TV drama, the story of identical twin brothers played by a single actor. In the final scene they stood together and shook hands upon a hill. On the left side the weather was overcast, oppressive. On the right it was cool and fair. Where their hands met, a line sliced through the sky and the earth, tearing it in two. The credits rolled, the receptionist stirred. I laid my Canadian passport down on the table, and said, “Room?”
The receptionist read the name in the passport carefully, trying not to lose any syllables.
“Nathan Coyle?”
“That’s me.”
Everyone loves a Canadian.
The hotel was three floors in total, in a once-wooden building now fused into a mixture of brick and timber. There were no more than twelve guest rooms, nine empty, and silence in the corridors.
A girl with baggy eyes, straight black hair down to the small of her back and a jutting chin showed me to my room. A double bed dominated a small floor beneath a sloping ceiling. A window opened on to two inches of balcony. A radiator sat beneath a wooden bracket supporting a small TV. A bathroom, whose four walls I could touch by standing in the middle, smelt faintly of lemon and toilet products. The girl stood in the door and said, in heavily accented English, “It OK for you?”
“Perfect,” I replied. “Can you show me how to use this?” I waved the TV remote at her. She barely managed to suppress the rolling of her eyes.
I smiled a toothy smile of North American doubt and confusion. Her hand came out to take the remote, and as it did, I reached behind me, snapping the free bracelet of the handcuffs shut around the radiator pipe on the wall. The sound caused the girl’s eyes to rise, and as they did, I pressed my left hand against hers, wrapping the fingers round the remote, and switched.
My fingers jerked.
The TV popped on.
A newsreader laughed at an unheard punchline, lost to the airwaves. A weather map appeared behind him, and as if to confirm that nothing could be quite as wonderful as the weather, he laughed again, at grey skies and falling rain.
The man before me, 25 per cent of whose passports declared him to be Nathan Coyle, Canadian national and no bother to anyone, staggered, one knee buckling. He tried to climb back up, the handcuffs clattering on the radiator, turning blearily to blink at the metal bracelet holding him down.
I watched. His breathing, the sharp in-out of a body suddenly shocked and confused, slowed. His nostrils flared, and I counted the two, three long breaths he took, and by the time they were done, so was he, body tense, head high, respiration back under control.
I said, “Hello.”
He pressed his lips together and stared up at me, and it seemed to me that he saw
not me, not I that-is-she-who-lives-at-the-hotel, but me
I, myself
and I felt my breath catch in my throat.
He looked without speaking from his crouch on the floor, right arm half-pulled back behind him as he strained against the handcuffs. I hovered outside his arms’ reach and said, “You’re going to eat poison.”
Silence from the floor.
“Two questions are keeping you alive. First: who do you work with, and will they keep coming? I’m assuming that they will. People like you always do. Second: why did you kill Josephine Cebula?”