“No, the young one,” Adam corrected again. “She's a pretty little thing. She looks like a ballerina, but you can never tell in Europe. Every time I see a cute young thing, it turns out she's in medical school, or law school, or studying to be an engineer or a rocket scientist.”
“Well, you'd better behave yourself. She could be Sylvia's daughter, for all you know.” Although that wouldn't have stopped Adam. When it came to women, he was fearless, and without conscience or re-morse—to a point, of course. But he thought everyone was fair game unless they were married. There he drew the line, but nowhere else.
Like everyone else in the tiny port, they walked around the square and the shops after dinner, and close to midnight they walked up to the hotel from the port. And just as Sylvia had predicted, her entire group was sitting in the bar. They were laughing and talking and smoking, and when she saw the three men walk in, she waved with a broad smile. She introduced them to her friends again, and conveniently, the chair next to the young woman Adam had found pretty was vacant, and he asked her if he could sit down. She smiled and pointed to the seat. When she spoke to him, her English was excellent, although he could tell from her accent she was French. Sylvia explained to Gray that the young woman Adam was talking to was her niece. Charlie found himself sitting between two men. One was Italian, and the other French, and within minutes they were deeply engaged in a conversation about American politics and the situation in the Middle East. It was one of those typically European conversations that go straight to the core of things, without messing around, with everyone expressing strong opinions. Charlie loved exchanges like that, and within minutes, Sylvia and Gray were talking about art. It turned out that she had studied architecture, and lived in Paris for twenty years. She had been married to a Frenchman, and was now divorced, and had been for ten years.
“When we got divorced, I had no idea what to do, or where to live. He was an artist, and I was dead broke. I wanted to go home, but I realized I no longer had one. I grew up in Cleveland, and my parents were gone by then, and I hadn't lived there since high school, so I took both my kids and moved to New York. I got a job in a gallery in SoHo, and as soon as I could, I started a gallery on a shoestring, and much to my amazement, it worked. So here I am, ten years after I went back, still running the gallery. My daughter is studying in Florence, and my son is getting a master's at Oxford. And now I'm wondering what the hell I'm doing in New York.” She took a breath and smiled at him. “Tell me about your work.”
He explained the direction he had been taking for the past ten years and the motivations behind it. She understood exactly what he meant when he told her about the influences behind his painting. It all made sense to her, although it wasn't the kind of art she showed, but she had great respect for what he said, and what she'd seen of his work several years before. He said his style had changed considerably in the meantime, but she had been impressed by his earlier work. They discovered that they had lived within blocks of each other in Paris at roughly the same time. And she said without embarrassment that she was forty-nine years old, although she looked about forty-two. There was something very warm and sensual about her. She didn't look American, or French, but with her hair pulled back and her big green eyes, she looked very exotic, perhaps South American. She seemed completely at ease in her own skin, and with who she was. She was only a year younger than Gray, and their lives had run parallel many times. She also loved to paint, but said she wasn't very good. She did it more for fun. She had a deep love and respect for art.
They all sat there until nearly three o'clock, and then finally the threesome from the Blue Moon stood up.
“We'd better get back,” Charlie said. It had been an enjoyable evening for all of them. He had pursued his conversation among the other men for many hours. Gray and Sylvia hadn't stopped talking all night, and although Sylvia's niece was an undeniably pretty girl, Adam had gotten drawn into a conversation with a lawyer from Rome, and had enjoyed a heated debate, even more than he had enjoyed flirting with Sylvia's niece. It had been a terrific evening for all concerned, and their hosts stood up with regret.
“Would you like to spend the day on the boat tomorrow?” Charlie offered to the group at large, and everyone smiled and nodded their heads.
“All of us in a rowboat?” Sylvia teased. “I suppose we could take turns.”
“I'll try to come up with something more suitable by tomorrow,” Charlie promised. “We'll pick you up in the port at eleven.” He wrote down the phone number of the boat for her then, in case something changed. They left each other fast friends a few minutes later, and all three men looked pleased as they walked back down the hill to the tender waiting for them in the port. It was exactly what they loved about their trips together. They went to fun places and met interesting people. They all agreed that the evening they'd spent with the group that night had been one of their best.
“Sylvia is an amazing woman,” Gray commented admiringly, and Adam laughed.
“Well, at least I know you're not attracted to her,” Adam said as they reached the port. The tender was waiting for them with two crew members standing by. They were on duty at all hours, whenever Charlie and his friends were on the boat.
“How do you know I'm not attracted to her?” Gray asked with a look of amusement. “Actually, I'm not. But I like her head. I loved talking to her. She's incredibly honest and perceptive about the art scene in New York. She's a no-nonsense kind of person.”
“I know. I could see that while she was talking to you. And I know you're not attracted to her, because she's not nuts. She looks about as normal as it gets. No one's threatening her life, she doesn't look as though she'd put up with being abused by anyone, and she doesn't look as though her prescription for antipsychotic medication just ran out. I don't think there's a chance in hell you'll fall for that one, Gray,” Adam teased. She was nothing like the women Gray normally wound up with. She looked entirely put together, totally competent, and completely sane. Saner than most in fact.
“You never know,” Charlie said philosophically. “Magical things happen in Portofino, it's a very romantic place.”
“Not that romantic,” Adam countered, “unless she has a nervous breakdown by tomorrow at eleven.”
“I think he's right,” Gray said honestly. “I have a fatal weakness for women who need help. When her husband left her for someone else, she picked up her kids and moved to New York without a penny. Two years later she was running a gallery, and now it's one of the most successful in New York. Women like that don't need to be rescued.” He knew himself well, and so did his friends, but Charlie was still hopeful. He always was, even about himself.
“That could be a refreshing change,” Charlie suggested, smiling at him.
“I'd rather be her friend,” Gray said sensibly. “It lasts longer.” Charlie and Adam both agreed as they got back on the boat, said goodnight, and went to their cabins. It had been a terrific night.
The entire group came on board the next morning, as the three friends were finishing breakfast. Charlie gave them a tour of the boat, and they motored out to sea shortly after. They were all immensely impressed. It was quite a boat.
“Charlie tells me you travel together for a month every year. What a fabulous thing to do,” Sylvia said, smiling at Gray, as they both drank virgin Bloody Marys. Gray had decided that it would be a lot more fun to talk to Sylvia and stay sober. None of them had a drinking problem, but they readily agreed, they drank far too much on the boat, like bad teenagers who had run away from their parents. Around Sylvia, it was more of a challenge to be an adult. She was so bright, and so on top of things, he didn't want his senses dulled when he talked to her. They were deep in conversation about Renaissance frescoes in Italy, when the boat stopped and they threw anchor.