“We won’t let this place defeat us, right?” said the captain. “Maybe our ship’s beached and our cargo’s lost, but we’ll still put up a fight. We’ll get the deckies to dig us a canal.”
“No,” said Ockham. “Not possible.” His tone was leaden and portentous. “They quit, Anthony.”
“Who quit?”
“The crew.”
“What?”
“It happened around midnight. They sprang Wheatstone, Jaworski, and Weisinger from the brig, then rigged up a gantry and unloaded a lot of stuff over the side — galley gear, video projectors, some heavy machinery, most of our food…”
“I don’t believe I’m hearing this.”
“Plus maybe a dozen crates of smuggled liquor and about two hundred six-packs.”
“And then?”
“They took off. They’re gone, Anthony.”
“Gone?” In the warm, bloody folds of the captain’s cerebrum, a migraine began taking root. “Gone where?”
“I last saw them heading north across the dunes.”
“Officers too? Engineers?”
“Spicer, Haycox, Ramsey.”
“Who stayed?”
“Miriam, of course, plus Rafferty, O’Connor, our castaway, our radio officer—”
“Cassie stayed? Good.”
“Her way of repaying us, I suppose.”
“Anybody else?”
“Chickering. Follingsbee. Counting me, you’ve got eight people on your side.”
“Mutiny,” said Anthony, the word turning to dung in his mouth.
“Desertion, more like.”
“No, mutiny.” Gripping the empty mescal bottle by the neck, he smashed it against the glutton’s left knee, launching the pickled worm into the air. Bastards. He’d show them. It was one thing to break every law known on land and quite another to violate the first commandment of the sea. Turn against your captain? You might as well eat lye, fire a laser at a mirror, write the Devil a bad check. “What do they think they can accomplish with this shit?”
“Hard to say.”
“We’re gonna hunt ’em down, Thomas.”
“Spicer mentioned one goal.”
“Hunt ’em down and hang ’em from the kingposts! Every last mutineer! What goal?”
“He said they’d be giving their prisoners — quote — ‘the punishment they deserve’.”
When Cassie learned that Big Joe Spicer, Dolores Haycox, Bud Ramsey, and most of the crew had gone berserk, looting the tanker and fleeing across the sands, a rage rushed through her such as she’d not known since the Village Voice had called her Jephthah play “the sort of theatrical evening that gives sophomoric humor a bad name.” Without a crew, there was no way to free the ship; without a ship, no way to catch the carcass and resume the tow; without a tow, no way for Oliver’s mercenaries to locate and sink their target. Meanwhile, the damn thing was bobbing around in the Gibraltar Sea, where any fool could stumble on it. Perhaps any fool had stumbled on it. For all Cassie knew, a bunch of Texas fundamentalists were busy hauling the Corpus Dei toward Galveston Bay, intending to make it the centerpiece of a Christian theme park.
What most frustrated her was the feebleness of the deserters’ reasoning, the way they were exploiting God’s body to justify their spurious embrace of anarchy. “They’re using it as an excuse” she complained to Father Thomas and Sister Miriam. “Why can’t they see that?”
“I suspect they can see it,” said the priest. “But they love their newfound freedom, right? They need to keep on following it, all the way to the edge.”
“It’s the logic of Ivan Karamazov, isn’t it?” said Miriam. “If God doesn’t exist, everything is permitted.”
The priest knitted his brow. “One also thinks of Schopenhauer. Without a Supreme Being, life becomes sterile and meaningless. I hope Kant had it right — I hope people possess some scrt of inborn ethical sense. I seem to recall him rhapsodizing somewhere about ‘the starry skies above me and the moral law within me.’ ”
“Critique of Practical Reason,” said Miriam. “I agree, Tom. The deserters, all of us, we’ve got to make Kant’s leap of faith — his leap out of faith, I should say. We must get in touch with our congenital consciences. Otherwise we’re lost.”
Thomas and Miriam, Cassie decided, enjoyed a rapport and an affection — indeed, a passion — many married couples would have envied. “I made that leap years ago,” she said. “Take a hard-nosed look at Part Two of The Ten Commandments, and you’ll see that God knows nothing of goodness.”
“Well, I certainly wouldn’t go that far,” said Miriam.
“I would,” said Cassie.
“I know you would,” said Father Thomas dryly.
“It’s not like Kant was an atheist,” added the nun, setting her exquisite teeth in a grim smile.
As the day wore on, Cassie inevitably found herself thinking of God Without Tears, her one-act deconstruction of The Ten Commandments. God knew nothing of goodness, goodness knew nothing of God — it was all so wrenchingly obvious, yet over three-quarters of the ship’s company had succumbed to the Idea of the Corpse. Maddening.
Her dream that night carried her off the island, over the Atlantic, and back to New York City, where she found herself sitting front row center at Playwrights Horizons, attending the premiere of God Without Tears. Up on the stage, the glow of a spotlight caught the prophet Moses crouching at the base of a Dead Sea sand dune, fielding questions from an unseen interviewer who wanted to know all about “the legendary unexpurgated version of DeMille’s motion picture masterpiece.”
The audience consisted entirely of the Valparaíso’s officers and crew. To Cassie’s left sat Joe Spicer, petting a creature that alternated between being a Norway rat and a horseshoe crab. To her right: Dolores Haycox, methodically tying knots in a Liberian sea snake. Behind her: Bud Ramsey, smoking a Dacron mooring line.
Moses hikes up the dune and caresses the Tablets of the Law, which out of the sand like the ears on a Mickey Mouse cap.
INTERVIEWER: Is it true DeMille’s original cut was over seven hours long?
MOSES: Uh-huh. The exhibitors insisted he trim it back to four, (holds up fistful of motion picture film). During the last decade, I’ve managed to collect bits and pieces from nearly every lost scene.
INTERVIEWER: For example?
MOSES: The Plagues of Egypt. The release prints included blood, darkness, and hail, but they were missing all the really interesting ones.
The spotlight shifts to two elderly, wording-class Egyptian women, Baketamon and Nellifer, potters by trade, pulling clay from the banks of the Nile.
INTERVIEWER: Tell me about the frogs.
BAKETAMON: It was hard to know whether to laugh or to cry.
NELLIFER: You’d open your unmentionables drawer and — pop — one of them little fuckers would jump in your face.
BAKETAMON: Don’t let anyone tell you God hasn’t got a sense of humor.
INTERVIEWER: Which plague was the worst?
BAKETAMON: The boils, I’d say.
NELLIFER: The boils, are you kidding? The locusts were far worse than the boils.
BAKETAMON: The mosquitoes were pretty bad, too.
NELLIFER: And the flies.
BAKETAMON: And the cattle getting murrain.
NELLIFER: And the death of the firstborn. A lot of people hated that one.
BAKETAMON: Of course, it didn’t touch Nelli and me.
NELLIFER: We were lucky. Our firstborns were already dead.
BAKETAMON: Mine died in the hail.
INTERVIEWER: Frozen?
BAKETAMON: Beaned.
NELLIFER: Mine had been suffering from chronic diarrhea since he was a month old, so when the waters became blood — zap, kid got dehydrated.
BAKETAMON: Nelli, your mind’s going. It was your secondborn who died when the waters became blood. Your firstborn died in the darkness, when he accidentally drank that turpentine.