Another capped steam pipe hisses in here, overheating the slant-ceilinged small chamber. Its single window, a dormer, overlooks the lethal sea, with its ragged islands and pewter glare of shrouded sunlight. Deirdre, amid all this treasure, is frightened by something within herself-perhaps a chemical need, for a quick pipe of crack, or a surge of covetousness. I have shown her too much. I make a mental note to change the padlock, lest she and that pimp of a taxi driver return with criminal intent. Gloria’s splendid ancestors, so confident in their luxurious appropriations, hiss crushingly in our ears. As if ashamed of her meagre assets- her momentarily young and healthy body, her willingness to play the whore-Deirdre folds her thin arms tight across her small breasts. Her wine-dark nipples are taut, as if from a chill. Fear like an odor leaps from her skin and clings to me, softening my erection.
What do we know about the Egyptian grave robbers? We know, by inference, that they were brave, risking the anathemas of the gods and execution by torture. They were clever, breaking into even the center of the great pyramid of Cheops and emptying it before the archaeologists arrived a millennium later. They were persistent, gutting of treasure, by the year 1000 B.C., every known rock tomb save that of the golden-faced boy-king Tutankhamen, which had been haphazardly concealed by a pile of stone rubbish from the excavation of another tomb. Tomb-robbing was a profession, a craft, a guild, practiced by whole villages such as that of Gourna, located above the Valley of the Kings, and connected, possibly, with the honeycomb of royal tombs by deep-dug wells. The thieves’ tunnels rival in extent if not finish the sanctioned passageways of the pharaohs’ engineers. The divinely inspired technological achievements of the tomb-builders-false stairways, monolithic booby traps, passageways hundreds of feet in extent-were matched by those of the sacrilegious thieves, who conquered even the labyrinths of Amenemhat, constructed by the shores of Lake Moeris. Thieves were angry, vandalizing everything they could not steaclass="underline" levering open giant sarcophagi, ripping apart mummies like jackals at a leopard’s corpse, hurling precious vessels and statues with such force against the walls that dents and smudges of pure gold remain in evidence. Their fury was a way, perhaps, of combatting the gods, whose vengeance they could not help fearing. Yet their crimes were beneficent, performing the useful service, modern economists inform us, of restoring gold to circulation- bringing it back from unsound investment underground, counteracting the severe trade imbalance that this world kept incurring with the next. Tutankhamen’s golden coffin alone weighed two hundred fifty pounds.
What did the robbers, breathing the adhesive dust of damnation, scraping through crevices of a predatory narrowness, do for light? The builders chiselled by the light of the sun, which was bounced around corners by circular reflectors of bronze and, quivering like water, illumined the deepest recesses of laboriously hollowed limestone. But an outside member of a looting team risked apprehension by the hooded priests’ police and death by slow disembowelment, flaying, or impalement. No torture was too extreme for the enemies of immortality; we robbed our victims not merely of life’s passing illusion but of an eternity. We crept along holding before us lamps of translucent calcite, so the glow permeated downward as well as leaped up, a notch holding the twisted, serpentine wick in place and our fingers warmed through the alabaster. The smell of sesame oil was strong, enlarging the smell of our sweating bodies much as the flickering flame enlarged our shadows, which surged and lunged around us as we inched forward in the silence of the dead. Each piece of floor had to be tested for a pitfall- a precipice or a delicately balanced slab that would tumble our broken bodies onto the bones of previous trespassers. The light was ruddy on the painted walls; our flames were orange, with a blue base like the change of tint in the heart of a flower, at the base of each fragile petal. There were two of us: if one wick guttered out, it could be relit from the other. If both blew out at once, in a sudden draft from an intersecting passageway, we must perish in these subterranean tunnels and turnings unless I could strike fresh fire from the flints and dry grass I carried in my leathern waist-pouch. This method, though, was chancy, and the outraged gods would have breath enough to extinguish the fire again.
“The air grows worse,” my accomplice muttered.
I ventured to say, though my larynx was clogged by fear as by a cloth stopper, “Mayhap we are approaching the House of Gold, where the mummy reigns, with his rotting nose and urn of foul innards. A pox on Horus! May Anubis dine on his own excrement in the life everlasting!” Insulting the dead and their gods braced our courage. We had come through the First Divine Passage, whose triple doorway had forced upon us two months’ worth of gnawing circumvention, done in the secret stretches of the night, while the priests’ guards slept, content with their bribes and stupid on fermented barley. We had negotiated the Hall of Hindering; its tangle of decoy corridors and stairs had been long ago decoded by a trail of henna powder, left by a thief himself now as dead as the Ruler of All in his onyx sarcophagus. Along the walls of a long sloping corridor, bright colors leaped forward into the lights of our lamps-scenes, crowded yet tranquil, of seasonal pleasures along the Nile, of seed being sown and grain being harvested, of fish being plucked from the transparent river waves painted as zigzags of a blue weaving, of cattle being herded and a hippopotamus being hunted, of workmen assembling a temple and dancing girls with heads of abundant knitted hair applying kohl to the rims of their softly staring eyes. Feathered ibises and ducks, solemn oryxes and monkeys accompanied the brown broad-shouldered human figures undergoing the rites of daily life, a life the dead king in his House of Gold was still enjoying amid his jewelled furniture and dolls of faïence-the faithful ushabtiu-in the chamber we had not yet reached.
Now the walls on both sides showed a procession bearing treasures toward this chamber, and hieroglyphic lists of the prayers that must be said to Thoth and Ra on the boat journey to the land of the dead. The masses of the stone around and above us pressed on our spirits, making it still harder to breathe. Centuries of stillness had thickened the air’s taste. Carefully picking our way through an area of collapsed rubble, we came to the Hall of Truth, where murals showed the monarch’s heart being weighed by Osiris, with Ammut squatting near at hand waiting to devour the heart if it was found unworthy. By the flutter of our lamps, the paintings were hasty, sketchy. The king must have died before the tomb was quite completed, because the murals ceased. The walls grew rough-the chisel marks slashing frantically in the wavering light of our naked flames-and the ceiling grew lower. Of the narrowing passageway that loomed to our lamps it was difficult to say whether it was fortuitously unfinished or an intended trap. The slanting ceiling compelled us to lower our heads and bend our knees. When crouching became impossible, we crawled in the pale dust like crippled animals, hobbled by the necessity of carefully moving the lamps ahead of us. A spidering of our double shadows filled the dwindling space. The walls squeezed inward so that we could no longer crawl side by side. A faint breath, damp as if from a ghost of the Nile, brushed our faces and made our delicate flames stagger. When they had regained steadiness I made out in the dim dust a lintel leaning at an angle above a spill of rubble. The irregular aperture might have admitted, with not an inch to spare, the head and shoulders of a slithering man.
My young companion had pressed up beside me, in a space scarcely wide enough for one body, and joined his lamp to mine to cast light into the space beyond. We saw at the very edge of our lamps’ merged glow what appeared to be a giant gold face. Gold: the skin of deity. Black irises glared from within whites pieced together of alabaster flakes. Shadows flickered across the immutable great features in a counterfeit of agitation. The inert weight of the stone all about us seemed to be meditating an action. We talked in whispers, so as not to blow out our lamps with our words.